Buckets:
| id,title,hoja_id_pipeline,major_model_version,model_name,status,duration,is_instrumental,tags,gpt_description_prompt,prompt_letras,created_at,play_count,upvote_count,is_public,is_liked,is_trashed,has_hook,has_stem,tax_genero,tax_subgenero,tax_sub_sub_genero,tax_tier,tax_prioridad_kukito,tax_suno_capability,tax_radio_destino,tax_bpm_rango,tax_key_tipico,tax_mood,audio_url,video_url,image_url,image_large_url,mp3_local,cover_local | |
| d407bc7d-422f-4e81-91ce-609930c05cd1,DS_broken_beat_west_london_xg2y3,broken_beat_west_london,v5.5,chirp-fenix,submitted,,True,"Broken beat West London, 130 BPM, syncopated kick patterns, jazz Rhodes chord progression F minor dorian, upright bass walking, polyrhythmic percussion layered, muted trumpet samples, Co-Op club 2003 ","Broken beat West London, 130 BPM, syncopated kick patterns, jazz Rhodes chord progression F minor dorian, upright bass walking, polyrhythmic percussion layered, muted trumpet samples, Co-Op club 2003 aesthetic, 6 minute sophisticated groove, instrumental with subtle vocal chops",,2026-05-24T15:23:25.602Z,0,0,False,False,False,False,False,Electrónica,Broken beat,Broken beat West London,70_calidad,5,3,Deep House Jazzero Radio,125-135,"F minor, Bb minor, modo dórico","sophisticated, polyrhythmic, jazzy, futuristic, warm",,,,,, | |
| 181643db-a553-468f-aa39-e43b776e1ad3,DS_broken_beat_west_london_xg2y3,broken_beat_west_london,v5.5,chirp-fenix,submitted,,True,"Broken beat West London, 130 BPM, syncopated kick patterns, jazz Rhodes chord progression F minor dorian, upright bass walking, polyrhythmic percussion layered, muted trumpet samples, Co-Op club 2003 ","Broken beat West London, 130 BPM, syncopated kick patterns, jazz Rhodes chord progression F minor dorian, upright bass walking, polyrhythmic percussion layered, muted trumpet samples, Co-Op club 2003 aesthetic, 6 minute sophisticated groove, instrumental with subtle vocal chops",,2026-05-24T15:23:25.602Z,0,0,False,False,False,False,False,Electrónica,Broken beat,Broken beat West London,70_calidad,5,3,Deep House Jazzero Radio,125-135,"F minor, Bb minor, modo dórico","sophisticated, polyrhythmic, jazzy, futuristic, warm",,,,,, | |
| 2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91,DS_highlife_west_african_xda4h,highlife_west_african,v5.5,chirp-fenix,complete,217.16,False,"Highlife West African classic at 120 BPM with clean interlocking guitars, bright horn replies, polyrhythmic percussion, and a rolling bass groove; verse rides a relaxed dance-floor pocket, pre-chorus opens into clapping choir lifts, chorus hits with trumpet punches and call-response gang vocals. Lead vocal stays warm and close, choir answers in stacked harmonies, with short horn tags, hand drum breaks, and a vintage 1975 Accra feel. Celebratory, open, and sunlit mix, vocal, clean, uplifting, highlife, classic","Highlife West African classic, 120 BPM, clean West African guitar, horn section, polyrhythmic percussion, bass groove, vocal call-response with choir, G major celebratory, Accra 1975 aesthetic, 5 minute uplifting groove","[Verse 1] | |
| Morning market, red tomatoes | |
| Women laughing, baskets low | |
| Kente cloth on father’s shoulder | |
| Sweet palm wine by the road | |
| Children running, sandals slapping | |
| Dust goes golden at the gate | |
| Your name rolls from every corner | |
| And the whole town sings your fate | |
| [Pre-Chorus] | |
| Come on, come on | |
| Bring that smile to the circle | |
| Come on, come on | |
| Let the old drums wake the feet | |
| [Chorus] | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| We go rise tonight | |
| (eh-eh, we go rise) | |
| Hand in hand | |
| The city feels so light | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| [Verse 2] | |
| Taxi horn and mango peelings | |
| Blue shirt shining in the noon | |
| Mama taps the rhythm softly | |
| While the boys chase after spoons | |
| Every doorway turns to laughter | |
| Every corner starts to swing | |
| Even troubles lose their sandals | |
| When the choir begins to sing | |
| [Pre-Chorus] | |
| Come on, come on | |
| Bring that smile to the circle | |
| Come on, come on | |
| Let the old drums wake the feet | |
| [Chorus] | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| We go rise tonight | |
| (eh-eh, we go rise) | |
| Hand in hand | |
| The city feels so light | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| [Bridge] | |
| Oh, Accra, keep that fire | |
| Keep that warm, familiar glow | |
| Let the horns call out tomorrow | |
| But tonight we let it flow | |
| [Final Chorus] | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| We go rise tonight | |
| (eh-eh, we go rise) | |
| Hand in hand | |
| The city feels so light | |
| We go dance, dance, dance | |
| (we go dance, dance)",2026-05-24T15:21:14.240Z,1,0,False,False,False,False,False,World,Highlife,Highlife West African clásico,70_calidad,3,3,Stream sync,110-130,"G major, C major","uplifting, African, groovy, celebratory, vintage 70s",https://cdn1.suno.ai/2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91.mp3,,https://cdn2.suno.ai/image_2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91.jpeg,https://cdn2.suno.ai/image_large_2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2ee8cf50-58b1-4e29-ab35-cc3de5d4ec91.cover.jpg | |
| ec2e0f5b-5084-4304-9a2e-501187b29ede,DS_highlife_west_african_xda4h,highlife_west_african,v5.5,chirp-fenix,streaming,,False,"Highlife West African classic at 120 BPM with clean interlocking guitars, bright horn replies, polyrhythmic percussion, and a rolling bass groove; verse rides a relaxed dance-floor pocket, pre-chorus opens into clapping choir lifts, chorus hits with trumpet punches and call-response gang vocals. Lead vocal stays warm and close, choir answers in stacked harmonies, with short horn tags, hand drum breaks, and a vintage 1975 Accra feel. Celebratory, open, and sunlit mix, vocal, clean, uplifting, highlife, classic","Highlife West African classic, 120 BPM, clean West African guitar, horn section, polyrhythmic percussion, bass groove, vocal call-response with choir, G major celebratory, Accra 1975 aesthetic, 5 minute uplifting groove","[Verse 1] | |
| Morning market, red tomatoes | |
| Women laughing, baskets low | |
| Kente cloth on father’s shoulder | |
| Sweet palm wine by the road | |
| Children running, sandals slapping | |
| Dust goes golden at the gate | |
| Your name rolls from every corner | |
| And the whole town sings your fate | |
| [Pre-Chorus] | |
| Come on, come on | |
| Bring that smile to the circle | |
| Come on, come on | |
| Let the old drums wake the feet | |
| [Chorus] | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| We go rise tonight | |
| (eh-eh, we go rise) | |
| Hand in hand | |
| The city feels so light | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| [Verse 2] | |
| Taxi horn and mango peelings | |
| Blue shirt shining in the noon | |
| Mama taps the rhythm softly | |
| While the boys chase after spoons | |
| Every doorway turns to laughter | |
| Every corner starts to swing | |
| Even troubles lose their sandals | |
| When the choir begins to sing | |
| [Pre-Chorus] | |
| Come on, come on | |
| Bring that smile to the circle | |
| Come on, come on | |
| Let the old drums wake the feet | |
| [Chorus] | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| We go rise tonight | |
| (eh-eh, we go rise) | |
| Hand in hand | |
| The city feels so light | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| [Bridge] | |
| Oh, Accra, keep that fire | |
| Keep that warm, familiar glow | |
| Let the horns call out tomorrow | |
| But tonight we let it flow | |
| [Final Chorus] | |
| We go dance, dance, dance | |
| (we go dance, dance) | |
| We go rise tonight | |
| (eh-eh, we go rise) | |
| Hand in hand | |
| The city feels so light | |
| We go dance, dance, dance | |
| (we go dance, dance)",2026-05-24T15:21:14.240Z,0,0,False,False,False,False,False,World,Highlife,Highlife West African clásico,70_calidad,3,3,Stream sync,110-130,"G major, C major","uplifting, African, groovy, celebratory, vintage 70s",https://audiopipe.suno.ai/?item_id=ec2e0f5b-5084-4304-9a2e-501187b29ede,,https://cdn2.suno.ai/image_ec2e0f5b-5084-4304-9a2e-501187b29ede.jpeg,https://cdn2.suno.ai/image_large_ec2e0f5b-5084-4304-9a2e-501187b29ede.jpeg,,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ec2e0f5b-5084-4304-9a2e-501187b29ede.cover.jpg | |
| 0375c677-35e5-4f03-a64a-15e153fdf237,DS_drill_uk_dark_xb8ka,drill_uk_dark,v5.5,chirp-fenix,complete,181.32,False,"UK drill with rolling half-time kick pattern, chromatic piano stabs, altered jazz-fusion chords, chopped cool-jazz samples, sub-bass moving like a forest pulse, and a droning tampura layer; verse texture stays tense and sparse, midsection opens with polyrhythmic 5/4 percussion against the half-time grid, final section adds clustered stab replies and clipped turnaround hits. Tight, shadowy, and spaciously mixed., cool jazz, drone, drill, jazz fusion","Drill UK base + stabs piano cromáticos jazz fusion altered, samples cool jazz chopeados, sub-bass forest psy LFO, drone tampura, polirritmia 5/4 contra el half-time, 3:30 min",[Instrumental],2026-05-24T15:19:38.877Z,1,0,False,False,False,False,False,Hip-hop,Drill,Drill UK dark menacing,30_profiteable,3,4,Stream 30% / Shorts urban,140-150,"F# minor, C minor, Eb minor","dark urban, menacing atmosphere, tense, modern, atmospheric",https://cdn1.suno.ai/0375c677-35e5-4f03-a64a-15e153fdf237.mp3,,https://cdn2.suno.ai/image_0375c677-35e5-4f03-a64a-15e153fdf237.jpeg,https://cdn2.suno.ai/image_large_0375c677-35e5-4f03-a64a-15e153fdf237.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\0375c677-35e5-4f03-a64a-15e153fdf237.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\0375c677-35e5-4f03-a64a-15e153fdf237.cover.jpg | |
| 2335c4d7-8eab-4ae9-bab0-7fff352740f9,DS_drill_uk_dark_xb8ka,drill_uk_dark,v5.5,chirp-fenix,complete,213.24,False,"UK drill with rolling half-time kick pattern, chromatic piano stabs, altered jazz-fusion chords, chopped cool-jazz samples, sub-bass moving like a forest pulse, and a droning tampura layer; verse texture stays tense and sparse, midsection opens with polyrhythmic 5/4 percussion against the half-time grid, final section adds clustered stab replies and clipped turnaround hits. Tight, shadowy, and spaciously mixed., cool jazz, drone, drill, jazz fusion","Drill UK base + stabs piano cromáticos jazz fusion altered, samples cool jazz chopeados, sub-bass forest psy LFO, drone tampura, polirritmia 5/4 contra el half-time, 3:30 min",[Instrumental],2026-05-24T15:19:38.877Z,1,0,False,False,False,False,False,Hip-hop,Drill,Drill UK dark menacing,30_profiteable,3,4,Stream 30% / Shorts urban,140-150,"F# minor, C minor, Eb minor","dark urban, menacing atmosphere, tense, modern, atmospheric",https://cdn1.suno.ai/2335c4d7-8eab-4ae9-bab0-7fff352740f9.mp3,,https://cdn2.suno.ai/image_2335c4d7-8eab-4ae9-bab0-7fff352740f9.jpeg,https://cdn2.suno.ai/image_large_2335c4d7-8eab-4ae9-bab0-7fff352740f9.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2335c4d7-8eab-4ae9-bab0-7fff352740f9.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2335c4d7-8eab-4ae9-bab0-7fff352740f9.cover.jpg | |
| 86670437-0222-4c30-810a-485fb349c02d,DS_neo_soul_classic_2000_x9zt6,neo_soul_classic_2000,v5.5,chirp-fenix,complete,219.84,False,"Neo-soul in the early-2000s pocket at 85 BPM, swung and humanized with brushed drums, Rhodes chords, warm Moog bass, Hammond swells, and muted trumpet accents; verse stays sparse and intimate, pre-chorus opens with organ and bass lift, chorus blooms with stacked harmonies and gentle call-and-response. Soulful alto vocal with close-mic verses, silky doubles on hooks, ad-lib trails, and a few breathy asides. Ear candy: tape hiss on the intro, filtered drum pickup before the chorus, trumpet replies after line ends. Mix is warm, smoky, and wide with a Philadelphia Soulquarians glow., soulful, soul, vocal, warm","Neo-soul early 2000s, 85 BPM, Rhodes piano, warm Moog bass, humanized brushed drums, Hammond organ, muted trumpet, soulful alto vocal, Eb major intimate, Philadelphia Soulquarians aesthetic, 5 minute smoky groove","[Verse 1] | |
| Your coat on my chair | |
| Still got your rain on it | |
| I pour one slow | |
| And let the night lean in | |
| Your name in my mouth | |
| Tastes like a red plum | |
| I say it soft | |
| Then I say it again | |
| [Pre-Chorus] | |
| Tell me, do you miss me | |
| When the house goes still? | |
| Tell me, do you feel that pull | |
| Under your skin? | |
| [Chorus] | |
| Come back to my room | |
| Come back to my room | |
| I kept the same light on | |
| For you, for you | |
| Come back to my room | |
| Come back to my room | |
| Let that old hurt fade | |
| Let it fade out slow | |
| [Verse 2] | |
| The window is fogged | |
| From the soup on the stove | |
| I made too much | |
| Like I thought you'd show | |
| Your laugh in my head | |
| Keeps bumping the frame | |
| I reach for your hand | |
| Then I catch my own | |
| [Pre-Chorus] | |
| Tell me, do you miss me | |
| When the house goes still? | |
| Tell me, do you feel that pull | |
| Under your skin? | |
| [Chorus] | |
| Come back to my room | |
| Come back to my room | |
| I kept the same light on | |
| For you, for you | |
| Come back to my room | |
| Come back to my room | |
| Let that old hurt fade | |
| Let it fade out slow | |
| [Bridge] | |
| If you don't come home | |
| I'll still hold the door | |
| But I can't keep | |
| Calling your ghost no more | |
| My heart still swings | |
| Like a screen door hinge | |
| Open, close | |
| Open, close | |
| [Chorus] | |
| Come back to my room | |
| Come back to my room | |
| I kept the same light on | |
| For you, for you | |
| Come back to my room | |
| Come back to my room | |
| Let that old hurt fade | |
| Let it fade out slow",2026-05-24T15:18:40.395Z,1,0,False,False,False,False,False,Soul / R&B,Neo-soul,Neo-soul clásico early 2000s,70_calidad,5,4,Boom Bap Instrumental Radio (vocal hours),75-95,"Eb major, Ab major, F minor","soulful, warm, intimate, smoky, sophisticated, groovy",https://cdn1.suno.ai/86670437-0222-4c30-810a-485fb349c02d.mp3,,https://cdn2.suno.ai/image_86670437-0222-4c30-810a-485fb349c02d.jpeg,https://cdn2.suno.ai/image_large_86670437-0222-4c30-810a-485fb349c02d.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\86670437-0222-4c30-810a-485fb349c02d.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\86670437-0222-4c30-810a-485fb349c02d.cover.jpg | |
| b4bab373-1577-4022-bcac-46d4c460cc67,DS_neo_soul_classic_2000_x9zt6,neo_soul_classic_2000,v5.5,chirp-fenix,complete,217.92,False,"Neo-soul in the early-2000s pocket at 85 BPM, swung and humanized with brushed drums, Rhodes chords, warm Moog bass, Hammond swells, and muted trumpet accents; verse stays sparse and intimate, pre-chorus opens with organ and bass lift, chorus blooms with stacked harmonies and gentle call-and-response. Soulful alto vocal with close-mic verses, silky doubles on hooks, ad-lib trails, and a few breathy asides. Ear candy: tape hiss on the intro, filtered drum pickup before the chorus, trumpet replies after line ends. Mix is warm, smoky, and wide with a Philadelphia Soulquarians glow., soulful, soul, vocal, warm","Neo-soul early 2000s, 85 BPM, Rhodes piano, warm Moog bass, humanized brushed drums, Hammond organ, muted trumpet, soulful alto vocal, Eb major intimate, Philadelphia Soulquarians aesthetic, 5 minute smoky groove","[Verse 1] | |
| Your coat on my chair | |
| Still got your rain on it | |
| I pour one slow | |
| And let the night lean in | |
| Your name in my mouth | |
| Tastes like a red plum | |
| I say it soft | |
| Then I say it again | |
| [Pre-Chorus] | |
| Tell me, do you miss me | |
| When the house goes still? | |
| Tell me, do you feel that pull | |
| Under your skin? | |
| [Chorus] | |
| Come back to my room | |
| Come back to my room | |
| I kept the same light on | |
| For you, for you | |
| Come back to my room | |
| Come back to my room | |
| Let that old hurt fade | |
| Let it fade out slow | |
| [Verse 2] | |
| The window is fogged | |
| From the soup on the stove | |
| I made too much | |
| Like I thought you'd show | |
| Your laugh in my head | |
| Keeps bumping the frame | |
| I reach for your hand | |
| Then I catch my own | |
| [Pre-Chorus] | |
| Tell me, do you miss me | |
| When the house goes still? | |
| Tell me, do you feel that pull | |
| Under your skin? | |
| [Chorus] | |
| Come back to my room | |
| Come back to my room | |
| I kept the same light on | |
| For you, for you | |
| Come back to my room | |
| Come back to my room | |
| Let that old hurt fade | |
| Let it fade out slow | |
| [Bridge] | |
| If you don't come home | |
| I'll still hold the door | |
| But I can't keep | |
| Calling your ghost no more | |
| My heart still swings | |
| Like a screen door hinge | |
| Open, close | |
| Open, close | |
| [Chorus] | |
| Come back to my room | |
| Come back to my room | |
| I kept the same light on | |
| For you, for you | |
| Come back to my room | |
| Come back to my room | |
| Let that old hurt fade | |
| Let it fade out slow",2026-05-24T15:18:40.395Z,1,0,False,False,False,False,False,Soul / R&B,Neo-soul,Neo-soul clásico early 2000s,70_calidad,5,4,Boom Bap Instrumental Radio (vocal hours),75-95,"Eb major, Ab major, F minor","soulful, warm, intimate, smoky, sophisticated, groovy",https://cdn1.suno.ai/b4bab373-1577-4022-bcac-46d4c460cc67.mp3,,https://cdn2.suno.ai/image_b4bab373-1577-4022-bcac-46d4c460cc67.jpeg,https://cdn2.suno.ai/image_large_b4bab373-1577-4022-bcac-46d4c460cc67.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\b4bab373-1577-4022-bcac-46d4c460cc67.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\b4bab373-1577-4022-bcac-46d4c460cc67.cover.jpg | |
| 7eb53e02-5ee4-4821-b749-35b471ceb0a9,DS_alt_rnb_modern_x8pii,alt_rnb_modern,v5.5,chirp-fenix,complete,184.28,False,"Alt R&B with an 85 BPM laid-back pulse, off-grid sparse drums, warm sub-bass, Rhodes chords, airy pads, and clean electric guitar accents. Verse stays intimate and close-mic; pre-chorus opens with stacked harmonies and subtle counter-melody; chorus lands with smoother doubles, soft ad-lib echoes, and a wider vocal bed. Use tiny reverse swells, filtered ambience lifts, and occasional delay throws on the last word. Mix is nocturnal, velvety, and polished, with a dark glossy low end., vocal, ballad, warm, smooth, electric, clean, r&b","Alt R&B modern introspective, 85 BPM, Rhodes piano intimate, warm sub-bass, off-grid sparse drums, atmospheric pads, clean electric guitar, smooth alto vocal lead, F minor nocturnal mood, Toronto OVO aesthetic, 4 minute intimate ballad","[Verse 1] | |
| You left your coat by the door | |
| Still got your shape in the hall | |
| I pour the rain from my sleeve | |
| Try to act normal, that's all | |
| Your name still sits in my phone | |
| Like a bruise under skin | |
| I read it once, read it twice | |
| Then I let it sink in | |
| [Pre-Chorus] | |
| I was good at pretending | |
| Till the mirror got loud | |
| Now the room keeps your echo | |
| Even when you're not around | |
| [Chorus] | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| One sip, and I'm back there again | |
| I keep your glass on my mind | |
| (keep your glass on my mind) | |
| [Verse 2] | |
| Your lipstick on the white cup | |
| Your key on the counter edge | |
| The kettle clicked in the dark | |
| Like it knew what I left | |
| I said, ""I'm fine,"" too many times | |
| Now it tastes like a lie | |
| I can dress up the damage | |
| But it still asks why | |
| [Pre-Chorus] | |
| I was good at pretending | |
| Till the mirror got loud | |
| Now the room keeps your echo | |
| Even when you're not around | |
| [Chorus] | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| One sip, and I'm back there again | |
| I keep your glass on my mind | |
| (keep your glass on my mind) | |
| [Bridge] | |
| If you call, I might answer | |
| Then I might let it ring | |
| 'Cause I still hear that soft crash | |
| Of what we used to bring | |
| And I hate how I miss you | |
| In the small hours between | |
| When the whole place goes quiet | |
| And it's just me and your name | |
| [Final Chorus] | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| One sip, and I'm back there again | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| One sip, and I'm back there again | |
| I keep your glass on my mind | |
| (keep your glass on my mind)",2026-05-24T15:17:40.819Z,0,0,False,False,False,False,False,Soul / R&B,Alt R&B,Alt R&B moderno introspectivo,70_calidad,5,5,Boom Bap Instrumental Radio (vocal premium),70-95,"F minor, Bb minor, Eb minor","introspective, intimate, nocturnal, moody, smooth, atmospheric",https://cdn1.suno.ai/7eb53e02-5ee4-4821-b749-35b471ceb0a9.mp3,,https://cdn2.suno.ai/image_7eb53e02-5ee4-4821-b749-35b471ceb0a9.jpeg,https://cdn2.suno.ai/image_large_7eb53e02-5ee4-4821-b749-35b471ceb0a9.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7eb53e02-5ee4-4821-b749-35b471ceb0a9.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7eb53e02-5ee4-4821-b749-35b471ceb0a9.cover.jpg | |
| 133383eb-fb08-4d4d-bbfe-ec1bedf57dc7,DS_alt_rnb_modern_x8pii,alt_rnb_modern,v5.5,chirp-fenix,complete,182.2,False,"Alt R&B with an 85 BPM laid-back pulse, off-grid sparse drums, warm sub-bass, Rhodes chords, airy pads, and clean electric guitar accents. Verse stays intimate and close-mic; pre-chorus opens with stacked harmonies and subtle counter-melody; chorus lands with smoother doubles, soft ad-lib echoes, and a wider vocal bed. Use tiny reverse swells, filtered ambience lifts, and occasional delay throws on the last word. Mix is nocturnal, velvety, and polished, with a dark glossy low end., vocal, ballad, warm, smooth, electric, clean, r&b","Alt R&B modern introspective, 85 BPM, Rhodes piano intimate, warm sub-bass, off-grid sparse drums, atmospheric pads, clean electric guitar, smooth alto vocal lead, F minor nocturnal mood, Toronto OVO aesthetic, 4 minute intimate ballad","[Verse 1] | |
| You left your coat by the door | |
| Still got your shape in the hall | |
| I pour the rain from my sleeve | |
| Try to act normal, that's all | |
| Your name still sits in my phone | |
| Like a bruise under skin | |
| I read it once, read it twice | |
| Then I let it sink in | |
| [Pre-Chorus] | |
| I was good at pretending | |
| Till the mirror got loud | |
| Now the room keeps your echo | |
| Even when you're not around | |
| [Chorus] | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| One sip, and I'm back there again | |
| I keep your glass on my mind | |
| (keep your glass on my mind) | |
| [Verse 2] | |
| Your lipstick on the white cup | |
| Your key on the counter edge | |
| The kettle clicked in the dark | |
| Like it knew what I left | |
| I said, ""I'm fine,"" too many times | |
| Now it tastes like a lie | |
| I can dress up the damage | |
| But it still asks why | |
| [Pre-Chorus] | |
| I was good at pretending | |
| Till the mirror got loud | |
| Now the room keeps your echo | |
| Even when you're not around | |
| [Chorus] | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| One sip, and I'm back there again | |
| I keep your glass on my mind | |
| (keep your glass on my mind) | |
| [Bridge] | |
| If you call, I might answer | |
| Then I might let it ring | |
| 'Cause I still hear that soft crash | |
| Of what we used to bring | |
| And I hate how I miss you | |
| In the small hours between | |
| When the whole place goes quiet | |
| And it's just me and your name | |
| [Final Chorus] | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| One sip, and I'm back there again | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| I keep your glass on my mind | |
| One sip, and I'm back there again | |
| I keep your glass on my mind | |
| (keep your glass on my mind)",2026-05-24T15:17:40.819Z,1,0,False,False,False,False,False,Soul / R&B,Alt R&B,Alt R&B moderno introspectivo,70_calidad,5,5,Boom Bap Instrumental Radio (vocal premium),70-95,"F minor, Bb minor, Eb minor","introspective, intimate, nocturnal, moody, smooth, atmospheric",https://cdn1.suno.ai/133383eb-fb08-4d4d-bbfe-ec1bedf57dc7.mp3,,https://cdn2.suno.ai/image_133383eb-fb08-4d4d-bbfe-ec1bedf57dc7.jpeg,https://cdn2.suno.ai/image_large_133383eb-fb08-4d4d-bbfe-ec1bedf57dc7.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\133383eb-fb08-4d4d-bbfe-ec1bedf57dc7.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\133383eb-fb08-4d4d-bbfe-ec1bedf57dc7.cover.jpg | |
| 125401ff-a77f-4c07-bdf0-1b9eee600563,DS_psytrance_organic_downtempo_x77r8,psytrance_organic_downtempo,v5.5,chirp-fenix,complete,291.32,True,"Organic downtempo psybient at 95 BPM with didgeridoo drones and tabla loops, soft analog pads, forest field recordings, fretless bass, and kalimba textures in meditative Dorian A minor. Intro opens with birds, leaf rustle, and a single pulse; middle sections widen with layered hand percussion and bass movement; late development brings brighter pad blooms and drifting top-end shimmer. Breath-like swells, reversed chimes, and gentle tape movement between phrases. Warm earthy production, deep and immersive, intimate and organic., soft, slow, warm, downtempo, didgeridoo","Organic downtempo psybient, 95 BPM, didgeridoo and tabla loops, soft analog pads, forest field recordings, fretless bass, kalimba textures, meditative dorian A minor, 8 minute slow development, warm earthy production, no vocals instrumental",[Instrumental],2026-05-24T15:16:31.135Z,1,0,False,False,False,False,False,Electrónica,Psytrance,Organic downtempo / psybient,70_calidad,5,4,Deep House Jazzero Radio (crossover ambient),85-110,"A minor, modo eólico/dórico","meditative, organic, tribal, warm, earthy, spiritual",https://cdn1.suno.ai/125401ff-a77f-4c07-bdf0-1b9eee600563.mp3,,https://cdn2.suno.ai/image_125401ff-a77f-4c07-bdf0-1b9eee600563.jpeg,https://cdn2.suno.ai/image_large_125401ff-a77f-4c07-bdf0-1b9eee600563.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\125401ff-a77f-4c07-bdf0-1b9eee600563.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\125401ff-a77f-4c07-bdf0-1b9eee600563.cover.jpg | |
| d0e52ba7-9402-4c96-b250-e1f0628ecede,DS_psytrance_organic_downtempo_x77r8,psytrance_organic_downtempo,v5.5,chirp-fenix,complete,299.04,True,"Organic downtempo psybient at 95 BPM with didgeridoo drones and tabla loops, soft analog pads, forest field recordings, fretless bass, and kalimba textures in meditative Dorian A minor. Intro opens with birds, leaf rustle, and a single pulse; middle sections widen with layered hand percussion and bass movement; late development brings brighter pad blooms and drifting top-end shimmer. Breath-like swells, reversed chimes, and gentle tape movement between phrases. Warm earthy production, deep and immersive, intimate and organic., soft, slow, warm, downtempo, didgeridoo","Organic downtempo psybient, 95 BPM, didgeridoo and tabla loops, soft analog pads, forest field recordings, fretless bass, kalimba textures, meditative dorian A minor, 8 minute slow development, warm earthy production, no vocals instrumental",[Instrumental],2026-05-24T15:16:31.134Z,1,0,False,False,False,False,False,Electrónica,Psytrance,Organic downtempo / psybient,70_calidad,5,4,Deep House Jazzero Radio (crossover ambient),85-110,"A minor, modo eólico/dórico","meditative, organic, tribal, warm, earthy, spiritual",https://cdn1.suno.ai/d0e52ba7-9402-4c96-b250-e1f0628ecede.mp3,,https://cdn2.suno.ai/image_d0e52ba7-9402-4c96-b250-e1f0628ecede.jpeg,https://cdn2.suno.ai/image_large_d0e52ba7-9402-4c96-b250-e1f0628ecede.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d0e52ba7-9402-4c96-b250-e1f0628ecede.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d0e52ba7-9402-4c96-b250-e1f0628ecede.cover.jpg | |
| 82eb45d8-1ea2-448a-b6e3-2287e64a84d4,Gritty Chandelier Swing,,v5.5,chirp-fenix,complete,31.32,False,trap house soul,,no lyrics please,2026-05-24T15:12:24.498Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/82eb45d8-1ea2-448a-b6e3-2287e64a84d4.mp3,,https://cdn2.suno.ai/image_82eb45d8-1ea2-448a-b6e3-2287e64a84d4.jpeg,https://cdn2.suno.ai/image_large_82eb45d8-1ea2-448a-b6e3-2287e64a84d4.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\82eb45d8-1ea2-448a-b6e3-2287e64a84d4.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\82eb45d8-1ea2-448a-b6e3-2287e64a84d4.cover.jpg | |
| 3bf11023-6777-4807-9c3a-7717ff3647fa,Gritty Chandelier Swing,,v5.5,chirp-fenix,complete,34.12,False,trap house soul,,no lyrics please,2026-05-24T15:12:24.498Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/3bf11023-6777-4807-9c3a-7717ff3647fa.mp3,,https://cdn2.suno.ai/image_3bf11023-6777-4807-9c3a-7717ff3647fa.jpeg,https://cdn2.suno.ai/image_large_3bf11023-6777-4807-9c3a-7717ff3647fa.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3bf11023-6777-4807-9c3a-7717ff3647fa.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3bf11023-6777-4807-9c3a-7717ff3647fa.cover.jpg | |
| 08f05407-3b13-4c52-9539-7e9bd3937944,DS_deep_house_jazzy_french_wf7sb,deep_house_jazzy_french,v5.5,chirp-fenix,complete,479.4,True,"French deep house at 122 BPM with a sophisticated swung groove; verse layers a walking upright bass, Rhodes chords in F minor Dorian, and brushed drums kissed by a tight 909. Chorus opens with muted trumpet loops and Hammond B3 stabs, bridge introduces tenor sax samples and filter sweeps. Paris 2001 nightclub glow, warm, glossy, and hypnotic, sophisticated, jazzy, deep house, saxophone","French deep house jazzy, 122 BPM, upright bass walking line, Rhodes piano chords F minor dorian, muted trumpet samples, brushed drums layered with 909, Hammond B3 stabs, tenor saxophone samples in bridge, Parisian 2001 aesthetic, 6 minute sophisticated groove, instrumental",[Instrumental],2026-05-24T14:54:44.392Z,1,0,False,False,False,False,False,Electrónica,House,French deep house jazzy,70_calidad,5,4,Deep House Jazzero Radio,118-124,"F minor, Bb minor, modo dórico","sophisticated, lounge, jazzy, Parisian, warm, groovy",https://cdn1.suno.ai/08f05407-3b13-4c52-9539-7e9bd3937944.mp3,,https://cdn2.suno.ai/image_08f05407-3b13-4c52-9539-7e9bd3937944.jpeg,https://cdn2.suno.ai/image_large_08f05407-3b13-4c52-9539-7e9bd3937944.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\08f05407-3b13-4c52-9539-7e9bd3937944.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\08f05407-3b13-4c52-9539-7e9bd3937944.cover.jpg | |
| 18df28a0-c1c3-496a-ba8b-0127c68e7e81,DS_deep_house_jazzy_french_wf7sb,deep_house_jazzy_french,v5.5,chirp-fenix,complete,213.48,True,"French deep house at 122 BPM with a sophisticated swung groove; verse layers a walking upright bass, Rhodes chords in F minor Dorian, and brushed drums kissed by a tight 909. Chorus opens with muted trumpet loops and Hammond B3 stabs, bridge introduces tenor sax samples and filter sweeps. Paris 2001 nightclub glow, warm, glossy, and hypnotic, sophisticated, jazzy, deep house, saxophone","French deep house jazzy, 122 BPM, upright bass walking line, Rhodes piano chords F minor dorian, muted trumpet samples, brushed drums layered with 909, Hammond B3 stabs, tenor saxophone samples in bridge, Parisian 2001 aesthetic, 6 minute sophisticated groove, instrumental",[Instrumental],2026-05-24T14:54:44.392Z,1,0,False,False,False,False,False,Electrónica,House,French deep house jazzy,70_calidad,5,4,Deep House Jazzero Radio,118-124,"F minor, Bb minor, modo dórico","sophisticated, lounge, jazzy, Parisian, warm, groovy",https://cdn1.suno.ai/18df28a0-c1c3-496a-ba8b-0127c68e7e81.mp3,,https://cdn2.suno.ai/image_18df28a0-c1c3-496a-ba8b-0127c68e7e81.jpeg,https://cdn2.suno.ai/image_large_18df28a0-c1c3-496a-ba8b-0127c68e7e81.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\18df28a0-c1c3-496a-ba8b-0127c68e7e81.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\18df28a0-c1c3-496a-ba8b-0127c68e7e81.cover.jpg | |
| 743c0e30-ca86-47f6-852d-6b401f4acc20,DS_pop_femenino_alt_2026_wej3f,pop_femenino_alt_2026,v5.5,chirp-fenix,complete,145.56,False,"Pop experimental with 5/4 pulse and subtle polyrhythmic hi-hats, Dilla-swing drums, and maj7#11 voicings floating over an I-V-vi-IV bed with modal interchange. Verse rides a tight groove; pre-chorus chops a boom-bap sample and opens the stereo; chorus lifts with stacked chords and brighter percussion; bridge drops to filtered drums and a lone piano figure before the final return. Crisp, off-kilter, and glossy with dusty sample texture., pop","Pop weird base + polirritmia 5/4 en hi-hats sutil, voicings maj7#11 sobre I-V-vi-IV, modal interchange, drums Dilla humanizados, sample boom bap chopeado en pre-chorus, 3 min",[Instrumental],2026-05-24T14:54:12.550Z,1,0,False,False,False,False,False,Pop,Pop,Pop femenino weird production 2026,30_profiteable,3,5,Stream 30% / Shorts virales,95-115,"F# minor, A minor, C major","weird, modern, introspective, polished, alternative pop",https://cdn1.suno.ai/743c0e30-ca86-47f6-852d-6b401f4acc20.mp3,,https://cdn2.suno.ai/image_743c0e30-ca86-47f6-852d-6b401f4acc20.jpeg,https://cdn2.suno.ai/image_large_743c0e30-ca86-47f6-852d-6b401f4acc20.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\743c0e30-ca86-47f6-852d-6b401f4acc20.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\743c0e30-ca86-47f6-852d-6b401f4acc20.cover.jpg | |
| 87461d6c-71c7-41e1-9aed-71aada4d79cf,DS_pop_femenino_alt_2026_wej3f,pop_femenino_alt_2026,v5.5,chirp-fenix,complete,127.36,False,"Pop experimental with 5/4 pulse and subtle polyrhythmic hi-hats, Dilla-swing drums, and maj7#11 voicings floating over an I-V-vi-IV bed with modal interchange. Verse rides a tight groove; pre-chorus chops a boom-bap sample and opens the stereo; chorus lifts with stacked chords and brighter percussion; bridge drops to filtered drums and a lone piano figure before the final return. Crisp, off-kilter, and glossy with dusty sample texture., pop","Pop weird base + polirritmia 5/4 en hi-hats sutil, voicings maj7#11 sobre I-V-vi-IV, modal interchange, drums Dilla humanizados, sample boom bap chopeado en pre-chorus, 3 min",[Instrumental],2026-05-24T14:54:12.550Z,0,0,False,False,False,False,False,Pop,Pop,Pop femenino weird production 2026,30_profiteable,3,5,Stream 30% / Shorts virales,95-115,"F# minor, A minor, C major","weird, modern, introspective, polished, alternative pop",https://cdn1.suno.ai/87461d6c-71c7-41e1-9aed-71aada4d79cf.mp3,,https://cdn2.suno.ai/image_87461d6c-71c7-41e1-9aed-71aada4d79cf.jpeg,https://cdn2.suno.ai/image_large_87461d6c-71c7-41e1-9aed-71aada4d79cf.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\87461d6c-71c7-41e1-9aed-71aada4d79cf.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\87461d6c-71c7-41e1-9aed-71aada4d79cf.cover.jpg | |
| d41f8dd4-d728-4a43-a418-cf1c58959625,DS_detroit_techno_dub_wdv6f,detroit_techno_dub,v5.5,chirp-fenix,complete,479.4,True,"Dub techno, 124 BPM, Detroit-Berlin pulse with swung 909 kick, deep sub-bass, brushed hats, and filtered chord stabs feeding tape delay into warehouse reverb; verse sections stay skeletal, then the pattern opens with longer delay tails, subtle chord brightening, and low-end pressure shifts; final stretch blooms with wider echoes and ghostly top-end haze. Dark, hypnotic, spacious, dusty-deep mix., dub techno, deep, slow, minimal, hypnotic","Dub techno Detroit Berlin, 124 BPM, 909 kick, deep sub-bass, filtered chord stabs with tape delay, warehouse reverb, brushed hi-hats, C minor hypnotic, 8 minute slow development minimal, Basic Channel 1995 aesthetic, no vocals instrumental",[Instrumental],2026-05-24T14:53:41.367Z,1,0,False,False,False,False,False,Electrónica,Detroit techno,Dub techno Detroit / Berlín,70_calidad,5,3,Detroit Techno Radio,120-128,"C minor, F minor, A minor","hypnotic, deep, warehouse, industrial, melancholic, rolling",https://cdn1.suno.ai/d41f8dd4-d728-4a43-a418-cf1c58959625.mp3,,https://cdn2.suno.ai/image_d41f8dd4-d728-4a43-a418-cf1c58959625.jpeg,https://cdn2.suno.ai/image_large_d41f8dd4-d728-4a43-a418-cf1c58959625.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d41f8dd4-d728-4a43-a418-cf1c58959625.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d41f8dd4-d728-4a43-a418-cf1c58959625.cover.jpg | |
| 6b8ba8d8-da8b-4fe2-8b53-7fe71831733d,DS_detroit_techno_dub_wdv6f,detroit_techno_dub,v5.5,chirp-fenix,complete,479.4,True,"Dub techno, 124 BPM, Detroit-Berlin pulse with swung 909 kick, deep sub-bass, brushed hats, and filtered chord stabs feeding tape delay into warehouse reverb; verse sections stay skeletal, then the pattern opens with longer delay tails, subtle chord brightening, and low-end pressure shifts; final stretch blooms with wider echoes and ghostly top-end haze. Dark, hypnotic, spacious, dusty-deep mix., dub techno, deep, slow, minimal, hypnotic","Dub techno Detroit Berlin, 124 BPM, 909 kick, deep sub-bass, filtered chord stabs with tape delay, warehouse reverb, brushed hi-hats, C minor hypnotic, 8 minute slow development minimal, Basic Channel 1995 aesthetic, no vocals instrumental",[Instrumental],2026-05-24T14:53:41.367Z,0,0,False,False,False,False,False,Electrónica,Detroit techno,Dub techno Detroit / Berlín,70_calidad,5,3,Detroit Techno Radio,120-128,"C minor, F minor, A minor","hypnotic, deep, warehouse, industrial, melancholic, rolling",https://cdn1.suno.ai/6b8ba8d8-da8b-4fe2-8b53-7fe71831733d.mp3,,https://cdn2.suno.ai/image_6b8ba8d8-da8b-4fe2-8b53-7fe71831733d.jpeg,https://cdn2.suno.ai/image_large_6b8ba8d8-da8b-4fe2-8b53-7fe71831733d.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6b8ba8d8-da8b-4fe2-8b53-7fe71831733d.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6b8ba8d8-da8b-4fe2-8b53-7fe71831733d.cover.jpg | |
| e55bc0bb-7198-43c5-913b-4a63cadf6b74,DS_phonk_gym_aggressive_wd5pw,phonk_gym_aggressive,v5.5,chirp-fenix,complete,104.16,True,"Phonk workout instrumental at 155 BPM with aggressive swung kicks, distorted bass drops, sharp cowbells, and a snarling D minor synth lead. Verse sections stay sparse with clipped drums and filtered grit; build adds risers, reverse swells, and chopped vocal grunt textures; drop hits full-force with doubled bass and punchy hook stabs. Heavy, dry, and brutally forward-mixed., workout, vocal","Gym phonk aggressive workout, 155 BPM, aggressive distorted bass, punchy kicks, cowbells, aggressive synth lead D minor, sample vocal grunts, Russian phonk scene aesthetic, 2:30 minute intense workout instrumental",[Instrumental],2026-05-24T14:53:08.434Z,0,0,False,False,False,False,False,Hip-hop,Phonk,Gym phonk aggressive,30_profiteable,1,4,Phonk Radio / gym playlist,140-170,"D minor, F minor","aggressive, intense, workout, energetic, dark",https://cdn1.suno.ai/e55bc0bb-7198-43c5-913b-4a63cadf6b74.mp3,,https://cdn2.suno.ai/image_e55bc0bb-7198-43c5-913b-4a63cadf6b74.jpeg,https://cdn2.suno.ai/image_large_e55bc0bb-7198-43c5-913b-4a63cadf6b74.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e55bc0bb-7198-43c5-913b-4a63cadf6b74.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e55bc0bb-7198-43c5-913b-4a63cadf6b74.cover.jpg | |
| 908a8791-65e6-4628-9110-841a08623382,DS_phonk_gym_aggressive_wd5pw,phonk_gym_aggressive,v5.5,chirp-fenix,complete,97.68,True,"Phonk workout instrumental at 155 BPM with aggressive swung kicks, distorted bass drops, sharp cowbells, and a snarling D minor synth lead. Verse sections stay sparse with clipped drums and filtered grit; build adds risers, reverse swells, and chopped vocal grunt textures; drop hits full-force with doubled bass and punchy hook stabs. Heavy, dry, and brutally forward-mixed., workout, vocal","Gym phonk aggressive workout, 155 BPM, aggressive distorted bass, punchy kicks, cowbells, aggressive synth lead D minor, sample vocal grunts, Russian phonk scene aesthetic, 2:30 minute intense workout instrumental",[Instrumental],2026-05-24T14:53:08.434Z,0,0,False,False,False,False,False,Hip-hop,Phonk,Gym phonk aggressive,30_profiteable,1,4,Phonk Radio / gym playlist,140-170,"D minor, F minor","aggressive, intense, workout, energetic, dark",https://cdn1.suno.ai/908a8791-65e6-4628-9110-841a08623382.mp3,,https://cdn2.suno.ai/image_908a8791-65e6-4628-9110-841a08623382.jpeg,https://cdn2.suno.ai/image_large_908a8791-65e6-4628-9110-841a08623382.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\908a8791-65e6-4628-9110-841a08623382.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\908a8791-65e6-4628-9110-841a08623382.cover.jpg | |
| 7bbdaa05-879a-40ee-8bff-c3225b6cd9c6,DS_jazz_cool_west_coast_wcg91,jazz_cool_west_coast,v5.5,chirp-fenix,complete,174.84,True,"Cool jazz, midtempo 100 BPM swing with West Coast looseness, muted trumpet lead over alto saxophone, walking upright bass, brushed drums, and subtle piano comping in F major; verse-like sections rotate the head, then solo trades open up with trumpet, sax, and four-bar exchanges, a sparse bridge cools down to bass-and-brushes, and the last chorus returns with fuller horn voicings. Soft room-mic vocal-like horn phrasing, tasteful ride cymbal lift, quick piano fills, and occasional drum brush swells. Polished, airy, and sunlit with a 1955 California club sheen., cool jazz, smooth, saxophone","Cool jazz West Coast accessible, 100 BPM, muted trumpet lead, alto saxophone, walking upright bass, brushed drums, subtle piano comping F major, California 1955 aesthetic, 6 minute smooth instrumental with solo trades",[Instrumental],2026-05-24T14:52:35.995Z,0,0,False,False,False,False,False,Jazz,Cool jazz,Cool jazz West Coast accesible,70_calidad,4,3,Boom Bap Instrumental Radio (vocal/instr crossover),80-120,"F major, Bb major, Eb major","smooth, intellectual, smoky, vintage 50s, relaxed",https://cdn1.suno.ai/7bbdaa05-879a-40ee-8bff-c3225b6cd9c6.mp3,,https://cdn2.suno.ai/image_7bbdaa05-879a-40ee-8bff-c3225b6cd9c6.jpeg,https://cdn2.suno.ai/image_large_7bbdaa05-879a-40ee-8bff-c3225b6cd9c6.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7bbdaa05-879a-40ee-8bff-c3225b6cd9c6.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7bbdaa05-879a-40ee-8bff-c3225b6cd9c6.cover.jpg | |
| a774191b-78b8-481d-9f02-8ea6c5d06da7,DS_jazz_cool_west_coast_wcg91,jazz_cool_west_coast,v5.5,chirp-fenix,complete,172.36,True,"Cool jazz, midtempo 100 BPM swing with West Coast looseness, muted trumpet lead over alto saxophone, walking upright bass, brushed drums, and subtle piano comping in F major; verse-like sections rotate the head, then solo trades open up with trumpet, sax, and four-bar exchanges, a sparse bridge cools down to bass-and-brushes, and the last chorus returns with fuller horn voicings. Soft room-mic vocal-like horn phrasing, tasteful ride cymbal lift, quick piano fills, and occasional drum brush swells. Polished, airy, and sunlit with a 1955 California club sheen., cool jazz, smooth, saxophone","Cool jazz West Coast accessible, 100 BPM, muted trumpet lead, alto saxophone, walking upright bass, brushed drums, subtle piano comping F major, California 1955 aesthetic, 6 minute smooth instrumental with solo trades",[Instrumental],2026-05-24T14:52:35.995Z,0,0,False,False,False,False,False,Jazz,Cool jazz,Cool jazz West Coast accesible,70_calidad,4,3,Boom Bap Instrumental Radio (vocal/instr crossover),80-120,"F major, Bb major, Eb major","smooth, intellectual, smoky, vintage 50s, relaxed",https://cdn1.suno.ai/a774191b-78b8-481d-9f02-8ea6c5d06da7.mp3,,https://cdn2.suno.ai/image_a774191b-78b8-481d-9f02-8ea6c5d06da7.jpeg,https://cdn2.suno.ai/image_large_a774191b-78b8-481d-9f02-8ea6c5d06da7.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\a774191b-78b8-481d-9f02-8ea6c5d06da7.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\a774191b-78b8-481d-9f02-8ea6c5d06da7.cover.jpg | |
| 5171cd27-c857-4f0a-81be-cc72ab7c0dbc,DS_pop_balladon_cinematic_wbtvn,pop_balladon_cinematic,v5.5,chirp-fenix,complete,179.56,False,"Pop ballad with art-rock density and a slow, swaying pulse; verses lean on piano and low strings, pre-builds open into lush string swells, and the main lift hits with gospel-filtered choir color and broad pedal-point harmony. Add Bill Evans-style altered voicings, modal interchange from minor to radiant major, and a smoky sax outro. Wide, cinematic, glossy yet organic mix., art rock, pop, jazz, gospel","Pop balladón base + strings tipo art rock densos, voicings jazz altered Bill Evans, modal interchange románico, coros gospel filtered, solos saxo en outro, 4 min",[Instrumental],2026-05-24T14:52:06.473Z,0,0,False,False,False,False,False,Pop,Pop,Pop balladón cinematic,30_profiteable,3,5,Stream 30% / sync,65-85,"C major, F major, A minor","emotional, cinematic, epic, romantic, lush",https://cdn1.suno.ai/5171cd27-c857-4f0a-81be-cc72ab7c0dbc.mp3,,https://cdn2.suno.ai/image_5171cd27-c857-4f0a-81be-cc72ab7c0dbc.jpeg,https://cdn2.suno.ai/image_large_5171cd27-c857-4f0a-81be-cc72ab7c0dbc.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\5171cd27-c857-4f0a-81be-cc72ab7c0dbc.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\5171cd27-c857-4f0a-81be-cc72ab7c0dbc.cover.jpg | |
| dda271f8-b092-4c4e-9366-ea860a880809,DS_pop_balladon_cinematic_wbtvn,pop_balladon_cinematic,v5.5,chirp-fenix,complete,148.92,False,"Pop ballad with art-rock density and a slow, swaying pulse; verses lean on piano and low strings, pre-builds open into lush string swells, and the main lift hits with gospel-filtered choir color and broad pedal-point harmony. Add Bill Evans-style altered voicings, modal interchange from minor to radiant major, and a smoky sax outro. Wide, cinematic, glossy yet organic mix., art rock, pop, jazz, gospel","Pop balladón base + strings tipo art rock densos, voicings jazz altered Bill Evans, modal interchange románico, coros gospel filtered, solos saxo en outro, 4 min",[Instrumental],2026-05-24T14:52:06.473Z,0,0,False,False,False,False,False,Pop,Pop,Pop balladón cinematic,30_profiteable,3,5,Stream 30% / sync,65-85,"C major, F major, A minor","emotional, cinematic, epic, romantic, lush",https://cdn1.suno.ai/dda271f8-b092-4c4e-9366-ea860a880809.mp3,,https://cdn2.suno.ai/image_dda271f8-b092-4c4e-9366-ea860a880809.jpeg,https://cdn2.suno.ai/image_large_dda271f8-b092-4c4e-9366-ea860a880809.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\dda271f8-b092-4c4e-9366-ea860a880809.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\dda271f8-b092-4c4e-9366-ea860a880809.cover.jpg | |
| c5e1fd40-8db2-4757-92cd-26a436667db7,DS_soul_classic_motown_wb56j,soul_classic_motown,v5.5,chirp-fenix,complete,191.36,False,"Soulful Motown with a 100 BPM backbeat, pocketed tambourine, groovy bass, Hammond organ swells, gospel piano fills, and punchy horn stabs; verse rides tight band interplay and intimate lead vocal, pre-chorus lifts with handclaps and stacked responses, chorus opens wide with brass hits and group answers, bridge strips to organ and piano before a bigger final chorus. Female lead vocal with warm doubles on the hook, short harmony lifts, and ad-lib shouts tucked into the margins. Ear candy includes horn pick-ups, reversed swell transitions, and brief tambourine breaks. Bright, analog, and rich with tape warmth., groovy, classic, vocal, warm, soulful, motown, uplifting, gospel, soul","Soul classic Motown era, 100 BPM, Hammond organ, gospel piano, tambourine, horn brass section, groovy bass, soulful female vocal lead, Bb major uplifting, Detroit Motown 1967 aesthetic, 4 minute warm soulful track","[Verse 1] | |
| I woke up with a heavy sky | |
| But you came walking by | |
| Sun in your church hat brim | |
| And the whole room turned bright again | |
| You said, “Baby, take my hand” | |
| Like you knew just where I stand | |
| I was tired, I was torn | |
| Then you smiled and I was reborn | |
| [Pre-Chorus] | |
| Oh, you got that way | |
| You make the dark step back | |
| One little look from you | |
| And my heartbeat snaps right back | |
| [Chorus] | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| We can make it through tonight | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| When the road feels hard and long | |
| You keep me standing strong | |
| [Verse 2] | |
| Mama taught me how to pray | |
| And keep my knees from giving way | |
| Your words came soft and sure | |
| Like a hymn through the parlor door | |
| Now the rain can pour outside | |
| I got a flame I can’t hide | |
| If the world gets rough and gray | |
| You turn my blues to a holiday | |
| [Pre-Chorus] | |
| Oh, you got that way | |
| You make the doubt step back | |
| One little touch from you | |
| And my whole world turns from black | |
| [Chorus] | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| We can make it through tonight | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| When the road feels hard and long | |
| You keep me standing strong | |
| [Bridge] | |
| Let the doors swing wide | |
| Let the old hurt run on out | |
| I’ve been through the fire | |
| But your love brings me back now | |
| I don’t need no gold | |
| I don’t need no crowd | |
| Just your voice, your eyes | |
| And a good thing holding me down | |
| [Chorus] | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| We can make it through tonight | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| When the road feels hard and long | |
| You keep me standing strong | |
| [Outro] | |
| Oh, hold my hand | |
| Hold my hand, Detroit | |
| Oh, hold my hand | |
| We can make it, Detroit",2026-05-24T14:51:34.355Z,0,0,False,False,False,False,False,Soul / R&B,Soul,Soul clásico Motown era,70_calidad,4,4,Boom Bap Instrumental Radio (vocal hours),80-120,"Bb major, Eb major, F major","soulful, warm, vintage 60s, uplifting, Motown",https://cdn1.suno.ai/c5e1fd40-8db2-4757-92cd-26a436667db7.mp3,,https://cdn2.suno.ai/image_c5e1fd40-8db2-4757-92cd-26a436667db7.jpeg,https://cdn2.suno.ai/image_large_c5e1fd40-8db2-4757-92cd-26a436667db7.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\c5e1fd40-8db2-4757-92cd-26a436667db7.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\c5e1fd40-8db2-4757-92cd-26a436667db7.cover.jpg | |
| 866ed9bd-e44c-46c7-93d6-685207314bb4,DS_soul_classic_motown_wb56j,soul_classic_motown,v5.5,chirp-fenix,complete,190.88,False,"Soulful Motown with a 100 BPM backbeat, pocketed tambourine, groovy bass, Hammond organ swells, gospel piano fills, and punchy horn stabs; verse rides tight band interplay and intimate lead vocal, pre-chorus lifts with handclaps and stacked responses, chorus opens wide with brass hits and group answers, bridge strips to organ and piano before a bigger final chorus. Female lead vocal with warm doubles on the hook, short harmony lifts, and ad-lib shouts tucked into the margins. Ear candy includes horn pick-ups, reversed swell transitions, and brief tambourine breaks. Bright, analog, and rich with tape warmth., groovy, classic, vocal, warm, soulful, motown, uplifting, gospel, soul","Soul classic Motown era, 100 BPM, Hammond organ, gospel piano, tambourine, horn brass section, groovy bass, soulful female vocal lead, Bb major uplifting, Detroit Motown 1967 aesthetic, 4 minute warm soulful track","[Verse 1] | |
| I woke up with a heavy sky | |
| But you came walking by | |
| Sun in your church hat brim | |
| And the whole room turned bright again | |
| You said, “Baby, take my hand” | |
| Like you knew just where I stand | |
| I was tired, I was torn | |
| Then you smiled and I was reborn | |
| [Pre-Chorus] | |
| Oh, you got that way | |
| You make the dark step back | |
| One little look from you | |
| And my heartbeat snaps right back | |
| [Chorus] | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| We can make it through tonight | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| When the road feels hard and long | |
| You keep me standing strong | |
| [Verse 2] | |
| Mama taught me how to pray | |
| And keep my knees from giving way | |
| Your words came soft and sure | |
| Like a hymn through the parlor door | |
| Now the rain can pour outside | |
| I got a flame I can’t hide | |
| If the world gets rough and gray | |
| You turn my blues to a holiday | |
| [Pre-Chorus] | |
| Oh, you got that way | |
| You make the doubt step back | |
| One little touch from you | |
| And my whole world turns from black | |
| [Chorus] | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| We can make it through tonight | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| When the road feels hard and long | |
| You keep me standing strong | |
| [Bridge] | |
| Let the doors swing wide | |
| Let the old hurt run on out | |
| I’ve been through the fire | |
| But your love brings me back now | |
| I don’t need no gold | |
| I don’t need no crowd | |
| Just your voice, your eyes | |
| And a good thing holding me down | |
| [Chorus] | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| We can make it through tonight | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| Hold my hand, Detroit | |
| When the road feels hard and long | |
| You keep me standing strong | |
| [Outro] | |
| Oh, hold my hand | |
| Hold my hand, Detroit | |
| Oh, hold my hand | |
| We can make it, Detroit",2026-05-24T14:51:34.355Z,0,0,False,False,False,False,False,Soul / R&B,Soul,Soul clásico Motown era,70_calidad,4,4,Boom Bap Instrumental Radio (vocal hours),80-120,"Bb major, Eb major, F major","soulful, warm, vintage 60s, uplifting, Motown",https://cdn1.suno.ai/866ed9bd-e44c-46c7-93d6-685207314bb4.mp3,,https://cdn2.suno.ai/image_866ed9bd-e44c-46c7-93d6-685207314bb4.jpeg,https://cdn2.suno.ai/image_large_866ed9bd-e44c-46c7-93d6-685207314bb4.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\866ed9bd-e44c-46c7-93d6-685207314bb4.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\866ed9bd-e44c-46c7-93d6-685207314bb4.cover.jpg | |
| 4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff,DS_psytrance_progressive_morning_organic_waihb,psytrance_progressive_morning_organic,v5.5,chirp-fenix,complete,354.88,True,"Progressive psytrance with a rolling 138 BPM drive, tribal layered percussion, analog warm pads, FX risers, and uplifting modal harmony in A minor; intro opens on dusty hand drums and filtered pulse, middle sections widen with glassy arps and evolving tension, then the long build keeps stacking rhythmic accents and airy motifs instead of a hard drop. A filtered break strips to pad and percussion before the final lift, with breathy vocal chops, reverse swells, and subtle delay tails. Wide, warm, sunlit mix with club-ready low end., warm, bassline, harmony, progressive psytrance, uplifting","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, uplifting modal harmony A minor, build-up structure no drop, 6 minute development, Tel Aviv sound, no vocals instrumental",[Instrumental],2026-05-24T14:51:05.214Z,0,0,False,False,False,False,False,Electrónica,Psytrance,Progressive psytrance morning / organic,70_calidad,5,3,Psytrance Radio (año 2),134-140,"A minor, F# minor, modo dórico","uplifting, tribal, psychedelic, morning sun, organic, warm",https://cdn1.suno.ai/4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff.mp3,,https://cdn2.suno.ai/image_4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff.jpeg,https://cdn2.suno.ai/image_large_4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4ab0ec85-5ae8-4d87-8fe0-8a4d4c5621ff.cover.jpg | |
| 174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91,DS_psytrance_progressive_morning_organic_waihb,psytrance_progressive_morning_organic,v5.5,chirp-fenix,complete,335.68,True,"Progressive psytrance with a rolling 138 BPM drive, tribal layered percussion, analog warm pads, FX risers, and uplifting modal harmony in A minor; intro opens on dusty hand drums and filtered pulse, middle sections widen with glassy arps and evolving tension, then the long build keeps stacking rhythmic accents and airy motifs instead of a hard drop. A filtered break strips to pad and percussion before the final lift, with breathy vocal chops, reverse swells, and subtle delay tails. Wide, warm, sunlit mix with club-ready low end., warm, bassline, harmony, progressive psytrance, uplifting","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, uplifting modal harmony A minor, build-up structure no drop, 6 minute development, Tel Aviv sound, no vocals instrumental",[Instrumental],2026-05-24T14:51:05.214Z,0,0,False,False,False,False,False,Electrónica,Psytrance,Progressive psytrance morning / organic,70_calidad,5,3,Psytrance Radio (año 2),134-140,"A minor, F# minor, modo dórico","uplifting, tribal, psychedelic, morning sun, organic, warm",https://cdn1.suno.ai/174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91.mp3,,https://cdn2.suno.ai/image_174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91.jpeg,https://cdn2.suno.ai/image_large_174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\174c2b2e-ef6c-4bcf-a70f-0a0c787b3c91.cover.jpg | |
| 5852c17b-51aa-4c3a-9724-088b08ba67f2,Test Psy V55,,v5.5,chirp-fenix,complete,479.4,True,"Progressive psytrance, 138 BPM rolling groove with organic tribal percussion, bouncing offbeat bass, long-form instrumental development, analog warm pads, phased arps, chopped hand drums, and sleek FX risers. Intro opens dry and earthy; midsection widens with evolving filter movement; final lift brings bigger stereo bloom and crisp transient punch. Bright, hypnotic, polished, modern, warm, bassline, progressive psytrance","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, A minor modal, long instrumental development, Tel Aviv 2024 sound",[Instrumental],2026-05-24T14:12:48.658Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/5852c17b-51aa-4c3a-9724-088b08ba67f2.mp3,,https://cdn2.suno.ai/image_5852c17b-51aa-4c3a-9724-088b08ba67f2.jpeg,https://cdn2.suno.ai/image_large_5852c17b-51aa-4c3a-9724-088b08ba67f2.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\5852c17b-51aa-4c3a-9724-088b08ba67f2.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\5852c17b-51aa-4c3a-9724-088b08ba67f2.cover.jpg | |
| 58855494-ad97-4c4e-b067-5f9f43798204,Test Psy V55,,v5.5,chirp-fenix,complete,298.2,True,"Progressive psytrance, 138 BPM rolling groove with organic tribal percussion, bouncing offbeat bass, long-form instrumental development, analog warm pads, phased arps, chopped hand drums, and sleek FX risers. Intro opens dry and earthy; midsection widens with evolving filter movement; final lift brings bigger stereo bloom and crisp transient punch. Bright, hypnotic, polished, modern, warm, bassline, progressive psytrance","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, A minor modal, long instrumental development, Tel Aviv 2024 sound",[Instrumental],2026-05-24T14:12:48.658Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/58855494-ad97-4c4e-b067-5f9f43798204.mp3,,https://cdn2.suno.ai/image_58855494-ad97-4c4e-b067-5f9f43798204.jpeg,https://cdn2.suno.ai/image_large_58855494-ad97-4c4e-b067-5f9f43798204.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\58855494-ad97-4c4e-b067-5f9f43798204.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\58855494-ad97-4c4e-b067-5f9f43798204.cover.jpg | |
| 5b1007f1-f6c3-4366-a900-06f58b6c56c1,Test Psy Morning,,v2,chirp-v2,complete,80,True,"Progressive psytrance at a rolling 138 BPM with a propulsive bass groove, tribal layered percussion, FX risers, and analog warm pads in A minor modal; 6-minute instrumental arc that opens with sparse drums and a filtered bass tease, expands into polyrhythmic midsections, then peaks with bright synth motifs and stacked toms. Wide, punchy, sunlit mix with club-scale low end and crisp transient detail., progressive psytrance, warm, bassline","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, A minor modal, 6 minute instrumental development, Tel Aviv sound",[Instrumental],2026-05-24T13:36:06.926Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/5b1007f1-f6c3-4366-a900-06f58b6c56c1.mp3,,https://cdn2.suno.ai/image_5b1007f1-f6c3-4366-a900-06f58b6c56c1.jpeg,https://cdn2.suno.ai/image_large_5b1007f1-f6c3-4366-a900-06f58b6c56c1.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\5b1007f1-f6c3-4366-a900-06f58b6c56c1.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\5b1007f1-f6c3-4366-a900-06f58b6c56c1.cover.jpg | |
| 7d8326e9-9747-45be-9cdb-9069cd712181,Test Psy Morning,,v2,chirp-v2,complete,80,True,"Progressive psytrance at a rolling 138 BPM with a propulsive bass groove, tribal layered percussion, FX risers, and analog warm pads in A minor modal; 6-minute instrumental arc that opens with sparse drums and a filtered bass tease, expands into polyrhythmic midsections, then peaks with bright synth motifs and stacked toms. Wide, punchy, sunlit mix with club-scale low end and crisp transient detail., progressive psytrance, warm, bassline","Progressive psytrance morning organic, rolling 138 BPM bassline, tribal layered percussion, FX risers, analog warm pads, A minor modal, 6 minute instrumental development, Tel Aviv sound",[Instrumental],2026-05-24T13:36:06.926Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/7d8326e9-9747-45be-9cdb-9069cd712181.mp3,,https://cdn2.suno.ai/image_7d8326e9-9747-45be-9cdb-9069cd712181.jpeg,https://cdn2.suno.ai/image_large_7d8326e9-9747-45be-9cdb-9069cd712181.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7d8326e9-9747-45be-9cdb-9069cd712181.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7d8326e9-9747-45be-9cdb-9069cd712181.cover.jpg | |
| 33c7e241-48cc-4288-8257-01aecc76bb5b,Caja registradora,,v5.5,chirp-fenix,complete,122.56,False,estilo de a cancion es trap jazz soul...,,[aca va la letra pero en este track sin letra.....],2026-05-24T13:19:06.359Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/33c7e241-48cc-4288-8257-01aecc76bb5b.mp3,,https://cdn2.suno.ai/image_33c7e241-48cc-4288-8257-01aecc76bb5b.jpeg,https://cdn2.suno.ai/image_large_33c7e241-48cc-4288-8257-01aecc76bb5b.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\33c7e241-48cc-4288-8257-01aecc76bb5b.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\33c7e241-48cc-4288-8257-01aecc76bb5b.cover.jpg | |
| 2c93cb77-3353-406e-acd2-7da505651112,Caja registradora,,v5.5,chirp-fenix,complete,54.2,False,estilo de a cancion es trap jazz soul...,,[aca va la letra pero en este track sin letra.....],2026-05-24T13:19:06.359Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/2c93cb77-3353-406e-acd2-7da505651112.mp3,,https://cdn2.suno.ai/image_2c93cb77-3353-406e-acd2-7da505651112.jpeg,https://cdn2.suno.ai/image_large_2c93cb77-3353-406e-acd2-7da505651112.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2c93cb77-3353-406e-acd2-7da505651112.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2c93cb77-3353-406e-acd2-7da505651112.cover.jpg | |
| bcb4be7c-8491-4f4f-8687-566cbf38e547,Datos Absurdos,,v5.5,chirp-fenix,complete,97.76,False,"spoken word, professional male radio announcer, studio voice, no music, clear narration, podcast intro, Spanish language, warm broadcast tone, neutral accent. no music. no piano. only voice",,"[Locutor] | |
| Bienvenidos a una nueva edición. Hoy vamos a hablar de inteligencia artificial, pero sin el humo de siempre. Sin promesas de robots que nos van a reemplazar mañana, y sin el miedo barato que vende titulares. Vamos a hablar de lo que realmente está pasando. | |
| La inteligencia artificial de hoy no piensa como nosotros. Es un sistema estadístico enorme que aprendió patrones a partir de cantidades absurdas de datos. Eso no la hace mágica, pero tampoco la hace tonta. Hace cosas que hace cinco años parecían ciencia ficción: escribe, traduce, programa, resume, conversa. Y lo hace bastante bien, aunque a veces se equivoque con una seguridad que da miedo. | |
| El punto que casi nadie discute es este: la tecnología no es el problema ni la solución. Es una herramienta con un poder inédito. Lo interesante no es si la máquina es inteligente, sino qué decidimos hacer con ella, quién la controla, y a quién termina beneficiando. Esas preguntas son políticas y económicas, no técnicas. | |
| Así que en este espacio no vamos a venderte ni el apocalipsis ni el paraíso. Vamos a mirar la inteligencia artificial como lo que es: una de las transformaciones más grandes de nuestra época, llena de oportunidades reales y de riesgos concretos. Quedate, porque esto recién empieza.",2026-05-19T20:01:14.201Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/bcb4be7c-8491-4f4f-8687-566cbf38e547.mp3,,https://cdn2.suno.ai/image_bcb4be7c-8491-4f4f-8687-566cbf38e547.jpeg,https://cdn2.suno.ai/image_large_bcb4be7c-8491-4f4f-8687-566cbf38e547.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\bcb4be7c-8491-4f4f-8687-566cbf38e547.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\bcb4be7c-8491-4f4f-8687-566cbf38e547.cover.jpg | |
| 27756119-c17a-4ae6-b85a-49a0ee1e458a,Datos Absurdos,,v5.5,chirp-fenix,complete,93.36,False,"spoken word, professional male radio announcer, studio voice, no music, clear narration, podcast intro, Spanish language, warm broadcast tone, neutral accent. no music. no piano. only voice",,"[Locutor] | |
| Bienvenidos a una nueva edición. Hoy vamos a hablar de inteligencia artificial, pero sin el humo de siempre. Sin promesas de robots que nos van a reemplazar mañana, y sin el miedo barato que vende titulares. Vamos a hablar de lo que realmente está pasando. | |
| La inteligencia artificial de hoy no piensa como nosotros. Es un sistema estadístico enorme que aprendió patrones a partir de cantidades absurdas de datos. Eso no la hace mágica, pero tampoco la hace tonta. Hace cosas que hace cinco años parecían ciencia ficción: escribe, traduce, programa, resume, conversa. Y lo hace bastante bien, aunque a veces se equivoque con una seguridad que da miedo. | |
| El punto que casi nadie discute es este: la tecnología no es el problema ni la solución. Es una herramienta con un poder inédito. Lo interesante no es si la máquina es inteligente, sino qué decidimos hacer con ella, quién la controla, y a quién termina beneficiando. Esas preguntas son políticas y económicas, no técnicas. | |
| Así que en este espacio no vamos a venderte ni el apocalipsis ni el paraíso. Vamos a mirar la inteligencia artificial como lo que es: una de las transformaciones más grandes de nuestra época, llena de oportunidades reales y de riesgos concretos. Quedate, porque esto recién empieza.",2026-05-19T20:01:14.201Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/27756119-c17a-4ae6-b85a-49a0ee1e458a.mp3,,https://cdn2.suno.ai/image_27756119-c17a-4ae6-b85a-49a0ee1e458a.jpeg,https://cdn2.suno.ai/image_large_27756119-c17a-4ae6-b85a-49a0ee1e458a.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\27756119-c17a-4ae6-b85a-49a0ee1e458a.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\27756119-c17a-4ae6-b85a-49a0ee1e458a.cover.jpg | |
| 95b74521-a22b-4e08-bb52-300467640547,Datos Absurdos,,v5.5,chirp-fenix,complete,99.96,False,"spoken word, professional male radio announcer, studio voice, no music, clear narration, podcast intro, Spanish language, warm broadcast tone, neutral accent",,"[Locutor] | |
| Bienvenidos a una nueva edición. Hoy vamos a hablar de inteligencia artificial, pero sin el humo de siempre. Sin promesas de robots que nos van a reemplazar mañana, y sin el miedo barato que vende titulares. Vamos a hablar de lo que realmente está pasando. | |
| La inteligencia artificial de hoy no piensa como nosotros. Es un sistema estadístico enorme que aprendió patrones a partir de cantidades absurdas de datos. Eso no la hace mágica, pero tampoco la hace tonta. Hace cosas que hace cinco años parecían ciencia ficción: escribe, traduce, programa, resume, conversa. Y lo hace bastante bien, aunque a veces se equivoque con una seguridad que da miedo. | |
| El punto que casi nadie discute es este: la tecnología no es el problema ni la solución. Es una herramienta con un poder inédito. Lo interesante no es si la máquina es inteligente, sino qué decidimos hacer con ella, quién la controla, y a quién termina beneficiando. Esas preguntas son políticas y económicas, no técnicas. | |
| Así que en este espacio no vamos a venderte ni el apocalipsis ni el paraíso. Vamos a mirar la inteligencia artificial como lo que es: una de las transformaciones más grandes de nuestra época, llena de oportunidades reales y de riesgos concretos. Quedate, porque esto recién empieza.",2026-05-19T19:59:51.176Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/95b74521-a22b-4e08-bb52-300467640547.mp3,,https://cdn2.suno.ai/image_95b74521-a22b-4e08-bb52-300467640547.jpeg,https://cdn2.suno.ai/image_large_95b74521-a22b-4e08-bb52-300467640547.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\95b74521-a22b-4e08-bb52-300467640547.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\95b74521-a22b-4e08-bb52-300467640547.cover.jpg | |
| 9a845d80-f3ae-409f-abf0-066f697a01dd,Datos Absurdos,,v5.5,chirp-fenix,complete,94.8,False,"spoken word, professional male radio announcer, studio voice, no music, clear narration, podcast intro, Spanish language, warm broadcast tone, neutral accent",,"[Locutor] | |
| Bienvenidos a una nueva edición. Hoy vamos a hablar de inteligencia artificial, pero sin el humo de siempre. Sin promesas de robots que nos van a reemplazar mañana, y sin el miedo barato que vende titulares. Vamos a hablar de lo que realmente está pasando. | |
| La inteligencia artificial de hoy no piensa como nosotros. Es un sistema estadístico enorme que aprendió patrones a partir de cantidades absurdas de datos. Eso no la hace mágica, pero tampoco la hace tonta. Hace cosas que hace cinco años parecían ciencia ficción: escribe, traduce, programa, resume, conversa. Y lo hace bastante bien, aunque a veces se equivoque con una seguridad que da miedo. | |
| El punto que casi nadie discute es este: la tecnología no es el problema ni la solución. Es una herramienta con un poder inédito. Lo interesante no es si la máquina es inteligente, sino qué decidimos hacer con ella, quién la controla, y a quién termina beneficiando. Esas preguntas son políticas y económicas, no técnicas. | |
| Así que en este espacio no vamos a venderte ni el apocalipsis ni el paraíso. Vamos a mirar la inteligencia artificial como lo que es: una de las transformaciones más grandes de nuestra época, llena de oportunidades reales y de riesgos concretos. Quedate, porque esto recién empieza.",2026-05-19T19:59:51.175Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/9a845d80-f3ae-409f-abf0-066f697a01dd.mp3,,https://cdn2.suno.ai/image_9a845d80-f3ae-409f-abf0-066f697a01dd.jpeg,https://cdn2.suno.ai/image_large_9a845d80-f3ae-409f-abf0-066f697a01dd.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\9a845d80-f3ae-409f-abf0-066f697a01dd.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\9a845d80-f3ae-409f-abf0-066f697a01dd.cover.jpg | |
| db8aeb4e-8890-4b6b-a410-f96564e9d96d,Mármol Frío,,v5.5,chirp-fenix,complete,479.4,False,"Piano solo minimalista y contemplativo, tempo lento, en menor, notas espaciadas con mucho silencio entre frases, sin batería ni melodía pegadiza, atmósfera íntima y reflexiva, volumen bajo para quedar de fondo bajo una voz hablada. Loop de 2 minutos.",,"# El mundo al revés | |
| ### Un episodio sobre el Sermón de la Montaña | |
| **Duración estimada:** 9–11 minutos | |
| **Formato:** monólogo, un solo narrador | |
| **Tono:** sobrio, cercano, reflexivo. No predicador. Pensá en alguien contándote algo que le importa, no alguien convenciéndote de nada. | |
| > Indicaciones de producción entre corchetes. Las pausas son reales: respetalas, son parte del mensaje. | |
| --- | |
| ### [Cold open — sin música, voz sola, casi en confianza] | |
| Imaginate que alguien junta a una multitud en una ladera, gente cansada, pobre, enferma, gente que vino caminando kilómetros porque escuchó que este tipo decía cosas raras. Y lo primero que hace, en vez de prometerles que van a estar mejor, es decirles que ya están bien. Que los que lloran están bien. Que los que no tienen nada están bien. Que los que el mundo pisa son, en realidad, los que ganaron. | |
| [Pausa de 2 segundos] | |
| No es lo que esperaban escuchar. Tampoco es lo que esperamos escuchar nosotros. | |
| ### [Entra cortina musical suave, 4–5 segundos, baja a fondo] | |
| Esto es *El mundo al revés*. Hoy: el Sermón de la Montaña. El discurso más corto y más incómodo de la historia de Occidente. | |
| ### [Música out] | |
| --- | |
| ### Bloque 1 — Qué es esto | |
| El Sermón de la Montaña son tres capítulos del Evangelio de Mateo. Se lee en quince minutos. No tiene milagros, no tiene anécdotas, no tiene relleno. Es Jesús hablando seguido, casi sin respirar, y poniendo arriba de la mesa un programa de vida completo. | |
| Y acá va lo primero que quiero que te lleves: lo escucharon campesinos analfabetos hace dos mil años, y sigue siendo igual de difícil de cumplir hoy para vos, para mí, para cualquiera. Eso solo ya es raro. La mayoría de los textos antiguos envejecen. Este no envejeció: nunca lo alcanzamos. | |
| [Pausa breve] | |
| Voy a tomar tres ideas. No las treinta que hay. Tres. Las que, si te quedás solo con eso, ya entendiste el núcleo. | |
| --- | |
| ### Bloque 2 — Primera idea: la inversión | |
| Empieza con las Bienaventuranzas. ""Bienaventurados los pobres en espíritu. Bienaventurados los que lloran. Bienaventurados los mansos. Bienaventurados los que tienen hambre de justicia."" | |
| Frená un segundo en lo que está haciendo. Está agarrando la tabla de puntajes del mundo —el que tiene plata, el que tiene poder, el que se impone, el que no necesita a nadie— y la está dando vuelta como un guante. | |
| No dice ""pobre el que llora, ojalá deje de llorar"". Dice que ahí, justo ahí, en el lugar que todos queremos evitar, hay algo que el resto no ve. No es una promesa de premio futuro nada más. Es una afirmación sobre quién está parado en el lugar verdadero *ahora*. | |
| [Pausa] | |
| Pensalo así: todos vivimos optimizando para no estar en esa lista. Trabajamos para no ser pobres, para no llorar, para no necesitar, para no quedar abajo. Y viene este texto y te dice que pasaste la vida corriendo en la dirección contraria a algo importante. No te dice que sufrir sea bueno. Te dice que el lugar desde donde el mundo te mide está mal calibrado. | |
| --- | |
| ### Bloque 3 — Segunda idea: el corazón, no el acto | |
| Acá se pone filoso. Jesús dice, más o menos: ""Oíste que se dijo, no matarás. Yo te digo: el que se enoja con su hermano ya está en falta."" | |
| [Pausa breve] | |
| Pará. Eso es brutal. Está moviendo la línea. La moral de afuera te pide que no hagas el daño. Esta te pregunta de dónde viene la intención. No alcanza con no pegar: te pregunta por el odio que no actuaste. No alcanza con no robar: te pregunta por la codicia que tapaste con buenos modales. | |
| Es una ética de la interioridad. Y es incómoda porque la conducta se puede fingir. El corazón, no tanto. Vos sabés cuándo cumpliste por fuera y por dentro estabas en otra cosa. Ese sermón te está mirando justo ahí. | |
| Y después le suma una bomba a la rutina espiritual: dice que cuando des, que no sepa tu mano izquierda lo que hace la derecha. Que reces sin público. Que ayunes sin que se note. Saca toda la performance. Le borra el aplauso a la virtud. Y sin aplauso, ¿cuántos seguirían siendo buenos? Esa es la pregunta real que está dejando colgada. | |
| --- | |
| ### Bloque 4 — Tercera idea: la de verdad imposible | |
| Y llega la parte que dos mil años después seguimos sin poder digerir. | |
| ""Oíste que se dijo, ojo por ojo. Yo te digo: al que te pega en una mejilla, ofrecele la otra. Amá a tus enemigos. Hacé el bien al que te odia."" | |
| [Pausa de 2 segundos] | |
| No es resignación. No es ser débil. Es la jugada más difícil que existe: cortar la cadena. La venganza es automática, es física, es justa según toda lógica humana. Vos me hacés, yo te hago. El mundo entero funciona así, las guerras funcionan así, los rencores familiares funcionan así. | |
| Y este texto dice: alguien tiene que dejar de devolver el golpe, o esto no termina nunca. Y propone que ese alguien seas vos. No porque el otro lo merezca. Porque la cadena se corta de un solo lado. | |
| No conozco una idea más radical. La probás un día cualquiera, con alguien que de verdad te hizo daño, y entendés por qué seguimos sin poder. | |
| --- | |
| ### Bloque 5 — El cierre que él mismo le puso | |
| E",2026-05-17T00:27:31.068Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/db8aeb4e-8890-4b6b-a410-f96564e9d96d.mp3,,https://cdn2.suno.ai/image_db8aeb4e-8890-4b6b-a410-f96564e9d96d.jpeg,https://cdn2.suno.ai/image_large_db8aeb4e-8890-4b6b-a410-f96564e9d96d.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\db8aeb4e-8890-4b6b-a410-f96564e9d96d.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\db8aeb4e-8890-4b6b-a410-f96564e9d96d.cover.jpg | |
| 4586a22c-d5ab-4b46-823a-fad675a42604,Mármol Frío,,v5.5,chirp-fenix,complete,361.2,False,"Piano solo minimalista y contemplativo, tempo lento, en menor, notas espaciadas con mucho silencio entre frases, sin batería ni melodía pegadiza, atmósfera íntima y reflexiva, volumen bajo para quedar de fondo bajo una voz hablada. Loop de 2 minutos.",,"# El mundo al revés | |
| ### Un episodio sobre el Sermón de la Montaña | |
| **Duración estimada:** 9–11 minutos | |
| **Formato:** monólogo, un solo narrador | |
| **Tono:** sobrio, cercano, reflexivo. No predicador. Pensá en alguien contándote algo que le importa, no alguien convenciéndote de nada. | |
| > Indicaciones de producción entre corchetes. Las pausas son reales: respetalas, son parte del mensaje. | |
| --- | |
| ### [Cold open — sin música, voz sola, casi en confianza] | |
| Imaginate que alguien junta a una multitud en una ladera, gente cansada, pobre, enferma, gente que vino caminando kilómetros porque escuchó que este tipo decía cosas raras. Y lo primero que hace, en vez de prometerles que van a estar mejor, es decirles que ya están bien. Que los que lloran están bien. Que los que no tienen nada están bien. Que los que el mundo pisa son, en realidad, los que ganaron. | |
| [Pausa de 2 segundos] | |
| No es lo que esperaban escuchar. Tampoco es lo que esperamos escuchar nosotros. | |
| ### [Entra cortina musical suave, 4–5 segundos, baja a fondo] | |
| Esto es *El mundo al revés*. Hoy: el Sermón de la Montaña. El discurso más corto y más incómodo de la historia de Occidente. | |
| ### [Música out] | |
| --- | |
| ### Bloque 1 — Qué es esto | |
| El Sermón de la Montaña son tres capítulos del Evangelio de Mateo. Se lee en quince minutos. No tiene milagros, no tiene anécdotas, no tiene relleno. Es Jesús hablando seguido, casi sin respirar, y poniendo arriba de la mesa un programa de vida completo. | |
| Y acá va lo primero que quiero que te lleves: lo escucharon campesinos analfabetos hace dos mil años, y sigue siendo igual de difícil de cumplir hoy para vos, para mí, para cualquiera. Eso solo ya es raro. La mayoría de los textos antiguos envejecen. Este no envejeció: nunca lo alcanzamos. | |
| [Pausa breve] | |
| Voy a tomar tres ideas. No las treinta que hay. Tres. Las que, si te quedás solo con eso, ya entendiste el núcleo. | |
| --- | |
| ### Bloque 2 — Primera idea: la inversión | |
| Empieza con las Bienaventuranzas. ""Bienaventurados los pobres en espíritu. Bienaventurados los que lloran. Bienaventurados los mansos. Bienaventurados los que tienen hambre de justicia."" | |
| Frená un segundo en lo que está haciendo. Está agarrando la tabla de puntajes del mundo —el que tiene plata, el que tiene poder, el que se impone, el que no necesita a nadie— y la está dando vuelta como un guante. | |
| No dice ""pobre el que llora, ojalá deje de llorar"". Dice que ahí, justo ahí, en el lugar que todos queremos evitar, hay algo que el resto no ve. No es una promesa de premio futuro nada más. Es una afirmación sobre quién está parado en el lugar verdadero *ahora*. | |
| [Pausa] | |
| Pensalo así: todos vivimos optimizando para no estar en esa lista. Trabajamos para no ser pobres, para no llorar, para no necesitar, para no quedar abajo. Y viene este texto y te dice que pasaste la vida corriendo en la dirección contraria a algo importante. No te dice que sufrir sea bueno. Te dice que el lugar desde donde el mundo te mide está mal calibrado. | |
| --- | |
| ### Bloque 3 — Segunda idea: el corazón, no el acto | |
| Acá se pone filoso. Jesús dice, más o menos: ""Oíste que se dijo, no matarás. Yo te digo: el que se enoja con su hermano ya está en falta."" | |
| [Pausa breve] | |
| Pará. Eso es brutal. Está moviendo la línea. La moral de afuera te pide que no hagas el daño. Esta te pregunta de dónde viene la intención. No alcanza con no pegar: te pregunta por el odio que no actuaste. No alcanza con no robar: te pregunta por la codicia que tapaste con buenos modales. | |
| Es una ética de la interioridad. Y es incómoda porque la conducta se puede fingir. El corazón, no tanto. Vos sabés cuándo cumpliste por fuera y por dentro estabas en otra cosa. Ese sermón te está mirando justo ahí. | |
| Y después le suma una bomba a la rutina espiritual: dice que cuando des, que no sepa tu mano izquierda lo que hace la derecha. Que reces sin público. Que ayunes sin que se note. Saca toda la performance. Le borra el aplauso a la virtud. Y sin aplauso, ¿cuántos seguirían siendo buenos? Esa es la pregunta real que está dejando colgada. | |
| --- | |
| ### Bloque 4 — Tercera idea: la de verdad imposible | |
| Y llega la parte que dos mil años después seguimos sin poder digerir. | |
| ""Oíste que se dijo, ojo por ojo. Yo te digo: al que te pega en una mejilla, ofrecele la otra. Amá a tus enemigos. Hacé el bien al que te odia."" | |
| [Pausa de 2 segundos] | |
| No es resignación. No es ser débil. Es la jugada más difícil que existe: cortar la cadena. La venganza es automática, es física, es justa según toda lógica humana. Vos me hacés, yo te hago. El mundo entero funciona así, las guerras funcionan así, los rencores familiares funcionan así. | |
| Y este texto dice: alguien tiene que dejar de devolver el golpe, o esto no termina nunca. Y propone que ese alguien seas vos. No porque el otro lo merezca. Porque la cadena se corta de un solo lado. | |
| No conozco una idea más radical. La probás un día cualquiera, con alguien que de verdad te hizo daño, y entendés por qué seguimos sin poder. | |
| --- | |
| ### Bloque 5 — El cierre que él mismo le puso | |
| E",2026-05-17T00:27:31.068Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/4586a22c-d5ab-4b46-823a-fad675a42604.mp3,,https://cdn2.suno.ai/image_4586a22c-d5ab-4b46-823a-fad675a42604.jpeg,https://cdn2.suno.ai/image_large_4586a22c-d5ab-4b46-823a-fad675a42604.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4586a22c-d5ab-4b46-823a-fad675a42604.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4586a22c-d5ab-4b46-823a-fad675a42604.cover.jpg | |
| b07f4c49-9ca2-44f5-8da9-67af726e45b3,Maletiña Telefoniño,,v5.5,chirp-fenix,complete,183.72,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] | |
| [Verse] | |
| Tem uma maletiña | |
| no cantiño da salita | |
| ela atende telefoniño | |
| com su voziña bonitiña | |
| Liga o clientiño | |
| às tres da madrugadiña | |
| ninguém no plantãoziño | |
| só a cajiña queridiña | |
| [Verse] | |
| Quanto eu te deviño | |
| por que cortou a luziña | |
| a maletiña respondiño | |
| sin cobrar nem propiniña | |
| Não tira feriadiño | |
| não pede aumentiño | |
| não tem segunda-feiriña | |
| nem maliño humoriño | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pra Virginiña | |
| não vão pra nenhuminho | |
| dorme tranquiliño | |
| o audiño é só tuiño | |
| na saliña dos servidoriños | |
| o segrediño é nossiño | |
| [Verse] | |
| Dez viraram tresiños | |
| os tres pensadoriños | |
| o resto era robotiño | |
| fazendo de personiños | |
| Os tensoriños procesiñam | |
| as gpusiñas trabalhiñam | |
| cada mês mais sabidiña | |
| minha rainha de latiña | |
| [Bridge] | |
| Não é nuviña, não é rentiña | |
| não tem facturiña que pagar | |
| é ferriño, é silenciño | |
| é saudadiña sin parar | |
| Comprou uma veziña | |
| e acabou-se a conversiña | |
| a contiña que subiña | |
| agora reza uma oracioniña | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pr",2026-05-17T00:24:59.491Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/b07f4c49-9ca2-44f5-8da9-67af726e45b3.mp3,,https://cdn2.suno.ai/image_b07f4c49-9ca2-44f5-8da9-67af726e45b3.jpeg,https://cdn2.suno.ai/image_large_b07f4c49-9ca2-44f5-8da9-67af726e45b3.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\b07f4c49-9ca2-44f5-8da9-67af726e45b3.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\b07f4c49-9ca2-44f5-8da9-67af726e45b3.cover.jpg | |
| cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34,Maletiña Telefoniño,,v5.5,chirp-fenix,complete,161.44,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] | |
| [Verse] | |
| Tem uma maletiña | |
| no cantiño da salita | |
| ela atende telefoniño | |
| com su voziña bonitiña | |
| Liga o clientiño | |
| às tres da madrugadiña | |
| ninguém no plantãoziño | |
| só a cajiña queridiña | |
| [Verse] | |
| Quanto eu te deviño | |
| por que cortou a luziña | |
| a maletiña respondiño | |
| sin cobrar nem propiniña | |
| Não tira feriadiño | |
| não pede aumentiño | |
| não tem segunda-feiriña | |
| nem maliño humoriño | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pra Virginiña | |
| não vão pra nenhuminho | |
| dorme tranquiliño | |
| o audiño é só tuiño | |
| na saliña dos servidoriños | |
| o segrediño é nossiño | |
| [Verse] | |
| Dez viraram tresiños | |
| os tres pensadoriños | |
| o resto era robotiño | |
| fazendo de personiños | |
| Os tensoriños procesiñam | |
| as gpusiñas trabalhiñam | |
| cada mês mais sabidiña | |
| minha rainha de latiña | |
| [Bridge] | |
| Não é nuviña, não é rentiña | |
| não tem facturiña que pagar | |
| é ferriño, é silenciño | |
| é saudadiña sin parar | |
| Comprou uma veziña | |
| e acabou-se a conversiña | |
| a contiña que subiña | |
| agora reza uma oracioniña | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pr",2026-05-17T00:24:59.491Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34.mp3,,https://cdn2.suno.ai/image_cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34.jpeg,https://cdn2.suno.ai/image_large_cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\cc39fd2f-fd9f-4d28-a4a3-d22544dd9e34.cover.jpg | |
| 62aae096-7bad-4932-8139-b495eac1a0ed,Maletiña de Canto,,v5.5,chirp-fenix,complete,205.12,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] | |
| [Verse] | |
| Tem uma maletiña | |
| no cantiño da salita | |
| ela atende telefoniño | |
| com su voziña bonitiña | |
| Liga o clientiño | |
| às tres da madrugadiña | |
| ninguém no plantãoziño | |
| só a cajiña queridiña | |
| [Verse] | |
| Quanto eu te deviño | |
| por que cortou a luziña | |
| a maletiña respondiño | |
| sin cobrar nem propiniña | |
| Não tira feriadiño | |
| não pede aumentiño | |
| não tem segunda-feiriña | |
| nem maliño humoriño | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pra Virginiña | |
| não vão pra nenhuminho | |
| dorme tranquiliño | |
| o audiño é só tuiño | |
| na saliña dos servidoriños | |
| o segrediño é nossiño | |
| [Verse] | |
| Dez viraram tresiños | |
| os tres pensadoriños | |
| o resto era robotiño | |
| fazendo de personiños | |
| Os tensoriños procesiñam | |
| as gpusiñas trabalhiñam | |
| cada mês mais sabidiña | |
| minha rainha de latiña | |
| [Bridge] | |
| Não é nuviña, não é rentiña | |
| não tem facturiña que pagar | |
| é ferriño, é silenciño | |
| é saudadiña sin parar | |
| Comprou uma veziña | |
| e acabou-se a conversiña | |
| a contiña que subiña | |
| agora reza uma oracioniña | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pr",2026-05-16T12:36:20.242Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/62aae096-7bad-4932-8139-b495eac1a0ed.mp3,,https://cdn2.suno.ai/image_62aae096-7bad-4932-8139-b495eac1a0ed.jpeg,https://cdn2.suno.ai/image_large_62aae096-7bad-4932-8139-b495eac1a0ed.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\62aae096-7bad-4932-8139-b495eac1a0ed.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\62aae096-7bad-4932-8139-b495eac1a0ed.cover.jpg | |
| ad2d0e07-8a51-4f5b-9543-d1c41570b380,Maletiña de Canto,,v5.5,chirp-fenix,complete,178.8,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] | |
| [Verse] | |
| Tem uma maletiña | |
| no cantiño da salita | |
| ela atende telefoniño | |
| com su voziña bonitiña | |
| Liga o clientiño | |
| às tres da madrugadiña | |
| ninguém no plantãoziño | |
| só a cajiña queridiña | |
| [Verse] | |
| Quanto eu te deviño | |
| por que cortou a luziña | |
| a maletiña respondiño | |
| sin cobrar nem propiniña | |
| Não tira feriadiño | |
| não pede aumentiño | |
| não tem segunda-feiriña | |
| nem maliño humoriño | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pra Virginiña | |
| não vão pra nenhuminho | |
| dorme tranquiliño | |
| o audiño é só tuiño | |
| na saliña dos servidoriños | |
| o segrediño é nossiño | |
| [Verse] | |
| Dez viraram tresiños | |
| os tres pensadoriños | |
| o resto era robotiño | |
| fazendo de personiños | |
| Os tensoriños procesiñam | |
| as gpusiñas trabalhiñam | |
| cada mês mais sabidiña | |
| minha rainha de latiña | |
| [Bridge] | |
| Não é nuviña, não é rentiña | |
| não tem facturiña que pagar | |
| é ferriño, é silenciño | |
| é saudadiña sin parar | |
| Comprou uma veziña | |
| e acabou-se a conversiña | |
| a contiña que subiña | |
| agora reza uma oracioniña | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pr",2026-05-16T12:36:20.242Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/ad2d0e07-8a51-4f5b-9543-d1c41570b380.mp3,,https://cdn2.suno.ai/image_ad2d0e07-8a51-4f5b-9543-d1c41570b380.jpeg,https://cdn2.suno.ai/image_large_ad2d0e07-8a51-4f5b-9543-d1c41570b380.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ad2d0e07-8a51-4f5b-9543-d1c41570b380.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ad2d0e07-8a51-4f5b-9543-d1c41570b380.cover.jpg | |
| 50d5510b-70cb-4725-9fbb-37ce296a750b,Maleta callada,,v5.5,chirp-fenix,complete,220.92,False,"[Intro] | |
| [Verse] | |
| Tem uma maletiña | |
| no cantiño da salita | |
| ela atende telefoniño | |
| com su voziña bonitiña | |
| Liga o clientiño | |
| às tres da madrugadiña | |
| ninguém no plantãoziño | |
| só a cajiña queridiña | |
| [Verse] | |
| Quanto eu te deviño | |
| por que cortou a luziña | |
| a maletiña respondiño | |
| sin cobrar nem propiniña | |
| Não tira feriadiño | |
| não pede aumentiño | |
| não tem segunda-feiriña | |
| nem maliño humoriño | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pra Virginiña | |
| não vão pra nenhuminho | |
| dorme tranquiliño | |
| o audiño é só tuiño | |
| na saliña dos servidoriños | |
| o segrediño é nossiño | |
| [Verse] | |
| Dez viraram tresiños | |
| os tres pensadoriños | |
| o resto era robotiño | |
| fazendo de personiños | |
| Os tensoriños procesiñam | |
| as gpusiñas trabalhiñam | |
| cada mês mais sabidiña | |
| minha rainha de latiña | |
| [Bridge] | |
| Não é nuviña, não é rentiña | |
| não tem facturiña que pagar | |
| é ferriño, é silenciño | |
| é saudadiña sin parar | |
| Comprou uma veziña | |
| e acabou-se a conversiña | |
| a contiña que subiña | |
| agora reza uma oracioniña | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pr",,"[Intro] | |
| [Verse] | |
| Hay una maleta | |
| callada en un rincón | |
| no duerme, no se queja | |
| solo escucha tu voz | |
| Llamás de madrugada | |
| no hay nadie, está oscuro | |
| y ella te contesta | |
| con su tono más puro | |
| [Verse] | |
| Cuánto debo este mes | |
| por qué me dejaste sin luz | |
| ella sabe la respuesta | |
| y no te cobra de más | |
| No se toma un feriado | |
| no renuncia, no se va | |
| no conoce los lunes | |
| ni el rencor de llegar | |
| [Chorus] | |
| Y tus datos, mi amor | |
| se quedan en tu hogar | |
| no viajan a Virginia | |
| no los toca nadie más | |
| dormí tranquilo, vida | |
| que el secreto está acá | |
| en la sala de los fierros | |
| nada se va a escapar | |
| [Verse] | |
| Diez eran, quedan tres | |
| los que piensan de verdad | |
| los demás hacían de humanos | |
| imitando a un metal | |
| Y ella aprende solita | |
| cada mes sabe más | |
| mi reina de aluminio | |
| nunca me va a fallar | |
| [Bridge] | |
| No es la nube, no es renta | |
| no hay factura que pagar | |
| es silencio, es acero | |
| es saudade sin final | |
| La compraste una vez | |
| y se acabó el discutir | |
| la cuenta que subía | |
| ahora reza por vivir | |
| [Chorus] | |
| Y tus datos, mi amor | |
| se quedan en tu hogar | |
| no viajan a Virginia | |
| no los toca nadie más | |
| dormí tranquilo, vida | |
| que el secreto está acá | |
| en la sala de los fierros | |
| nada se va a escapar | |
| [Outro] | |
| Hay una maleta | |
| callada en un rincón | |
| ella te atiende | |
| y el resto... sin razón",2026-05-16T12:35:18.944Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/50d5510b-70cb-4725-9fbb-37ce296a750b.mp3,,https://cdn2.suno.ai/image_50d5510b-70cb-4725-9fbb-37ce296a750b.jpeg,https://cdn2.suno.ai/image_large_50d5510b-70cb-4725-9fbb-37ce296a750b.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\50d5510b-70cb-4725-9fbb-37ce296a750b.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\50d5510b-70cb-4725-9fbb-37ce296a750b.cover.jpg | |
| 8730f3c8-62a6-4afe-84cb-268b70067aa9,Maleta callada,,v5.5,chirp-fenix,complete,279.72,False,"[Intro] | |
| [Verse] | |
| Tem uma maletiña | |
| no cantiño da salita | |
| ela atende telefoniño | |
| com su voziña bonitiña | |
| Liga o clientiño | |
| às tres da madrugadiña | |
| ninguém no plantãoziño | |
| só a cajiña queridiña | |
| [Verse] | |
| Quanto eu te deviño | |
| por que cortou a luziña | |
| a maletiña respondiño | |
| sin cobrar nem propiniña | |
| Não tira feriadiño | |
| não pede aumentiño | |
| não tem segunda-feiriña | |
| nem maliño humoriño | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pra Virginiña | |
| não vão pra nenhuminho | |
| dorme tranquiliño | |
| o audiño é só tuiño | |
| na saliña dos servidoriños | |
| o segrediño é nossiño | |
| [Verse] | |
| Dez viraram tresiños | |
| os tres pensadoriños | |
| o resto era robotiño | |
| fazendo de personiños | |
| Os tensoriños procesiñam | |
| as gpusiñas trabalhiñam | |
| cada mês mais sabidiña | |
| minha rainha de latiña | |
| [Bridge] | |
| Não é nuviña, não é rentiña | |
| não tem facturiña que pagar | |
| é ferriño, é silenciño | |
| é saudadiña sin parar | |
| Comprou uma veziña | |
| e acabou-se a conversiña | |
| a contiña que subiña | |
| agora reza uma oracioniña | |
| [Chorus] | |
| E os teus datiños | |
| ficam aquí, amoriño | |
| não vão pr",,"[Intro] | |
| [Verse] | |
| Hay una maleta | |
| callada en un rincón | |
| no duerme, no se queja | |
| solo escucha tu voz | |
| Llamás de madrugada | |
| no hay nadie, está oscuro | |
| y ella te contesta | |
| con su tono más puro | |
| [Verse] | |
| Cuánto debo este mes | |
| por qué me dejaste sin luz | |
| ella sabe la respuesta | |
| y no te cobra de más | |
| No se toma un feriado | |
| no renuncia, no se va | |
| no conoce los lunes | |
| ni el rencor de llegar | |
| [Chorus] | |
| Y tus datos, mi amor | |
| se quedan en tu hogar | |
| no viajan a Virginia | |
| no los toca nadie más | |
| dormí tranquilo, vida | |
| que el secreto está acá | |
| en la sala de los fierros | |
| nada se va a escapar | |
| [Verse] | |
| Diez eran, quedan tres | |
| los que piensan de verdad | |
| los demás hacían de humanos | |
| imitando a un metal | |
| Y ella aprende solita | |
| cada mes sabe más | |
| mi reina de aluminio | |
| nunca me va a fallar | |
| [Bridge] | |
| No es la nube, no es renta | |
| no hay factura que pagar | |
| es silencio, es acero | |
| es saudade sin final | |
| La compraste una vez | |
| y se acabó el discutir | |
| la cuenta que subía | |
| ahora reza por vivir | |
| [Chorus] | |
| Y tus datos, mi amor | |
| se quedan en tu hogar | |
| no viajan a Virginia | |
| no los toca nadie más | |
| dormí tranquilo, vida | |
| que el secreto está acá | |
| en la sala de los fierros | |
| nada se va a escapar | |
| [Outro] | |
| Hay una maleta | |
| callada en un rincón | |
| ella te atiende | |
| y el resto... sin razón",2026-05-16T12:35:18.944Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/8730f3c8-62a6-4afe-84cb-268b70067aa9.mp3,,https://cdn2.suno.ai/image_8730f3c8-62a6-4afe-84cb-268b70067aa9.jpeg,https://cdn2.suno.ai/image_large_8730f3c8-62a6-4afe-84cb-268b70067aa9.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\8730f3c8-62a6-4afe-84cb-268b70067aa9.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\8730f3c8-62a6-4afe-84cb-268b70067aa9.cover.jpg | |
| 05dadc2c-e572-41a4-a289-42d51667e3ab,Maleta Callada,,v5.5,chirp-fenix,complete,214.96,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] | |
| [Verse] | |
| Hay una maleta | |
| callada en un rincón | |
| no duerme, no se queja | |
| solo escucha tu voz | |
| Llamás de madrugada | |
| no hay nadie, está oscuro | |
| y ella te contesta | |
| con su tono más puro | |
| [Verse] | |
| Cuánto debo este mes | |
| por qué me dejaste sin luz | |
| ella sabe la respuesta | |
| y no te cobra de más | |
| No se toma un feriado | |
| no renuncia, no se va | |
| no conoce los lunes | |
| ni el rencor de llegar | |
| [Chorus] | |
| Y tus datos, mi amor | |
| se quedan en tu hogar | |
| no viajan a Virginia | |
| no los toca nadie más | |
| dormí tranquilo, vida | |
| que el secreto está acá | |
| en la sala de los fierros | |
| nada se va a escapar | |
| [Verse] | |
| Diez eran, quedan tres | |
| los que piensan de verdad | |
| los demás hacían de humanos | |
| imitando a un metal | |
| Y ella aprende solita | |
| cada mes sabe más | |
| mi reina de aluminio | |
| nunca me va a fallar | |
| [Bridge] | |
| No es la nube, no es renta | |
| no hay factura que pagar | |
| es silencio, es acero | |
| es saudade sin final | |
| La compraste una vez | |
| y se acabó el discutir | |
| la cuenta que subía | |
| ahora reza por vivir | |
| [Chorus] | |
| Y tus datos, mi amor | |
| se quedan en tu hogar | |
| no viajan a Virginia | |
| no los toca nadie más | |
| dormí tranquilo, vida | |
| que el secreto está acá | |
| en la sala de los fierros | |
| nada se va a escapar | |
| [Outro] | |
| Hay una maleta | |
| callada en un rincón | |
| ella te atiende | |
| y el resto... sin razón",2026-05-16T12:31:40.418Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/05dadc2c-e572-41a4-a289-42d51667e3ab.mp3,,https://cdn2.suno.ai/image_05dadc2c-e572-41a4-a289-42d51667e3ab.jpeg,https://cdn2.suno.ai/image_large_05dadc2c-e572-41a4-a289-42d51667e3ab.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\05dadc2c-e572-41a4-a289-42d51667e3ab.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\05dadc2c-e572-41a4-a289-42d51667e3ab.cover.jpg | |
| 23a864b3-b63a-402d-a95a-a2750cbadf5a,Maleta Callada,,v5.5,chirp-fenix,complete,224.6,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] | |
| [Verse] | |
| Hay una maleta | |
| callada en un rincón | |
| no duerme, no se queja | |
| solo escucha tu voz | |
| Llamás de madrugada | |
| no hay nadie, está oscuro | |
| y ella te contesta | |
| con su tono más puro | |
| [Verse] | |
| Cuánto debo este mes | |
| por qué me dejaste sin luz | |
| ella sabe la respuesta | |
| y no te cobra de más | |
| No se toma un feriado | |
| no renuncia, no se va | |
| no conoce los lunes | |
| ni el rencor de llegar | |
| [Chorus] | |
| Y tus datos, mi amor | |
| se quedan en tu hogar | |
| no viajan a Virginia | |
| no los toca nadie más | |
| dormí tranquilo, vida | |
| que el secreto está acá | |
| en la sala de los fierros | |
| nada se va a escapar | |
| [Verse] | |
| Diez eran, quedan tres | |
| los que piensan de verdad | |
| los demás hacían de humanos | |
| imitando a un metal | |
| Y ella aprende solita | |
| cada mes sabe más | |
| mi reina de aluminio | |
| nunca me va a fallar | |
| [Bridge] | |
| No es la nube, no es renta | |
| no hay factura que pagar | |
| es silencio, es acero | |
| es saudade sin final | |
| La compraste una vez | |
| y se acabó el discutir | |
| la cuenta que subía | |
| ahora reza por vivir | |
| [Chorus] | |
| Y tus datos, mi amor | |
| se quedan en tu hogar | |
| no viajan a Virginia | |
| no los toca nadie más | |
| dormí tranquilo, vida | |
| que el secreto está acá | |
| en la sala de los fierros | |
| nada se va a escapar | |
| [Outro] | |
| Hay una maleta | |
| callada en un rincón | |
| ella te atiende | |
| y el resto... sin razón",2026-05-16T12:31:40.418Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/23a864b3-b63a-402d-a95a-a2750cbadf5a.mp3,,https://cdn2.suno.ai/image_23a864b3-b63a-402d-a95a-a2750cbadf5a.jpeg,https://cdn2.suno.ai/image_large_23a864b3-b63a-402d-a95a-a2750cbadf5a.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\23a864b3-b63a-402d-a95a-a2750cbadf5a.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\23a864b3-b63a-402d-a95a-a2750cbadf5a.cover.jpg | |
| 178eaff7-c799-4fc6-9ce3-9495435d2d21,Mala na Sala,,v5.5,chirp-fenix,complete,189.04,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] | |
| [Verse] | |
| Tem uma mala | |
| no canto da sala | |
| ela atende, ela acalma | |
| ela nunca se cala | |
| Liga o cliente | |
| às três da manhã | |
| ninguém de plantão | |
| só a mala, e ela ouve | |
| [Verse] | |
| Quanto eu te devo | |
| por que me cortaram | |
| a mala responde | |
| sem nunca cansar | |
| Não tira férias | |
| não pede aumento | |
| não tem segunda-feira | |
| nem ressentimento | |
| [Chorus] | |
| E os teus dados | |
| ficam aqui, meu bem | |
| não vão pra Virgínia | |
| não vão pra ninguém | |
| dorme tranquilo | |
| o áudio é só teu | |
| na sala dos servidores | |
| o segredo não morreu | |
| [Verse] | |
| Dez viraram três | |
| os três que pensam | |
| o resto era robô | |
| fazendo de gente | |
| A mala aprende | |
| de graça, sozinha | |
| cada mês mais sábia | |
| a minha rainha | |
| [Bridge] | |
| Não é nuvem | |
| não é assinatura | |
| é ferro e silêncio | |
| é a saudade que dura | |
| Comprou uma vez | |
| e acabou-se a conversa | |
| a conta que sobe | |
| agora é ela que reza | |
| [Chorus] | |
| E os teus dados | |
| ficam aqui, meu bem | |
| não vão pra Virgínia | |
| não vão pra ninguém | |
| dorme tranquilo | |
| o áudio é só teu | |
| na sala dos servidores | |
| o segredo não morreu | |
| [Outro] | |
| Tem uma mala | |
| no canto da sala | |
| ela atende | |
| e o resto... se cala",2026-05-16T12:29:08.118Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/178eaff7-c799-4fc6-9ce3-9495435d2d21.mp3,,https://cdn2.suno.ai/image_178eaff7-c799-4fc6-9ce3-9495435d2d21.jpeg,https://cdn2.suno.ai/image_large_178eaff7-c799-4fc6-9ce3-9495435d2d21.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\178eaff7-c799-4fc6-9ce3-9495435d2d21.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\178eaff7-c799-4fc6-9ce3-9495435d2d21.cover.jpg | |
| 21c00f63-9fef-4711-bb1b-a19a8f93dc36,Mala na Sala,,v5.5,chirp-fenix,complete,197.88,False,"Bossa nova, classic 1960s João Gilberto / Tom Jobim feel, soft nylon-string acoustic guitar, gentle brushed drums, mellow upright bass, subtle Rhodes, light flute or muted trumpet accents, intimate close-mic vocals, breathy male voice (or soft female), Brazilian Portuguese, relaxed swing, 80-95 BPM, warm vintage analog, melancholic but sunny, conversational phrasing, jazzy chords (maj7, m7, dim)",,"[Intro] | |
| [Verse] | |
| Tem uma mala | |
| no canto da sala | |
| ela atende, ela acalma | |
| ela nunca se cala | |
| Liga o cliente | |
| às três da manhã | |
| ninguém de plantão | |
| só a mala, e ela ouve | |
| [Verse] | |
| Quanto eu te devo | |
| por que me cortaram | |
| a mala responde | |
| sem nunca cansar | |
| Não tira férias | |
| não pede aumento | |
| não tem segunda-feira | |
| nem ressentimento | |
| [Chorus] | |
| E os teus dados | |
| ficam aqui, meu bem | |
| não vão pra Virgínia | |
| não vão pra ninguém | |
| dorme tranquilo | |
| o áudio é só teu | |
| na sala dos servidores | |
| o segredo não morreu | |
| [Verse] | |
| Dez viraram três | |
| os três que pensam | |
| o resto era robô | |
| fazendo de gente | |
| A mala aprende | |
| de graça, sozinha | |
| cada mês mais sábia | |
| a minha rainha | |
| [Bridge] | |
| Não é nuvem | |
| não é assinatura | |
| é ferro e silêncio | |
| é a saudade que dura | |
| Comprou uma vez | |
| e acabou-se a conversa | |
| a conta que sobe | |
| agora é ela que reza | |
| [Chorus] | |
| E os teus dados | |
| ficam aqui, meu bem | |
| não vão pra Virgínia | |
| não vão pra ninguém | |
| dorme tranquilo | |
| o áudio é só teu | |
| na sala dos servidores | |
| o segredo não morreu | |
| [Outro] | |
| Tem uma mala | |
| no canto da sala | |
| ela atende | |
| e o resto... se cala",2026-05-16T12:29:08.118Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/21c00f63-9fef-4711-bb1b-a19a8f93dc36.mp3,,https://cdn2.suno.ai/image_21c00f63-9fef-4711-bb1b-a19a8f93dc36.jpeg,https://cdn2.suno.ai/image_large_21c00f63-9fef-4711-bb1b-a19a8f93dc36.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\21c00f63-9fef-4711-bb1b-a19a8f93dc36.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\21c00f63-9fef-4711-bb1b-a19a8f93dc36.cover.jpg | |
| 4edc2162-5564-42dc-9441-e58cc44ff6e8,Jupiter Apron,,v5.5,chirp-fenix,complete,176.28,True,"Nu house jazz 121 BPM, swung warm kick four-on-floor, ghost 16th hi-hats detuned polyrhythmic layer, vocoder four-voice harmony breathing like living pad tracking Rhodes, Fender Rhodes upper register add9 major 7th slow tremolo melodic phrases, vocal syllables chopped retuned firing 16th grid counter-melodic riff variations each phrase, fingerstyle bass walking minor pentatonic chromatic approaches, clean Telecaster chord stabs bright occasional, flugelhorn call trumpet response four bars each, polyrhythm congas shakers 3-against-4 and 5-against-4 simultaneous, Jupiter-8 sustained pad, vinyl crackle pronounced, D major joyful nostalgic futuristic dancefloor soul",,,2026-05-16T01:21:11.715Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/4edc2162-5564-42dc-9441-e58cc44ff6e8.mp3,,https://cdn2.suno.ai/image_4edc2162-5564-42dc-9441-e58cc44ff6e8.jpeg,https://cdn2.suno.ai/image_large_4edc2162-5564-42dc-9441-e58cc44ff6e8.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4edc2162-5564-42dc-9441-e58cc44ff6e8.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4edc2162-5564-42dc-9441-e58cc44ff6e8.cover.jpg | |
| 96682575-4c2e-4152-8907-acd1b33b4761,Jupiter Apron,,v5.5,chirp-fenix,complete,201.28,True,"Nu house jazz 121 BPM, swung warm kick four-on-floor, ghost 16th hi-hats detuned polyrhythmic layer, vocoder four-voice harmony breathing like living pad tracking Rhodes, Fender Rhodes upper register add9 major 7th slow tremolo melodic phrases, vocal syllables chopped retuned firing 16th grid counter-melodic riff variations each phrase, fingerstyle bass walking minor pentatonic chromatic approaches, clean Telecaster chord stabs bright occasional, flugelhorn call trumpet response four bars each, polyrhythm congas shakers 3-against-4 and 5-against-4 simultaneous, Jupiter-8 sustained pad, vinyl crackle pronounced, D major joyful nostalgic futuristic dancefloor soul",,,2026-05-16T01:21:11.715Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/96682575-4c2e-4152-8907-acd1b33b4761.mp3,,https://cdn2.suno.ai/image_96682575-4c2e-4152-8907-acd1b33b4761.jpeg,https://cdn2.suno.ai/image_large_96682575-4c2e-4152-8907-acd1b33b4761.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\96682575-4c2e-4152-8907-acd1b33b4761.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\96682575-4c2e-4152-8907-acd1b33b4761.cover.jpg | |
| e3dd4087-13cb-4241-b1d3-38eccbdb9b95,Velvet Metronome,,v5.5,chirp-fenix,complete,224.4,True,"Nu house jazz 121 BPM, swung warm kick four-on-floor, ghost 16th hi-hats detuned polyrhythmic layer, vocoder four-voice harmony breathing like living pad tracking Rhodes, Fender Rhodes upper register add9 major 7th slow tremolo melodic phrases, vocal syllables chopped retuned firing 16th grid counter-melodic riff variations each phrase, fingerstyle bass walking minor pentatonic chromatic approaches, clean Telecaster chord stabs bright occasional, flugelhorn call trumpet response four bars each, polyrhythm congas shakers 3-against-4 and 5-against-4 simultaneous, Jupiter-8 sustained pad, vinyl crackle pronounced, D major joyful nostalgic futuristic dancefloor soul",,,2026-05-16T01:21:01.718Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/e3dd4087-13cb-4241-b1d3-38eccbdb9b95.mp3,,https://cdn2.suno.ai/image_e3dd4087-13cb-4241-b1d3-38eccbdb9b95.jpeg,https://cdn2.suno.ai/image_large_e3dd4087-13cb-4241-b1d3-38eccbdb9b95.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e3dd4087-13cb-4241-b1d3-38eccbdb9b95.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e3dd4087-13cb-4241-b1d3-38eccbdb9b95.cover.jpg | |
| 4547ad63-fc2c-4eb2-8b0d-1f258ea16f11,Velvet Metronome,,v5.5,chirp-fenix,complete,217.32,True,"Nu house jazz 121 BPM, swung warm kick four-on-floor, ghost 16th hi-hats detuned polyrhythmic layer, vocoder four-voice harmony breathing like living pad tracking Rhodes, Fender Rhodes upper register add9 major 7th slow tremolo melodic phrases, vocal syllables chopped retuned firing 16th grid counter-melodic riff variations each phrase, fingerstyle bass walking minor pentatonic chromatic approaches, clean Telecaster chord stabs bright occasional, flugelhorn call trumpet response four bars each, polyrhythm congas shakers 3-against-4 and 5-against-4 simultaneous, Jupiter-8 sustained pad, vinyl crackle pronounced, D major joyful nostalgic futuristic dancefloor soul",,,2026-05-16T01:21:01.718Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/4547ad63-fc2c-4eb2-8b0d-1f258ea16f11.mp3,,https://cdn2.suno.ai/image_4547ad63-fc2c-4eb2-8b0d-1f258ea16f11.jpeg,https://cdn2.suno.ai/image_large_4547ad63-fc2c-4eb2-8b0d-1f258ea16f11.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4547ad63-fc2c-4eb2-8b0d-1f258ea16f11.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4547ad63-fc2c-4eb2-8b0d-1f258ea16f11.cover.jpg | |
| fe6a9e64-1432-4c28-9124-fd665dff25d2,Tin Roof Nectar,,v5.5,chirp-fenix,complete,180,True,"french nu house jazz 125 bpm driving filtered punchy kick swung detuned hi hats shuffled tight vocoder lead melody harmonized minor 7th intervals doubling trumpet line octave up fender rhodes fast tremolo bright chord melody mid register granular vocal texture background shimmer reversed phrases slap electric bass locked kick chromatic fills clean stratocaster rhythm percussive stabs trumpet flugelhorn two voice bebop phrases analog polysynth thick pads side chain breathing polyrhythmic bongo tambourine interlocking 3 against 4 pumping side chain aggressive warm tape a flat major Chillwave, Indie Pop, Synthpop fkj Electronic, Hip Hop, House, R&B, Funk energy pure analog soul",,,2026-05-16T01:16:13.995Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/fe6a9e64-1432-4c28-9124-fd665dff25d2.mp3,,https://cdn2.suno.ai/image_fe6a9e64-1432-4c28-9124-fd665dff25d2.jpeg,https://cdn2.suno.ai/image_large_fe6a9e64-1432-4c28-9124-fd665dff25d2.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\fe6a9e64-1432-4c28-9124-fd665dff25d2.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\fe6a9e64-1432-4c28-9124-fd665dff25d2.cover.jpg | |
| 87ba75e0-f70d-4ed6-b762-9eb41e263a34,Tin Roof Nectar,,v5.5,chirp-fenix,complete,184.84,True,"French nu house jazz 125 BPM, driving filtered punchy kick swung, detuned hi-hats shuffled tight, vocoder lead melody harmonized minor 7th intervals doubling trumpet line octave up, Fender Rhodes fast tremolo bright chord melody mid-register, granular vocal texture background shimmer reversed phrases, slap electric bass locked kick chromatic fills, clean Stratocaster rhythm percussive stabs, trumpet flugelhorn two-voice bebop phrases, analog polysynth thick pads side-chain breathing, polyrhythmic bongo tambourine interlocking 3-against-4, pumping side-chain aggressive, warm tape, A-flat major, Toro y Moi FKJ Kaytranada energy, pure analog soul",,,2026-05-16T01:16:13.995Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/87ba75e0-f70d-4ed6-b762-9eb41e263a34.mp3,,https://cdn2.suno.ai/image_87ba75e0-f70d-4ed6-b762-9eb41e263a34.jpeg,https://cdn2.suno.ai/image_large_87ba75e0-f70d-4ed6-b762-9eb41e263a34.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\87ba75e0-f70d-4ed6-b762-9eb41e263a34.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\87ba75e0-f70d-4ed6-b762-9eb41e263a34.cover.jpg | |
| 2c1034c5-df6c-4b9d-ba57-0eb5f289efa2,Vinyl Citrus,,v5.5,chirp-fenix,complete,186.88,True,"Nu jazz house 122 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats both channels, vocoder chord cluster evolving independently from harmony creating lush tension, Fender Rhodes tremolo fast dominant 7th 9th voicings ascending motion, vocal chops time-stretched pitched up third forming melodic hook every four bars, Minimoog bass syncopated octave jumps locking kick, clean funk guitar muted 16th percussive chops, flugelhorn staccato melody, brass stab hits off-beats, polyrhythmic conga tambourine shaker 5-against-4, side-chain breathing, vinyl warmth tape saturation, G major nostalgic futuristic, last song everyone stays dancing",,,2026-05-16T01:16:01.063Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/2c1034c5-df6c-4b9d-ba57-0eb5f289efa2.mp3,,https://cdn2.suno.ai/image_2c1034c5-df6c-4b9d-ba57-0eb5f289efa2.jpeg,https://cdn2.suno.ai/image_large_2c1034c5-df6c-4b9d-ba57-0eb5f289efa2.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2c1034c5-df6c-4b9d-ba57-0eb5f289efa2.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2c1034c5-df6c-4b9d-ba57-0eb5f289efa2.cover.jpg | |
| d9141d21-15d0-4eb7-a28f-cc3a7a851ef0,Vinyl Citrus,,v5.5,chirp-fenix,complete,187.12,True,"Nu jazz house 122 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats both channels, vocoder chord cluster evolving independently from harmony creating lush tension, Fender Rhodes tremolo fast dominant 7th 9th voicings ascending motion, vocal chops time-stretched pitched up third forming melodic hook every four bars, Minimoog bass syncopated octave jumps locking kick, clean funk guitar muted 16th percussive chops, flugelhorn staccato melody, brass stab hits off-beats, polyrhythmic conga tambourine shaker 5-against-4, side-chain breathing, vinyl warmth tape saturation, G major nostalgic futuristic, last song everyone stays dancing",,,2026-05-16T01:16:01.063Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/d9141d21-15d0-4eb7-a28f-cc3a7a851ef0.mp3,,https://cdn2.suno.ai/image_d9141d21-15d0-4eb7-a28f-cc3a7a851ef0.jpeg,https://cdn2.suno.ai/image_large_d9141d21-15d0-4eb7-a28f-cc3a7a851ef0.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d9141d21-15d0-4eb7-a28f-cc3a7a851ef0.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d9141d21-15d0-4eb7-a28f-cc3a7a851ef0.cover.jpg | |
| 633277eb-0fb5-4b61-8958-81481492dd8f,Vinyl Tango,,v5.5,chirp-fenix,complete,187.32,True,"Nu jazz house 122 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats both channels, vocoder chord cluster evolving independently from harmony creating lush tension, Fender Rhodes tremolo fast dominant 7th 9th voicings ascending motion, vocal chops time-stretched pitched up third forming melodic hook every four bars, Minimoog bass syncopated octave jumps locking kick, clean funk guitar muted 16th percussive chops, flugelhorn staccato melody, brass stab hits off-beats, polyrhythmic conga tambourine shaker 5-against-4, side-chain breathing, vinyl warmth tape saturation, G major nostalgic futuristic, last song everyone stays dancing",,,2026-05-16T01:15:52.657Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/633277eb-0fb5-4b61-8958-81481492dd8f.mp3,,https://cdn2.suno.ai/image_633277eb-0fb5-4b61-8958-81481492dd8f.jpeg,https://cdn2.suno.ai/image_large_633277eb-0fb5-4b61-8958-81481492dd8f.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\633277eb-0fb5-4b61-8958-81481492dd8f.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\633277eb-0fb5-4b61-8958-81481492dd8f.cover.jpg | |
| 5c5aae2b-03a9-4d02-83ad-ce70545f5123,Vinyl Tango,,v5.5,chirp-fenix,complete,165,True,"Nu jazz house 122 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats both channels, vocoder chord cluster evolving independently from harmony creating lush tension, Fender Rhodes tremolo fast dominant 7th 9th voicings ascending motion, vocal chops time-stretched pitched up third forming melodic hook every four bars, Minimoog bass syncopated octave jumps locking kick, clean funk guitar muted 16th percussive chops, flugelhorn staccato melody, brass stab hits off-beats, polyrhythmic conga tambourine shaker 5-against-4, side-chain breathing, vinyl warmth tape saturation, G major nostalgic futuristic, last song everyone stays dancing",,,2026-05-16T01:15:52.657Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/5c5aae2b-03a9-4d02-83ad-ce70545f5123.mp3,,https://cdn2.suno.ai/image_5c5aae2b-03a9-4d02-83ad-ce70545f5123.jpeg,https://cdn2.suno.ai/image_large_5c5aae2b-03a9-4d02-83ad-ce70545f5123.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\5c5aae2b-03a9-4d02-83ad-ce70545f5123.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\5c5aae2b-03a9-4d02-83ad-ce70545f5123.cover.jpg | |
| 93d00f28-53e6-4f4c-8832-eec63a0bec13,Vocoder Bounce,,v5.5,chirp-fenix,complete,249.8,True,"futuristic nu house 124 bpm filtered swung kick tight detuned hi hats ghost 16ths vocoder arpeggio sequence robotic jazz voicing over changes fender rhodes upper register sus2 add9 cascading bright tremolo vocal syllables retuned forming counter melody against rhodes fingerstyle electric bass chromatic blue notes walking clean telecaster funk stabs bright two trumpet harmony short phrases analog polysynth oberheim filter opening slowly polyrhythm djembe triplets over 4 4 kick granular reversed vocal shimmer background layer pumping side chain warm saturation e flat major emotional joyful dancefloor massego meets house, electronic, French house, dance, disco",,,2026-05-16T01:15:45.319Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/93d00f28-53e6-4f4c-8832-eec63a0bec13.mp3,,https://cdn2.suno.ai/image_93d00f28-53e6-4f4c-8832-eec63a0bec13.jpeg,https://cdn2.suno.ai/image_large_93d00f28-53e6-4f4c-8832-eec63a0bec13.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\93d00f28-53e6-4f4c-8832-eec63a0bec13.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\93d00f28-53e6-4f4c-8832-eec63a0bec13.cover.jpg | |
| 2f0810ae-e826-41d5-b5ff-c667bf402923,Vocoder Bounce,,v5.5,chirp-fenix,complete,177.88,True,"futuristic nu house 124 bpm filtered swung kick tight detuned hi hats ghost 16ths vocoder arpeggio sequence robotic jazz voicing over changes fender rhodes upper register sus2 add9 cascading bright tremolo vocal syllables retuned forming counter melody against rhodes fingerstyle electric bass chromatic blue notes walking clean telecaster funk stabs bright two trumpet harmony short phrases analog polysynth oberheim filter opening slowly polyrhythm djembe triplets over 4 4 kick granular reversed vocal shimmer background layer pumping side chain warm saturation e flat major emotional joyful dancefloor massego meets house, electronic, French house, dance, disco",,,2026-05-16T01:15:45.319Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/2f0810ae-e826-41d5-b5ff-c667bf402923.mp3,,https://cdn2.suno.ai/image_2f0810ae-e826-41d5-b5ff-c667bf402923.jpeg,https://cdn2.suno.ai/image_large_2f0810ae-e826-41d5-b5ff-c667bf402923.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2f0810ae-e826-41d5-b5ff-c667bf402923.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2f0810ae-e826-41d5-b5ff-c667bf402923.cover.jpg | |
| d5e7fc10-2351-442e-8035-f3185fc6ccb7,Harmonic Circuit Joy,,v5.5,chirp-fenix,complete,191.2,True,"futuristic nu house 124 bpm filtered swung kick tight detuned hi hats ghost 16ths vocoder arpeggio sequence robotic jazz voicing over changes fender rhodes upper register sus2 add9 cascading bright tremolo vocal syllables retuned forming counter melody against rhodes fingerstyle electric bass chromatic blue notes walking clean telecaster funk stabs bright two trumpet harmony short phrases analog polysynth oberheim filter opening slowly polyrhythm djembe triplets over 4 4 kick granular reversed vocal shimmer background layer pumping side chain warm saturation e flat major emotional joyful dancefloor massego meets house, electronic, French house, dance, disco",,,2026-05-16T01:15:33.331Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/d5e7fc10-2351-442e-8035-f3185fc6ccb7.mp3,,https://cdn2.suno.ai/image_d5e7fc10-2351-442e-8035-f3185fc6ccb7.jpeg,https://cdn2.suno.ai/image_large_d5e7fc10-2351-442e-8035-f3185fc6ccb7.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d5e7fc10-2351-442e-8035-f3185fc6ccb7.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d5e7fc10-2351-442e-8035-f3185fc6ccb7.cover.jpg | |
| ed07ff58-25df-4b98-a3c8-e2550544a96f,Harmonic Circuit Joy,,v5.5,chirp-fenix,complete,202.36,True,"futuristic nu house 124 bpm filtered swung kick tight detuned hi hats ghost 16ths vocoder arpeggio sequence robotic jazz voicing over changes fender rhodes upper register sus2 add9 cascading bright tremolo vocal syllables retuned forming counter melody against rhodes fingerstyle electric bass chromatic blue notes walking clean telecaster funk stabs bright two trumpet harmony short phrases analog polysynth oberheim filter opening slowly polyrhythm djembe triplets over 4 4 kick granular reversed vocal shimmer background layer pumping side chain warm saturation e flat major emotional joyful dancefloor massego meets house, electronic, French house, dance, disco",,,2026-05-16T01:15:33.331Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/ed07ff58-25df-4b98-a3c8-e2550544a96f.mp3,,https://cdn2.suno.ai/image_ed07ff58-25df-4b98-a3c8-e2550544a96f.jpeg,https://cdn2.suno.ai/image_large_ed07ff58-25df-4b98-a3c8-e2550544a96f.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ed07ff58-25df-4b98-a3c8-e2550544a96f.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ed07ff58-25df-4b98-a3c8-e2550544a96f.cover.jpg | |
| 8fcd7a80-805f-49bf-8c6c-17c48565f4b4,Bicycle Brass,,v5.5,chirp-fenix,complete,196.68,True,"nu jazz house 123 bpm swung punchy kick four on floor detuned shuffled hi hats open hat upbeat vocoder harmony stacks tracking chord changes four voices fender rhodes fast tremolo dominant 9th mid register rhythmic comping granular vocal chops micro sliced percussive 16th grid melodic texture moog bass syncopated root fifth octave bounce clean stratocaster muted ghost strums trumpet staccato bebop phrases call response flugelhorn brass punches two and four polyrhythmic bongo shaker 3 against 4 jupiter 8 analog pad filter sweep side chain pumping tape warmth vinyl crackle b flat major futuristic rooftop groove fkj Electronic, Hip Hop, House, R&B, Funk energy",,,2026-05-16T01:15:20.977Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/8fcd7a80-805f-49bf-8c6c-17c48565f4b4.mp3,,https://cdn2.suno.ai/image_8fcd7a80-805f-49bf-8c6c-17c48565f4b4.jpeg,https://cdn2.suno.ai/image_large_8fcd7a80-805f-49bf-8c6c-17c48565f4b4.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\8fcd7a80-805f-49bf-8c6c-17c48565f4b4.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\8fcd7a80-805f-49bf-8c6c-17c48565f4b4.cover.jpg | |
| 51d15feb-b134-4580-b7ad-7319246e0dbc,Bicycle Brass,,v5.5,chirp-fenix,complete,199.32,True,"nu jazz house 123 bpm swung punchy kick four on floor detuned shuffled hi hats open hat upbeat vocoder harmony stacks tracking chord changes four voices fender rhodes fast tremolo dominant 9th mid register rhythmic comping granular vocal chops micro sliced percussive 16th grid melodic texture moog bass syncopated root fifth octave bounce clean stratocaster muted ghost strums trumpet staccato bebop phrases call response flugelhorn brass punches two and four polyrhythmic bongo shaker 3 against 4 jupiter 8 analog pad filter sweep side chain pumping tape warmth vinyl crackle b flat major futuristic rooftop groove fkj Electronic, Hip Hop, House, R&B, Funk energy",,,2026-05-16T01:15:20.977Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/51d15feb-b134-4580-b7ad-7319246e0dbc.mp3,,https://cdn2.suno.ai/image_51d15feb-b134-4580-b7ad-7319246e0dbc.jpeg,https://cdn2.suno.ai/image_large_51d15feb-b134-4580-b7ad-7319246e0dbc.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\51d15feb-b134-4580-b7ad-7319246e0dbc.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\51d15feb-b134-4580-b7ad-7319246e0dbc.cover.jpg | |
| 843a8d02-150d-4fb9-8c2a-19321e260770,Rooftop Nectar,,v5.5,chirp-fenix,complete,200.72,True,"nu jazz house 123 bpm swung punchy kick four on floor detuned shuffled hi hats open hat upbeat vocoder harmony stacks tracking chord changes four voices fender rhodes fast tremolo dominant 9th mid register rhythmic comping granular vocal chops micro sliced percussive 16th grid melodic texture moog bass syncopated root fifth octave bounce clean stratocaster muted ghost strums trumpet staccato bebop phrases call response flugelhorn brass punches two and four polyrhythmic bongo shaker 3 against 4 jupiter 8 analog pad filter sweep side chain pumping tape warmth vinyl crackle b flat major futuristic rooftop groove fkj Electronic, Hip Hop, House, R&B, Funk energy",,,2026-05-16T01:14:45.515Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/843a8d02-150d-4fb9-8c2a-19321e260770.mp3,,https://cdn2.suno.ai/image_843a8d02-150d-4fb9-8c2a-19321e260770.jpeg,https://cdn2.suno.ai/image_large_843a8d02-150d-4fb9-8c2a-19321e260770.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\843a8d02-150d-4fb9-8c2a-19321e260770.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\843a8d02-150d-4fb9-8c2a-19321e260770.cover.jpg | |
| 6ae04183-8e92-48f7-bf98-1613b73e207b,Rooftop Nectar,,v5.5,chirp-fenix,complete,178.2,True,"nu jazz house 123 bpm swung punchy kick four on floor detuned shuffled hi hats open hat upbeat vocoder harmony stacks tracking chord changes four voices fender rhodes fast tremolo dominant 9th mid register rhythmic comping granular vocal chops micro sliced percussive 16th grid melodic texture moog bass syncopated root fifth octave bounce clean stratocaster muted ghost strums trumpet staccato bebop phrases call response flugelhorn brass punches two and four polyrhythmic bongo shaker 3 against 4 jupiter 8 analog pad filter sweep side chain pumping tape warmth vinyl crackle b flat major futuristic rooftop groove fkj Electronic, Hip Hop, House, R&B, Funk energy",,,2026-05-16T01:14:45.515Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/6ae04183-8e92-48f7-bf98-1613b73e207b.mp3,,https://cdn2.suno.ai/image_6ae04183-8e92-48f7-bf98-1613b73e207b.jpeg,https://cdn2.suno.ai/image_large_6ae04183-8e92-48f7-bf98-1613b73e207b.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6ae04183-8e92-48f7-bf98-1613b73e207b.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6ae04183-8e92-48f7-bf98-1613b73e207b.cover.jpg | |
| 9b82b7b5-0980-4dc7-a7fb-5e9d5550da34,Jubilee Jupiter,,v5.5,chirp-fenix,complete,207.6,True,"Nu house jazz 121 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats polyrhythmic layer, vocoder four-voice cluster chords evolving independently from Rhodes harmony creating dense lush texture, Fender Rhodes slow tremolo major 7th add9 upper register melody, granular vocal chops micro-pitched firing as percussive melodic element across 16th grid, vocal phrase reversed and filtered answering trumpet call, fingerstyle bass walking chromatic approach notes, clean Telecaster bright chord stabs, flugelhorn bebop melodic line, polyrhythmic congas shakers 3-against-4 and 5-against-4 simultaneously, Jupiter-8 pad sustained, vinyl warmth, D major, emotional joyful futuristic groove, last hour of the party but nobody leaves",,,2026-05-15T02:30:21.514Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/9b82b7b5-0980-4dc7-a7fb-5e9d5550da34.mp3,,https://cdn2.suno.ai/image_9b82b7b5-0980-4dc7-a7fb-5e9d5550da34.jpeg,https://cdn2.suno.ai/image_large_9b82b7b5-0980-4dc7-a7fb-5e9d5550da34.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\9b82b7b5-0980-4dc7-a7fb-5e9d5550da34.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\9b82b7b5-0980-4dc7-a7fb-5e9d5550da34.cover.jpg | |
| e2b6f0d3-8f3f-43d0-a412-c30ca884270f,Jubilee Jupiter,,v5.5,chirp-fenix,complete,479.4,True,"Nu house jazz 121 BPM, deep warm swung four-on-floor, shuffled detuned hi-hats polyrhythmic layer, vocoder four-voice cluster chords evolving independently from Rhodes harmony creating dense lush texture, Fender Rhodes slow tremolo major 7th add9 upper register melody, granular vocal chops micro-pitched firing as percussive melodic element across 16th grid, vocal phrase reversed and filtered answering trumpet call, fingerstyle bass walking chromatic approach notes, clean Telecaster bright chord stabs, flugelhorn bebop melodic line, polyrhythmic congas shakers 3-against-4 and 5-against-4 simultaneously, Jupiter-8 pad sustained, vinyl warmth, D major, emotional joyful futuristic groove, last hour of the party but nobody leaves",,,2026-05-15T02:30:21.514Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/e2b6f0d3-8f3f-43d0-a412-c30ca884270f.mp3,,https://cdn2.suno.ai/image_e2b6f0d3-8f3f-43d0-a412-c30ca884270f.jpeg,https://cdn2.suno.ai/image_large_e2b6f0d3-8f3f-43d0-a412-c30ca884270f.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e2b6f0d3-8f3f-43d0-a412-c30ca884270f.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e2b6f0d3-8f3f-43d0-a412-c30ca884270f.cover.jpg | |
| 729a89d1-20b1-4032-a9ac-4609d565f648,Rhodes Thaw,,v5.5,chirp-fenix,complete,170.96,True,"nu jazz house 123 bpm swung four on floor punchy kick detuned hi hats polyrhythmic ghost 16ths vocoder chord stacks breathing with the harmony like a living analog synth fender rhodes fast tremolo dominant 9th voicings mid register moog bass syncopated root octave bounce chopped vocal syllables pitched and retuned forming melodic hooks on offbeats vocoder melody doubling rhodes line one octave up clean funk guitar muted 16th percussive chops trumpet short staccato phrases call response polyrhythmic shaker conga 3 against 4 jupiter 8 pad slow filter sweep side chain pumping vinyl warmth b flat major futuristic nostalgic dancefloor fkj meets house, electronic, French house, dance, disco soul",,,2026-05-15T02:29:44.724Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/729a89d1-20b1-4032-a9ac-4609d565f648.mp3,,https://cdn2.suno.ai/image_729a89d1-20b1-4032-a9ac-4609d565f648.jpeg,https://cdn2.suno.ai/image_large_729a89d1-20b1-4032-a9ac-4609d565f648.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\729a89d1-20b1-4032-a9ac-4609d565f648.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\729a89d1-20b1-4032-a9ac-4609d565f648.cover.jpg | |
| 19a34398-19ee-42c5-b1e9-307dcbfdae5c,Rhodes Thaw,,v5.5,chirp-fenix,complete,190.84,True,"nu jazz house 123 bpm swung four on floor punchy kick detuned hi hats polyrhythmic ghost 16ths vocoder chord stacks breathing with the harmony like a living analog synth fender rhodes fast tremolo dominant 9th voicings mid register moog bass syncopated root octave bounce chopped vocal syllables pitched and retuned forming melodic hooks on offbeats vocoder melody doubling rhodes line one octave up clean funk guitar muted 16th percussive chops trumpet short staccato phrases call response polyrhythmic shaker conga 3 against 4 jupiter 8 pad slow filter sweep side chain pumping vinyl warmth b flat major futuristic nostalgic dancefloor fkj meets house, electronic, French house, dance, disco soul",,,2026-05-15T02:29:44.724Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/19a34398-19ee-42c5-b1e9-307dcbfdae5c.mp3,,https://cdn2.suno.ai/image_19a34398-19ee-42c5-b1e9-307dcbfdae5c.jpeg,https://cdn2.suno.ai/image_large_19a34398-19ee-42c5-b1e9-307dcbfdae5c.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\19a34398-19ee-42c5-b1e9-307dcbfdae5c.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\19a34398-19ee-42c5-b1e9-307dcbfdae5c.cover.jpg | |
| 15738605-8c37-451e-a70b-4e0c213f161a,Vinyl Daisies,,v5.5,chirp-fenix,complete,140.88,True,"French nu house 125 BPM, driving filtered kick four-on-floor swung, detuned hi-hats shuffled tight, Fender Rhodes bright fast tremolo major 7th add9 voicings bouncing rhythmically, thick analog polysynth filter sweep opening over eight bars, Moog bass locked to kick with syncopated octave jumps, clean Stratocaster rhythm guitar muted percussive stabs, staccato trumpet melody short bebop phrases, brass stab hits off-beats accented, polyrhythmic congas and shaker dense 3-against-4 feel, pitched soul vocal chops offbeat hooks, pumping side-chain full mix, warm vinyl saturation, D major bright nostalgic, last song of the night but everyone stays, pure groove",,,2026-05-15T02:29:03.261Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/15738605-8c37-451e-a70b-4e0c213f161a.mp3,,https://cdn2.suno.ai/image_15738605-8c37-451e-a70b-4e0c213f161a.jpeg,https://cdn2.suno.ai/image_large_15738605-8c37-451e-a70b-4e0c213f161a.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\15738605-8c37-451e-a70b-4e0c213f161a.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\15738605-8c37-451e-a70b-4e0c213f161a.cover.jpg | |
| 895701c5-497e-4040-90a2-1d5ac8497e97,Vinyl Daisies,,v5.5,chirp-fenix,complete,147.92,True,"French nu house 125 BPM, driving filtered kick four-on-floor swung, detuned hi-hats shuffled tight, Fender Rhodes bright fast tremolo major 7th add9 voicings bouncing rhythmically, thick analog polysynth filter sweep opening over eight bars, Moog bass locked to kick with syncopated octave jumps, clean Stratocaster rhythm guitar muted percussive stabs, staccato trumpet melody short bebop phrases, brass stab hits off-beats accented, polyrhythmic congas and shaker dense 3-against-4 feel, pitched soul vocal chops offbeat hooks, pumping side-chain full mix, warm vinyl saturation, D major bright nostalgic, last song of the night but everyone stays, pure groove",,,2026-05-15T02:29:03.261Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/895701c5-497e-4040-90a2-1d5ac8497e97.mp3,,https://cdn2.suno.ai/image_895701c5-497e-4040-90a2-1d5ac8497e97.jpeg,https://cdn2.suno.ai/image_large_895701c5-497e-4040-90a2-1d5ac8497e97.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\895701c5-497e-4040-90a2-1d5ac8497e97.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\895701c5-497e-4040-90a2-1d5ac8497e97.cover.jpg | |
| 1f8e1a11-e015-45a5-914a-96a70e212fdd,Rhodes Congas,,v5.5,chirp-fenix,complete,479.4,True,"nu jazz house 123 bpm four on floor punchy swung kick 16th hi hat subdivisions open hat upbeat fender rhodes fast tremolo dominant 7th 9th mid register rhythmic voicings minimoog analog bass syncopated root fifth octave bounce fingerstyle electric bass chromatic ghost notes clean telecaster funk chops 16th ghost strums flugelhorn and trumpet two voice harmony trading four bar phrases polyrhythmic layered percussion shakers congas tambourine 3 against 4 chopped pitched soul vocal phrase looping as melodic hook side chain breathing tape saturation a flat major joyful emotional dancefloor analog soul Electronic, Hip Hop, House, R&B, Funk fkj energy",,,2026-05-15T02:28:57.846Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/1f8e1a11-e015-45a5-914a-96a70e212fdd.mp3,,https://cdn2.suno.ai/image_1f8e1a11-e015-45a5-914a-96a70e212fdd.jpeg,https://cdn2.suno.ai/image_large_1f8e1a11-e015-45a5-914a-96a70e212fdd.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\1f8e1a11-e015-45a5-914a-96a70e212fdd.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\1f8e1a11-e015-45a5-914a-96a70e212fdd.cover.jpg | |
| 06721466-c163-48f2-94be-abb9581f2cb6,Rhodes Congas,,v5.5,chirp-fenix,complete,479.4,True,"nu jazz house 123 bpm four on floor punchy swung kick 16th hi hat subdivisions open hat upbeat fender rhodes fast tremolo dominant 7th 9th mid register rhythmic voicings minimoog analog bass syncopated root fifth octave bounce fingerstyle electric bass chromatic ghost notes clean telecaster funk chops 16th ghost strums flugelhorn and trumpet two voice harmony trading four bar phrases polyrhythmic layered percussion shakers congas tambourine 3 against 4 chopped pitched soul vocal phrase looping as melodic hook side chain breathing tape saturation a flat major joyful emotional dancefloor analog soul Electronic, Hip Hop, House, R&B, Funk fkj energy",,,2026-05-15T02:28:57.845Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/06721466-c163-48f2-94be-abb9581f2cb6.mp3,,https://cdn2.suno.ai/image_06721466-c163-48f2-94be-abb9581f2cb6.jpeg,https://cdn2.suno.ai/image_large_06721466-c163-48f2-94be-abb9581f2cb6.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\06721466-c163-48f2-94be-abb9581f2cb6.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\06721466-c163-48f2-94be-abb9581f2cb6.cover.jpg | |
| efdccfa2-2302-4597-8864-a7dec0a3d094,Rooftop E-flat,,v5.5,chirp-fenix,complete,194.28,True,"Nu house jazz groove 124 BPM, filtered punchy kick four-on-floor, tight swung hi-hats open hat upbeat, Fender Rhodes chord melody syncopated mid-register fast tremolo, Oberheim analog polysynth chords side-chain breathing, slap electric bass locked to kick with chromatic fills, clean funk guitar percussive muted 16th ghost strums, two-trumpet harmony stabs on the and-of-two and-of-four, analog synth melodic hook bright 8-bar phrase, polyrhythmic bongo tambourine triplets against 4/4 grid, pitched chopped soul vocal hook looping offbeat, warm tape saturation, E-flat major, late summer rooftop party, pure dancefloor soul",,,2026-05-15T02:28:52.253Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/efdccfa2-2302-4597-8864-a7dec0a3d094.mp3,,https://cdn2.suno.ai/image_efdccfa2-2302-4597-8864-a7dec0a3d094.jpeg,https://cdn2.suno.ai/image_large_efdccfa2-2302-4597-8864-a7dec0a3d094.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\efdccfa2-2302-4597-8864-a7dec0a3d094.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\efdccfa2-2302-4597-8864-a7dec0a3d094.cover.jpg | |
| 968823bf-9a61-4af0-b2d3-0958dd23043b,Rooftop E-flat,,v5.5,chirp-fenix,complete,174.92,True,"Nu house jazz groove 124 BPM, filtered punchy kick four-on-floor, tight swung hi-hats open hat upbeat, Fender Rhodes chord melody syncopated mid-register fast tremolo, Oberheim analog polysynth chords side-chain breathing, slap electric bass locked to kick with chromatic fills, clean funk guitar percussive muted 16th ghost strums, two-trumpet harmony stabs on the and-of-two and-of-four, analog synth melodic hook bright 8-bar phrase, polyrhythmic bongo tambourine triplets against 4/4 grid, pitched chopped soul vocal hook looping offbeat, warm tape saturation, E-flat major, late summer rooftop party, pure dancefloor soul",,,2026-05-15T02:28:52.253Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/968823bf-9a61-4af0-b2d3-0958dd23043b.mp3,,https://cdn2.suno.ai/image_968823bf-9a61-4af0-b2d3-0958dd23043b.jpeg,https://cdn2.suno.ai/image_large_968823bf-9a61-4af0-b2d3-0958dd23043b.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\968823bf-9a61-4af0-b2d3-0958dd23043b.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\968823bf-9a61-4af0-b2d3-0958dd23043b.cover.jpg | |
| 75a85d6a-029d-4e26-9e49-e342c4f7636e,Rhodes Alarm,,v5.5,chirp-fenix,complete,184.96,True,"Nu jazz house 122 BPM, swung four-on-floor warm punchy kick, detuned shuffled hi-hats ghost 16ths, Fender Rhodes fast tremolo bright dominant 9th voicings ascending chord motion, thick Jupiter-8 analog pads filter sweeping on phrase ends, syncopated Moog bass line root-fifth-octave pattern, fingerstyle electric bass chromatic passing tones, clean Stratocaster muted 16th chucks occasional bright chord stab, trumpet staccato call-and-response over Rhodes, flugelhorn counter-melody, polyrhythmic shaker conga layer 3-against-4, chopped soul vocal samples pitched up filtered warm on offbeats, pumping side-chain, vinyl warmth, B-flat major, nostalgic joyful dancefloor, FKJ Massego style, rooftop golden hour energy",,,2026-05-15T02:28:47.788Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/75a85d6a-029d-4e26-9e49-e342c4f7636e.mp3,,https://cdn2.suno.ai/image_75a85d6a-029d-4e26-9e49-e342c4f7636e.jpeg,https://cdn2.suno.ai/image_large_75a85d6a-029d-4e26-9e49-e342c4f7636e.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\75a85d6a-029d-4e26-9e49-e342c4f7636e.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\75a85d6a-029d-4e26-9e49-e342c4f7636e.cover.jpg | |
| a811896c-0dbc-4362-8036-b27d326a1202,Rhodes Alarm,,v5.5,chirp-fenix,complete,180.96,True,"Nu jazz house 122 BPM, swung four-on-floor warm punchy kick, detuned shuffled hi-hats ghost 16ths, Fender Rhodes fast tremolo bright dominant 9th voicings ascending chord motion, thick Jupiter-8 analog pads filter sweeping on phrase ends, syncopated Moog bass line root-fifth-octave pattern, fingerstyle electric bass chromatic passing tones, clean Stratocaster muted 16th chucks occasional bright chord stab, trumpet staccato call-and-response over Rhodes, flugelhorn counter-melody, polyrhythmic shaker conga layer 3-against-4, chopped soul vocal samples pitched up filtered warm on offbeats, pumping side-chain, vinyl warmth, B-flat major, nostalgic joyful dancefloor, FKJ Massego style, rooftop golden hour energy",,,2026-05-15T02:28:47.788Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/a811896c-0dbc-4362-8036-b27d326a1202.mp3,,https://cdn2.suno.ai/image_a811896c-0dbc-4362-8036-b27d326a1202.jpeg,https://cdn2.suno.ai/image_large_a811896c-0dbc-4362-8036-b27d326a1202.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\a811896c-0dbc-4362-8036-b27d326a1202.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\a811896c-0dbc-4362-8036-b27d326a1202.cover.jpg | |
| 7fe6115a-c603-4be0-bb74-7dbe8d08f6ba,Cassette Joy,,v5.5,chirp-fenix,complete,479.4,True,"""Noche Analógica"" | |
| Nu house jazz groove 125 BPM, driving four-on-floor kick warm and punchy, shuffled detuned hi-hats both channels slightly detuned against each other, Fender Rhodes bright fast tremolo playing chord melody in tight rhythmic syncopation, Oberheim analog synth thick pads opening filter slowly over eight bars, Moog bass synth locking to kick syncopated with octave jumps, electric bass playing off the synth bass in polyrhythmic conversation, clean Telecaster funk chops sixteenth ghost strums, flugelhorn and trumpet two-voice harmony melody trading four-bar phrases, polyrhythmic layered percussion shakers congas tambourine creating dense 3-against-4 feel, chopped pitched soul vocal phrase looping as melodic hook, side-chain breathing full mix, A-flat major bright and nostalgic, joyful emotional dancefloor, pure analog soul, last song of the night but everyone stays | |
| ",,,2026-05-15T02:27:54.994Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/7fe6115a-c603-4be0-bb74-7dbe8d08f6ba.mp3,,https://cdn2.suno.ai/image_7fe6115a-c603-4be0-bb74-7dbe8d08f6ba.jpeg,https://cdn2.suno.ai/image_large_7fe6115a-c603-4be0-bb74-7dbe8d08f6ba.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7fe6115a-c603-4be0-bb74-7dbe8d08f6ba.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7fe6115a-c603-4be0-bb74-7dbe8d08f6ba.cover.jpg | |
| fa5b2166-d865-4a18-b81f-280b1582e871,Cassette Joy,,v5.5,chirp-fenix,complete,479.4,True,"""Noche Analógica"" | |
| Nu house jazz groove 125 BPM, driving four-on-floor kick warm and punchy, shuffled detuned hi-hats both channels slightly detuned against each other, Fender Rhodes bright fast tremolo playing chord melody in tight rhythmic syncopation, Oberheim analog synth thick pads opening filter slowly over eight bars, Moog bass synth locking to kick syncopated with octave jumps, electric bass playing off the synth bass in polyrhythmic conversation, clean Telecaster funk chops sixteenth ghost strums, flugelhorn and trumpet two-voice harmony melody trading four-bar phrases, polyrhythmic layered percussion shakers congas tambourine creating dense 3-against-4 feel, chopped pitched soul vocal phrase looping as melodic hook, side-chain breathing full mix, A-flat major bright and nostalgic, joyful emotional dancefloor, pure analog soul, last song of the night but everyone stays | |
| ",,,2026-05-15T02:27:54.994Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/fa5b2166-d865-4a18-b81f-280b1582e871.mp3,,https://cdn2.suno.ai/image_fa5b2166-d865-4a18-b81f-280b1582e871.jpeg,https://cdn2.suno.ai/image_large_fa5b2166-d865-4a18-b81f-280b1582e871.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\fa5b2166-d865-4a18-b81f-280b1582e871.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\fa5b2166-d865-4a18-b81f-280b1582e871.cover.jpg | |
| a9eb30f3-d331-4de1-9648-55b5099bcf83,Velvet Synapse,,v5.5,chirp-fenix,complete,189.36,True,"velvet funk nu jazz house 123 bpm four on floor with slightly swung 16th hi hat subdivisions and open hi hat on upbeat 8th fat punchy kick fender rhodes fast tremolo dominant 7th and 9th voicings mid register groove pattern not melody minimoog style analog bass line syncopated bouncing root fifth octave pattern electric bass doubling with chromatic ghost notes clean funk guitar heavily muted 16th percussive chops with occasional chord stab accent trumpet lead melody bright and short phrased bebop influenced brass chord stab hits two and four accented polyrhythm conga pattern in 6 layered over 4 4 kick grid chopped soul vocal samples on downbeats warm vinyl crackle low in mix g minor resolving to b flat major heavy groove joyful nostalgic dancefloor Electronic, Hip Hop, House, R&B, Funk meets fkj energy",,,2026-05-15T02:27:45.135Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/a9eb30f3-d331-4de1-9648-55b5099bcf83.mp3,,https://cdn2.suno.ai/image_a9eb30f3-d331-4de1-9648-55b5099bcf83.jpeg,https://cdn2.suno.ai/image_large_a9eb30f3-d331-4de1-9648-55b5099bcf83.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\a9eb30f3-d331-4de1-9648-55b5099bcf83.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\a9eb30f3-d331-4de1-9648-55b5099bcf83.cover.jpg | |
| 118c70b3-8d30-44dd-aeb3-27438efcf993,Velvet Synapse,,v5.5,chirp-fenix,complete,479.4,True,"velvet funk nu jazz house 123 bpm four on floor with slightly swung 16th hi hat subdivisions and open hi hat on upbeat 8th fat punchy kick fender rhodes fast tremolo dominant 7th and 9th voicings mid register groove pattern not melody minimoog style analog bass line syncopated bouncing root fifth octave pattern electric bass doubling with chromatic ghost notes clean funk guitar heavily muted 16th percussive chops with occasional chord stab accent trumpet lead melody bright and short phrased bebop influenced brass chord stab hits two and four accented polyrhythm conga pattern in 6 layered over 4 4 kick grid chopped soul vocal samples on downbeats warm vinyl crackle low in mix g minor resolving to b flat major heavy groove joyful nostalgic dancefloor Electronic, Hip Hop, House, R&B, Funk meets fkj energy",,,2026-05-15T02:27:45.135Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/118c70b3-8d30-44dd-aeb3-27438efcf993.mp3,,https://cdn2.suno.ai/image_118c70b3-8d30-44dd-aeb3-27438efcf993.jpeg,https://cdn2.suno.ai/image_large_118c70b3-8d30-44dd-aeb3-27438efcf993.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\118c70b3-8d30-44dd-aeb3-27438efcf993.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\118c70b3-8d30-44dd-aeb3-27438efcf993.cover.jpg | |
| c0b3a6a4-87d6-47f4-8c71-43e90620c96a,Harmonic Sunburst,,v5.5,chirp-fenix,complete,217.32,True," ""Analog Sunrise"" | |
| Jazzy nu house 120 BPM, deep warm kick swung groove, shuffled hi-hats detuned slightly right channel, Fender Rhodes slow chord melody in upper register minor 9th to major 7th ascending resolution, Jupiter-8 style analog pads sustained behind harmony with slow filter opening, walking fingerstyle bass minor pentatonic with blue notes, funk rhythm guitar clean bright chord stabs every two beats, two-trumpet harmony line trading phrases across four bars, analog synth lead melodic hook over 8 bars, polyrhythmic djembe layer triplets against straight 4/4, vocal chops pitched and reversed filtered through lo-fi vinyl, side-chain gentle pulse, dusty tape warmth, D major lifting to B minor and back, nostalgic sunrise energy, emotional but forward-moving, deeply groovy",,,2026-05-15T02:27:38.419Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/c0b3a6a4-87d6-47f4-8c71-43e90620c96a.mp3,,https://cdn2.suno.ai/image_c0b3a6a4-87d6-47f4-8c71-43e90620c96a.jpeg,https://cdn2.suno.ai/image_large_c0b3a6a4-87d6-47f4-8c71-43e90620c96a.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\c0b3a6a4-87d6-47f4-8c71-43e90620c96a.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\c0b3a6a4-87d6-47f4-8c71-43e90620c96a.cover.jpg | |
| 3efdcade-c56c-4451-96bd-187c10acc8c4,Harmonic Sunburst,,v5.5,chirp-fenix,complete,163.32,True," ""Analog Sunrise"" | |
| Jazzy nu house 120 BPM, deep warm kick swung groove, shuffled hi-hats detuned slightly right channel, Fender Rhodes slow chord melody in upper register minor 9th to major 7th ascending resolution, Jupiter-8 style analog pads sustained behind harmony with slow filter opening, walking fingerstyle bass minor pentatonic with blue notes, funk rhythm guitar clean bright chord stabs every two beats, two-trumpet harmony line trading phrases across four bars, analog synth lead melodic hook over 8 bars, polyrhythmic djembe layer triplets against straight 4/4, vocal chops pitched and reversed filtered through lo-fi vinyl, side-chain gentle pulse, dusty tape warmth, D major lifting to B minor and back, nostalgic sunrise energy, emotional but forward-moving, deeply groovy",,,2026-05-15T02:27:38.419Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/3efdcade-c56c-4451-96bd-187c10acc8c4.mp3,,https://cdn2.suno.ai/image_3efdcade-c56c-4451-96bd-187c10acc8c4.jpeg,https://cdn2.suno.ai/image_large_3efdcade-c56c-4451-96bd-187c10acc8c4.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3efdcade-c56c-4451-96bd-187c10acc8c4.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3efdcade-c56c-4451-96bd-187c10acc8c4.cover.jpg | |
| bc3c9b2a-25f8-4456-8543-640276434bd9,Stratified Sunlight,,v5.5,chirp-fenix,complete,177.92,True," ""French Window"" | |
| French nu house 124 BPM, filtered punching kick four-on-floor, tight swung hi-hats with ghost 16th ghosts, Fender Rhodes bright voicings sus2 and add9 chords cascading upward, thick analog polysynth chords filter-sweeping on phrase ends, slap electric bass locked to kick with chromatic fills, clean Stratocaster rhythm guitar muted percussive 16ths, staccato trumpet stabs on the and-of-two and and-of-four, analog flute synth melody weaving between trumpet lines, polyrhythmic bongo and tambourine layer in 3 against the 4, chopped pitched vocal hooks on offbeats, pumping side-chain, warm tape saturation, E-flat major, uplifting nostalgic groove, late summer party, pure dancefloor soul",,,2026-05-15T02:27:21.173Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/bc3c9b2a-25f8-4456-8543-640276434bd9.mp3,,https://cdn2.suno.ai/image_bc3c9b2a-25f8-4456-8543-640276434bd9.jpeg,https://cdn2.suno.ai/image_large_bc3c9b2a-25f8-4456-8543-640276434bd9.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\bc3c9b2a-25f8-4456-8543-640276434bd9.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\bc3c9b2a-25f8-4456-8543-640276434bd9.cover.jpg | |
| 7ffa94de-3b42-44a1-acea-3f4a3d68f1d8,Stratified Sunlight,,v5.5,chirp-fenix,complete,479.4,True," ""French Window"" | |
| French nu house 124 BPM, filtered punching kick four-on-floor, tight swung hi-hats with ghost 16th ghosts, Fender Rhodes bright voicings sus2 and add9 chords cascading upward, thick analog polysynth chords filter-sweeping on phrase ends, slap electric bass locked to kick with chromatic fills, clean Stratocaster rhythm guitar muted percussive 16ths, staccato trumpet stabs on the and-of-two and and-of-four, analog flute synth melody weaving between trumpet lines, polyrhythmic bongo and tambourine layer in 3 against the 4, chopped pitched vocal hooks on offbeats, pumping side-chain, warm tape saturation, E-flat major, uplifting nostalgic groove, late summer party, pure dancefloor soul",,,2026-05-15T02:27:21.173Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/7ffa94de-3b42-44a1-acea-3f4a3d68f1d8.mp3,,https://cdn2.suno.ai/image_7ffa94de-3b42-44a1-acea-3f4a3d68f1d8.jpeg,https://cdn2.suno.ai/image_large_7ffa94de-3b42-44a1-acea-3f4a3d68f1d8.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7ffa94de-3b42-44a1-acea-3f4a3d68f1d8.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7ffa94de-3b42-44a1-acea-3f4a3d68f1d8.cover.jpg | |
| 4384023a-ab66-4b2e-86fc-1441dfe933df,Rhodes Saffron,,v5.5,chirp-fenix,complete,193.44,True,"1. ""Rooftop Ritual"" | |
| Nu jazz house, 122 BPM, punchy warm four-on-the-floor kick, swung shuffled hi-hats with a second detuned layer, Fender Rhodes fast tremolo voicing dominant 9ths and major 7ths in bright ascending motion, analog synth bass bouncing syncopated upbeats, fingerstyle electric bass walking chromatic approach tones, muted funk guitar 16th chucks with subtle chorus, clean muted trumpet call-and-response melody over chord changes, flugelhorn counter-melody, lush analog pad chords side-chain breathing, polyrhythmic shaker and conga layer cutting across the 4/4 grid, chopped soul vocal samples pitched up a third filtered warm, claps 2 and 4, vinyl warmth, key of F major, joyful nostalgic energy, rooftop golden hour, dancefloor but soulful, FKJ Massego style",,,2026-05-15T02:27:06.247Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/4384023a-ab66-4b2e-86fc-1441dfe933df.mp3,,https://cdn2.suno.ai/image_4384023a-ab66-4b2e-86fc-1441dfe933df.jpeg,https://cdn2.suno.ai/image_large_4384023a-ab66-4b2e-86fc-1441dfe933df.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4384023a-ab66-4b2e-86fc-1441dfe933df.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4384023a-ab66-4b2e-86fc-1441dfe933df.cover.jpg | |
| 33999217-f2ec-44a3-860a-424ca18849af,Rhodes Saffron,,v5.5,chirp-fenix,complete,203.64,True,"1. ""Rooftop Ritual"" | |
| Nu jazz house, 122 BPM, punchy warm four-on-the-floor kick, swung shuffled hi-hats with a second detuned layer, Fender Rhodes fast tremolo voicing dominant 9ths and major 7ths in bright ascending motion, analog synth bass bouncing syncopated upbeats, fingerstyle electric bass walking chromatic approach tones, muted funk guitar 16th chucks with subtle chorus, clean muted trumpet call-and-response melody over chord changes, flugelhorn counter-melody, lush analog pad chords side-chain breathing, polyrhythmic shaker and conga layer cutting across the 4/4 grid, chopped soul vocal samples pitched up a third filtered warm, claps 2 and 4, vinyl warmth, key of F major, joyful nostalgic energy, rooftop golden hour, dancefloor but soulful, FKJ Massego style",,,2026-05-15T02:27:06.247Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/33999217-f2ec-44a3-860a-424ca18849af.mp3,,https://cdn2.suno.ai/image_33999217-f2ec-44a3-860a-424ca18849af.jpeg,https://cdn2.suno.ai/image_large_33999217-f2ec-44a3-860a-424ca18849af.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\33999217-f2ec-44a3-860a-424ca18849af.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\33999217-f2ec-44a3-860a-424ca18849af.cover.jpg | |
| 95596831-560f-4b99-a728-3b2ef5322420,Stuttered Minor-9,,v5.5,chirp-fenix,complete,185.96,True,"The most rhythmically complex and the most emotionally fractured. Kick is still soft but the pattern breaks — dropping out for a full bar every eight bars, creating sudden moments of freefall. Hi-hats shuffled and then glitched: tiny micro-edits that feel like the record skipping but in a controlled, hypnotic way. Rhodes here is dirtier — slightly overdriven, tremolo fast enough to feel anxious rather than melancholic, but the voicings stay in minor 9ths and flat 9ths that keep it heavy. Side-chain breathing more aggressive, pulsing against the strings. Bass walking but with occasional two-bar rests — silence used as rhythm. Funk guitar present but filtered to sound like it's coming from a speaker in another apartment — muffled, intimate, not yours. Vocal samples most manipulated here: pitched up and down within the same phrase, stuttered, one sample stretched to four beats creating an almost melodic hook. ""don't go"" becomes a two-note syncopated motif. Claps dry on two, hall reverb on",,,2026-05-15T00:11:17.264Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/95596831-560f-4b99-a728-3b2ef5322420.mp3,,https://cdn2.suno.ai/image_95596831-560f-4b99-a728-3b2ef5322420.jpeg,https://cdn2.suno.ai/image_large_95596831-560f-4b99-a728-3b2ef5322420.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\95596831-560f-4b99-a728-3b2ef5322420.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\95596831-560f-4b99-a728-3b2ef5322420.cover.jpg | |
| b682ea2e-7874-4dfa-a24e-836857b66591,Stuttered Minor-9,,v5.5,chirp-fenix,complete,479.4,True,"The most rhythmically complex and the most emotionally fractured. Kick is still soft but the pattern breaks — dropping out for a full bar every eight bars, creating sudden moments of freefall. Hi-hats shuffled and then glitched: tiny micro-edits that feel like the record skipping but in a controlled, hypnotic way. Rhodes here is dirtier — slightly overdriven, tremolo fast enough to feel anxious rather than melancholic, but the voicings stay in minor 9ths and flat 9ths that keep it heavy. Side-chain breathing more aggressive, pulsing against the strings. Bass walking but with occasional two-bar rests — silence used as rhythm. Funk guitar present but filtered to sound like it's coming from a speaker in another apartment — muffled, intimate, not yours. Vocal samples most manipulated here: pitched up and down within the same phrase, stuttered, one sample stretched to four beats creating an almost melodic hook. ""don't go"" becomes a two-note syncopated motif. Claps dry on two, hall reverb on",,,2026-05-15T00:11:17.264Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/b682ea2e-7874-4dfa-a24e-836857b66591.mp3,,https://cdn2.suno.ai/image_b682ea2e-7874-4dfa-a24e-836857b66591.jpeg,https://cdn2.suno.ai/image_large_b682ea2e-7874-4dfa-a24e-836857b66591.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\b682ea2e-7874-4dfa-a24e-836857b66591.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\b682ea2e-7874-4dfa-a24e-836857b66591.cover.jpg | |
| d2ea2f76-d378-4d9d-b3c2-7f36315c934f,F Minor Mud,,v5.5,chirp-fenix,complete,479.4,True,"The slowest of the BPM range and it uses every millisecond. This one barely feels like house — until the kick reminds you. Four-on-the-floor so softly swung it hovers at the edge of straight time, giving it an unsettling floating quality. Rhodes tremolo here is the deepest and slowest of all four variations — almost vibrato, pedal held down, notes bleeding into each other in deliberate harmonic mud. Voicings exclusively in the upper register, leaving the low end entirely to the sub-bass and pads. The analog string section is massive here, almost orchestral in texture — multiple detuned layers, subtle vibrato, sustaining for four to eight bars per chord. Harmonic motion extremely slow: F minor for eight bars, then a long descent through E-flat minor 7, D-flat major 7, C minor 7, back. Ghost snares replaced almost entirely by brushed hits — the rhythm section whispers rather than speaks. Vocal samples purely textural here: reversed, pitch-shifted up a fifth, filtered to above 6kHz — they",,,2026-05-15T00:11:05.346Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/d2ea2f76-d378-4d9d-b3c2-7f36315c934f.mp3,,https://cdn2.suno.ai/image_d2ea2f76-d378-4d9d-b3c2-7f36315c934f.jpeg,https://cdn2.suno.ai/image_large_d2ea2f76-d378-4d9d-b3c2-7f36315c934f.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d2ea2f76-d378-4d9d-b3c2-7f36315c934f.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\d2ea2f76-d378-4d9d-b3c2-7f36315c934f.cover.jpg | |
| 75b53248-c05a-4067-8253-cfc2164da77e,F Minor Mud,,v5.5,chirp-fenix,complete,212.4,True,"The slowest of the BPM range and it uses every millisecond. This one barely feels like house — until the kick reminds you. Four-on-the-floor so softly swung it hovers at the edge of straight time, giving it an unsettling floating quality. Rhodes tremolo here is the deepest and slowest of all four variations — almost vibrato, pedal held down, notes bleeding into each other in deliberate harmonic mud. Voicings exclusively in the upper register, leaving the low end entirely to the sub-bass and pads. The analog string section is massive here, almost orchestral in texture — multiple detuned layers, subtle vibrato, sustaining for four to eight bars per chord. Harmonic motion extremely slow: F minor for eight bars, then a long descent through E-flat minor 7, D-flat major 7, C minor 7, back. Ghost snares replaced almost entirely by brushed hits — the rhythm section whispers rather than speaks. Vocal samples purely textural here: reversed, pitch-shifted up a fifth, filtered to above 6kHz — they",,,2026-05-15T00:11:05.346Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/75b53248-c05a-4067-8253-cfc2164da77e.mp3,,https://cdn2.suno.ai/image_75b53248-c05a-4067-8253-cfc2164da77e.jpeg,https://cdn2.suno.ai/image_large_75b53248-c05a-4067-8253-cfc2164da77e.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\75b53248-c05a-4067-8253-cfc2164da77e.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\75b53248-c05a-4067-8253-cfc2164da77e.cover.jpg | |
| 9899ff32-aaef-4252-ac6e-36081af9af23,Defeated Groove,,v5.5,chirp-fenix,complete,105.88,True,"The funkiest of the four but the most emotionally defeated. Kick punches with more conviction here — still swung, but you feel it in your chest. Shuffled hi-hats with a second detuned layer panned slightly left, creating a subtle flamming flutter. Electric bass is the star: fingerstyle walking deep in the minor pentatonic pocket, occasional chromatic approach notes on the upbeats, one unexpected octave jump per four bars that feels like a caught breath. Ghost-note snares layered thick, barely audible, giving the groove texture without weight. Funk guitar more present than the base prompt — muted 16th chucks with a slight chorus making them shimmer and decay slowly. Rhodes voicing major 7ths over the D-flat changes, creating that bittersweet lift before collapsing back to F minor. Lush analog strings swell on every second chord change. Vocal samples choppier here — rhythmically placed on off-beats, pitched down a minor third from original. ""the morning"" reversed and looping at half spee",,,2026-05-15T00:10:57.180Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/9899ff32-aaef-4252-ac6e-36081af9af23.mp3,,https://cdn2.suno.ai/image_9899ff32-aaef-4252-ac6e-36081af9af23.jpeg,https://cdn2.suno.ai/image_large_9899ff32-aaef-4252-ac6e-36081af9af23.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\9899ff32-aaef-4252-ac6e-36081af9af23.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\9899ff32-aaef-4252-ac6e-36081af9af23.cover.jpg | |
| f981ff36-d9be-4eb5-a730-b25151dcf767,Defeated Groove,,v5.5,chirp-fenix,complete,164.8,True,"The funkiest of the four but the most emotionally defeated. Kick punches with more conviction here — still swung, but you feel it in your chest. Shuffled hi-hats with a second detuned layer panned slightly left, creating a subtle flamming flutter. Electric bass is the star: fingerstyle walking deep in the minor pentatonic pocket, occasional chromatic approach notes on the upbeats, one unexpected octave jump per four bars that feels like a caught breath. Ghost-note snares layered thick, barely audible, giving the groove texture without weight. Funk guitar more present than the base prompt — muted 16th chucks with a slight chorus making them shimmer and decay slowly. Rhodes voicing major 7ths over the D-flat changes, creating that bittersweet lift before collapsing back to F minor. Lush analog strings swell on every second chord change. Vocal samples choppier here — rhythmically placed on off-beats, pitched down a minor third from original. ""the morning"" reversed and looping at half spee",,,2026-05-15T00:10:57.180Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/f981ff36-d9be-4eb5-a730-b25151dcf767.mp3,,https://cdn2.suno.ai/image_f981ff36-d9be-4eb5-a730-b25151dcf767.jpeg,https://cdn2.suno.ai/image_large_f981ff36-d9be-4eb5-a730-b25151dcf767.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\f981ff36-d9be-4eb5-a730-b25151dcf767.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\f981ff36-d9be-4eb5-a730-b25151dcf767.cover.jpg | |
| ae2e510f-242e-49f2-9375-2373d315a043,F Minor Knock,,v5.5,chirp-fenix,complete,53.72,True,"Swung four-on-the-floor with a kick so soft it feels like someone knocking on a door they know won't open. Hi-hats shuffled and detuned, barely holding the groove together like someone too tired to care. Fender Rhodes carries the whole emotional weight — minor 9ths resolving nowhere, suspended 4ths left hanging in the air, deep tremolo so slow it breathes rather than pulses. No bass guitar, just a sine-wave sub bass walking root notes with occasional chromatic half-step descents, felt more than heard. A single clean guitar chord ghosted every two bars, almost accidental. Chopped soul vocal phrases — ""don't go"", ""I know"", ""stay"" — filtered down to 800Hz, reversed tails bleeding into the next phrase. No drums other than a rim click on two and four, brushed and drowned in a long reverb tail. Analog pad sustaining one chord for eight bars before moving. Vinyl crackle loud and proud. Key of F minor, barely moving, stubbornly refusing to resolve to D-flat. Song form: intro that never ends, o",,,2026-05-15T00:10:49.491Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/ae2e510f-242e-49f2-9375-2373d315a043.mp3,,https://cdn2.suno.ai/image_ae2e510f-242e-49f2-9375-2373d315a043.jpeg,https://cdn2.suno.ai/image_large_ae2e510f-242e-49f2-9375-2373d315a043.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ae2e510f-242e-49f2-9375-2373d315a043.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ae2e510f-242e-49f2-9375-2373d315a043.cover.jpg | |
| a2f4f981-491a-4546-af92-b081ebfe798d,F Minor Knock,,v5.5,chirp-fenix,complete,479.4,True,"Swung four-on-the-floor with a kick so soft it feels like someone knocking on a door they know won't open. Hi-hats shuffled and detuned, barely holding the groove together like someone too tired to care. Fender Rhodes carries the whole emotional weight — minor 9ths resolving nowhere, suspended 4ths left hanging in the air, deep tremolo so slow it breathes rather than pulses. No bass guitar, just a sine-wave sub bass walking root notes with occasional chromatic half-step descents, felt more than heard. A single clean guitar chord ghosted every two bars, almost accidental. Chopped soul vocal phrases — ""don't go"", ""I know"", ""stay"" — filtered down to 800Hz, reversed tails bleeding into the next phrase. No drums other than a rim click on two and four, brushed and drowned in a long reverb tail. Analog pad sustaining one chord for eight bars before moving. Vinyl crackle loud and proud. Key of F minor, barely moving, stubbornly refusing to resolve to D-flat. Song form: intro that never ends, o",,,2026-05-15T00:10:49.491Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/a2f4f981-491a-4546-af92-b081ebfe798d.mp3,,https://cdn2.suno.ai/image_a2f4f981-491a-4546-af92-b081ebfe798d.jpeg,https://cdn2.suno.ai/image_large_a2f4f981-491a-4546-af92-b081ebfe798d.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\a2f4f981-491a-4546-af92-b081ebfe798d.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\a2f4f981-491a-4546-af92-b081ebfe798d.cover.jpg | |
| ef21f590-34c2-49cd-9352-4a306b9b4cd3,Vinyl Lament,,v5.5,chirp-fenix,complete,479.4,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:21.938Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/ef21f590-34c2-49cd-9352-4a306b9b4cd3.mp3,,https://cdn2.suno.ai/image_ef21f590-34c2-49cd-9352-4a306b9b4cd3.jpeg,https://cdn2.suno.ai/image_large_ef21f590-34c2-49cd-9352-4a306b9b4cd3.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ef21f590-34c2-49cd-9352-4a306b9b4cd3.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ef21f590-34c2-49cd-9352-4a306b9b4cd3.cover.jpg | |
| 4bee3149-750c-4997-9d01-72837ad30831,Vinyl Lament,,v5.5,chirp-fenix,complete,114.92,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:21.938Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/4bee3149-750c-4997-9d01-72837ad30831.mp3,,https://cdn2.suno.ai/image_4bee3149-750c-4997-9d01-72837ad30831.jpeg,https://cdn2.suno.ai/image_large_4bee3149-750c-4997-9d01-72837ad30831.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4bee3149-750c-4997-9d01-72837ad30831.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\4bee3149-750c-4997-9d01-72837ad30831.cover.jpg | |
| 3eb86f1d-7139-4ba1-85a8-2a9ccc625840,Rhodes Duskstep,,v5.5,chirp-fenix,complete,199.76,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:14.494Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/3eb86f1d-7139-4ba1-85a8-2a9ccc625840.mp3,,https://cdn2.suno.ai/image_3eb86f1d-7139-4ba1-85a8-2a9ccc625840.jpeg,https://cdn2.suno.ai/image_large_3eb86f1d-7139-4ba1-85a8-2a9ccc625840.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3eb86f1d-7139-4ba1-85a8-2a9ccc625840.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3eb86f1d-7139-4ba1-85a8-2a9ccc625840.cover.jpg | |
| 51dc2098-0d70-4aa3-8eec-16043893eb19,Rhodes Duskstep,,v5.5,chirp-fenix,complete,479.4,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:14.494Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/51dc2098-0d70-4aa3-8eec-16043893eb19.mp3,,https://cdn2.suno.ai/image_51dc2098-0d70-4aa3-8eec-16043893eb19.jpeg,https://cdn2.suno.ai/image_large_51dc2098-0d70-4aa3-8eec-16043893eb19.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\51dc2098-0d70-4aa3-8eec-16043893eb19.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\51dc2098-0d70-4aa3-8eec-16043893eb19.cover.jpg | |
| e2253315-0e15-41fe-a051-06d2009b02c2,Vinyl Heartache,,v5.5,chirp-fenix,complete,178.88,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:10.518Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/e2253315-0e15-41fe-a051-06d2009b02c2.mp3,,https://cdn2.suno.ai/image_e2253315-0e15-41fe-a051-06d2009b02c2.jpeg,https://cdn2.suno.ai/image_large_e2253315-0e15-41fe-a051-06d2009b02c2.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e2253315-0e15-41fe-a051-06d2009b02c2.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e2253315-0e15-41fe-a051-06d2009b02c2.cover.jpg | |
| 3c85b64b-f32b-42a0-bc15-5a1262bfec1f,Vinyl Heartache,,v5.5,chirp-fenix,complete,166.08,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy, be free in song form",,,2026-05-15T00:09:10.518Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/3c85b64b-f32b-42a0-bc15-5a1262bfec1f.mp3,,https://cdn2.suno.ai/image_3c85b64b-f32b-42a0-bc15-5a1262bfec1f.jpeg,https://cdn2.suno.ai/image_large_3c85b64b-f32b-42a0-bc15-5a1262bfec1f.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3c85b64b-f32b-42a0-bc15-5a1262bfec1f.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3c85b64b-f32b-42a0-bc15-5a1262bfec1f.cover.jpg | |
| 87be8d56-0e3c-4730-8f71-0607bd56dc3f,Lemon Ice Metonymy,,v5.5,chirp-fenix,complete,127.56,True,"Broken-bossa jazz house lounge with melancholic Brazilian heart, 120 BPM, swung four-on-the-floor with hidden bossa-samba pattern underneath the kick using ghost shaker and tamborim accents in cross-rhythm, brushed shuffled hi-hats riding 16ths, intimate acoustic piano played with bossa-jazz voicings featuring rootless 9th 11th and 13th extensions and Tom Jobim style melodic comping with deceptive cadences, nylon-string acoustic guitar fingerpicking bossa nova patterns muted and softened tucked under the main groove not foregrounded, upright bass with pickup walking jazz-bossa lines slow and deliberate in the Ron Carter tradition with chromatic approach notes, no Rhodes as primary only Fender Rhodes as soft pad layer with slow tremolo for harmonic glue, clean archtop jazz guitar adding sparse rootless chord stabs in the middle register, ghost-note rim clicks and very softly brushed snares, claps two and four with subtle plate reverb, no saxophone no horns no brass no woodwinds, chopped",,,2026-05-12T22:35:46.841Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/87be8d56-0e3c-4730-8f71-0607bd56dc3f.mp3,,https://cdn2.suno.ai/image_87be8d56-0e3c-4730-8f71-0607bd56dc3f.jpeg,https://cdn2.suno.ai/image_large_87be8d56-0e3c-4730-8f71-0607bd56dc3f.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\87be8d56-0e3c-4730-8f71-0607bd56dc3f.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\87be8d56-0e3c-4730-8f71-0607bd56dc3f.cover.jpg | |
| 081da149-92eb-419e-90e6-8cba3aede6aa,Lemon Ice Metonymy,,v5.5,chirp-fenix,complete,112.92,True,"Broken-bossa jazz house lounge with melancholic Brazilian heart, 120 BPM, swung four-on-the-floor with hidden bossa-samba pattern underneath the kick using ghost shaker and tamborim accents in cross-rhythm, brushed shuffled hi-hats riding 16ths, intimate acoustic piano played with bossa-jazz voicings featuring rootless 9th 11th and 13th extensions and Tom Jobim style melodic comping with deceptive cadences, nylon-string acoustic guitar fingerpicking bossa nova patterns muted and softened tucked under the main groove not foregrounded, upright bass with pickup walking jazz-bossa lines slow and deliberate in the Ron Carter tradition with chromatic approach notes, no Rhodes as primary only Fender Rhodes as soft pad layer with slow tremolo for harmonic glue, clean archtop jazz guitar adding sparse rootless chord stabs in the middle register, ghost-note rim clicks and very softly brushed snares, claps two and four with subtle plate reverb, no saxophone no horns no brass no woodwinds, chopped",,,2026-05-12T22:35:46.841Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/081da149-92eb-419e-90e6-8cba3aede6aa.mp3,,https://cdn2.suno.ai/image_081da149-92eb-419e-90e6-8cba3aede6aa.jpeg,https://cdn2.suno.ai/image_large_081da149-92eb-419e-90e6-8cba3aede6aa.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\081da149-92eb-419e-90e6-8cba3aede6aa.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\081da149-92eb-419e-90e6-8cba3aede6aa.cover.jpg | |
| bab568ae-76a1-4176-af2c-50f66367ec0b,Wurlitzer Homecoming,,v5.5,chirp-fenix,complete,190.4,True,"Sunday-afternoon-in-another-city soul jazz house lounge, 120 BPM, swung four-on-the-floor with extremely brushed shuffled hi-hats and softened kick, Wurlitzer electric piano as primary lead carrying gospel-jazz voicings with major 9th and minor 11th tensions and deceptive cadences, Fender Rhodes as secondary harmonic layer with deep slow tremolo, Hammond B3 organ sustained very softly underneath as harmonic glue with subtle Leslie speaker rotation, melodic fingerstyle electric bass in the Pino Palladino tradition playing deep melodic gospel-soul lines with chromatic approach notes and legato slides, clean Fender Telecaster guitar in the upper register with single-coil bell tone playing sparse chord stabs on the off-beats, ghost-note brushed snares with broom-stroke shuffle and rim clicks, claps two and four buried in long warm plate reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered phrases like coming home and not today and once ",,,2026-05-12T22:35:36.798Z,5,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/bab568ae-76a1-4176-af2c-50f66367ec0b.mp3,,https://cdn2.suno.ai/image_bab568ae-76a1-4176-af2c-50f66367ec0b.jpeg,https://cdn2.suno.ai/image_large_bab568ae-76a1-4176-af2c-50f66367ec0b.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\bab568ae-76a1-4176-af2c-50f66367ec0b.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\bab568ae-76a1-4176-af2c-50f66367ec0b.cover.jpg | |
| 3d0fe078-f2cb-4aee-9c21-66fbe3291e26,Wurlitzer Homecoming,,v5.5,chirp-fenix,complete,174.28,True,"Sunday-afternoon-in-another-city soul jazz house lounge, 120 BPM, swung four-on-the-floor with extremely brushed shuffled hi-hats and softened kick, Wurlitzer electric piano as primary lead carrying gospel-jazz voicings with major 9th and minor 11th tensions and deceptive cadences, Fender Rhodes as secondary harmonic layer with deep slow tremolo, Hammond B3 organ sustained very softly underneath as harmonic glue with subtle Leslie speaker rotation, melodic fingerstyle electric bass in the Pino Palladino tradition playing deep melodic gospel-soul lines with chromatic approach notes and legato slides, clean Fender Telecaster guitar in the upper register with single-coil bell tone playing sparse chord stabs on the off-beats, ghost-note brushed snares with broom-stroke shuffle and rim clicks, claps two and four buried in long warm plate reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered phrases like coming home and not today and once ",,,2026-05-12T22:35:36.798Z,5,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/3d0fe078-f2cb-4aee-9c21-66fbe3291e26.mp3,,https://cdn2.suno.ai/image_3d0fe078-f2cb-4aee-9c21-66fbe3291e26.jpeg,https://cdn2.suno.ai/image_large_3d0fe078-f2cb-4aee-9c21-66fbe3291e26.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3d0fe078-f2cb-4aee-9c21-66fbe3291e26.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\3d0fe078-f2cb-4aee-9c21-66fbe3291e26.cover.jpg | |
| ab7ebd41-094a-4995-a6a9-e45d5b1a60f3,Dusty Records,,v5.5,chirp-fenix,complete,166.8,True,"Nostalgic dusty jazz house lounge, 120 BPM, swung four-on-the-floor with extra-softened kick and heavily brushed shuffled hi-hats, dusty Fender Rhodes with deep slow tremolo and slight detuning carrying minor 9th and major 7th voicings, sampled 1960s orchestral jazz strings and muted French horn pad sustained underneath as harmonic bed taken from imaginary old records (orchestral horn used as ambient texture only not as lead), upright bass with pickup walking jazz lines slow and deliberate with chromatic approaches, clean archtop jazz guitar comping sparse rootless chords with old tube-amp warmth, brushed snares with broom-stroke shuffle texture, no claps or very faint brushed claps with long hall verb, no saxophone no lead horns no lead brass no woodwinds, chopped and pitched 1950s and 60s vocal samples male and female filtered reversed pitched down and time-stretched phrases barely intelligible like remember and home and once we were, pronounced vinyl crackle and dust noise in the fo",,,2026-05-12T22:31:01.225Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/ab7ebd41-094a-4995-a6a9-e45d5b1a60f3.mp3,,https://cdn2.suno.ai/image_ab7ebd41-094a-4995-a6a9-e45d5b1a60f3.jpeg,https://cdn2.suno.ai/image_large_ab7ebd41-094a-4995-a6a9-e45d5b1a60f3.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ab7ebd41-094a-4995-a6a9-e45d5b1a60f3.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ab7ebd41-094a-4995-a6a9-e45d5b1a60f3.cover.jpg | |
| ae4172f4-a1af-42b0-9ef6-38b6f9badb56,Dusty Records,,v5.5,chirp-fenix,complete,127.96,True,"Nostalgic dusty jazz house lounge, 120 BPM, swung four-on-the-floor with extra-softened kick and heavily brushed shuffled hi-hats, dusty Fender Rhodes with deep slow tremolo and slight detuning carrying minor 9th and major 7th voicings, sampled 1960s orchestral jazz strings and muted French horn pad sustained underneath as harmonic bed taken from imaginary old records (orchestral horn used as ambient texture only not as lead), upright bass with pickup walking jazz lines slow and deliberate with chromatic approaches, clean archtop jazz guitar comping sparse rootless chords with old tube-amp warmth, brushed snares with broom-stroke shuffle texture, no claps or very faint brushed claps with long hall verb, no saxophone no lead horns no lead brass no woodwinds, chopped and pitched 1950s and 60s vocal samples male and female filtered reversed pitched down and time-stretched phrases barely intelligible like remember and home and once we were, pronounced vinyl crackle and dust noise in the fo",,,2026-05-12T22:31:01.225Z,1,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/ae4172f4-a1af-42b0-9ef6-38b6f9badb56.mp3,,https://cdn2.suno.ai/image_ae4172f4-a1af-42b0-9ef6-38b6f9badb56.jpeg,https://cdn2.suno.ai/image_large_ae4172f4-a1af-42b0-9ef6-38b6f9badb56.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ae4172f4-a1af-42b0-9ef6-38b6f9badb56.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ae4172f4-a1af-42b0-9ef6-38b6f9badb56.cover.jpg | |
| 0039562a-c5f8-478c-87af-e7deac03529d,Tremolo Freight,,v5.5,chirp-fenix,complete,226.36,True,"Motion-melancholy jazz house lounge, 120 BPM, swung four-on-the-floor with detuned shuffled hi-hats and softened kick rolling forward with sense of motion, Fender Rhodes with slow tremolo holding minor 11th and major 9th voicings, lush analog Juno 60 string pads sustaining underneath with slow filter sweeps suggesting forward movement, soft kalimba ostinato in cross-rhythm against the kick adding hypnotic texture, melodic fingerstyle electric bass walking with chromatic passing tones and occasional ascending arpeggios, glass-tone synth chimes triggered sparsely in the upper register echoing through quarter-note delay, clean funk guitar muted and chucking 16th ghosts, ghost-note rim clicks doubling the kalimba rhythm, claps two and four with plate reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered reversed and panned wide phrases like already gone and somewhere and the window, gentle side-chain breathing, warm tape saturation and v",,,2026-05-12T22:30:52.642Z,5,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/0039562a-c5f8-478c-87af-e7deac03529d.mp3,,https://cdn2.suno.ai/image_0039562a-c5f8-478c-87af-e7deac03529d.jpeg,https://cdn2.suno.ai/image_large_0039562a-c5f8-478c-87af-e7deac03529d.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\0039562a-c5f8-478c-87af-e7deac03529d.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\0039562a-c5f8-478c-87af-e7deac03529d.cover.jpg | |
| ea7ef96f-5246-448b-a82a-5addf154355b,Tremolo Freight,,v5.5,chirp-fenix,complete,188.44,True,"Motion-melancholy jazz house lounge, 120 BPM, swung four-on-the-floor with detuned shuffled hi-hats and softened kick rolling forward with sense of motion, Fender Rhodes with slow tremolo holding minor 11th and major 9th voicings, lush analog Juno 60 string pads sustaining underneath with slow filter sweeps suggesting forward movement, soft kalimba ostinato in cross-rhythm against the kick adding hypnotic texture, melodic fingerstyle electric bass walking with chromatic passing tones and occasional ascending arpeggios, glass-tone synth chimes triggered sparsely in the upper register echoing through quarter-note delay, clean funk guitar muted and chucking 16th ghosts, ghost-note rim clicks doubling the kalimba rhythm, claps two and four with plate reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered reversed and panned wide phrases like already gone and somewhere and the window, gentle side-chain breathing, warm tape saturation and v",,,2026-05-12T22:30:52.642Z,5,1,False,True,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/ea7ef96f-5246-448b-a82a-5addf154355b.mp3,,https://cdn2.suno.ai/image_ea7ef96f-5246-448b-a82a-5addf154355b.jpeg,https://cdn2.suno.ai/image_large_ea7ef96f-5246-448b-a82a-5addf154355b.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ea7ef96f-5246-448b-a82a-5addf154355b.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ea7ef96f-5246-448b-a82a-5addf154355b.cover.jpg | |
| dbe3021c-70f0-4d33-a789-59de2d76b015,Tape-Salted Heartbreak,,v5.5,chirp-fenix,complete,149.72,True,"Confessional chamber-house lounge with melancholic warmth, 120 BPM, swung four-on-the-floor with softened kick and brushed shuffled hi-hats, intimate acoustic upright piano in dialogue with Fender Rhodes both playing minor 9th and major 7th voicings descending slowly with overlapping inner-voice motion, real string quartet cello viola and violin sustaining long bowed harmonies in the background with subtle natural vibrato, melodic fingerstyle electric bass walking minor pentatonic with chromatic approach notes and legato slides between phrases, clean nylon guitar in the upper register fingerpicking sparse arpeggios, ghost-note brushed snares and rim clicks, claps two and four buried in long hall reverb, no saxophone no horns no brass no woodwinds, intimate whispered male and female vocal chops barely audible saying short Spanish fragments like quédate and ya está and todavía pitch-bent and reversed, side-chain breathing very softly, pronounced vinyl crackle and warm tape saturation, ke",,,2026-05-12T22:30:42.404Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/dbe3021c-70f0-4d33-a789-59de2d76b015.mp3,,https://cdn2.suno.ai/image_dbe3021c-70f0-4d33-a789-59de2d76b015.jpeg,https://cdn2.suno.ai/image_large_dbe3021c-70f0-4d33-a789-59de2d76b015.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\dbe3021c-70f0-4d33-a789-59de2d76b015.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\dbe3021c-70f0-4d33-a789-59de2d76b015.cover.jpg | |
| 689af8b6-e730-4ebd-bc8a-5150e4ffe760,Tape-Salted Heartbreak,,v5.5,chirp-fenix,complete,87.4,True,"Confessional chamber-house lounge with melancholic warmth, 120 BPM, swung four-on-the-floor with softened kick and brushed shuffled hi-hats, intimate acoustic upright piano in dialogue with Fender Rhodes both playing minor 9th and major 7th voicings descending slowly with overlapping inner-voice motion, real string quartet cello viola and violin sustaining long bowed harmonies in the background with subtle natural vibrato, melodic fingerstyle electric bass walking minor pentatonic with chromatic approach notes and legato slides between phrases, clean nylon guitar in the upper register fingerpicking sparse arpeggios, ghost-note brushed snares and rim clicks, claps two and four buried in long hall reverb, no saxophone no horns no brass no woodwinds, intimate whispered male and female vocal chops barely audible saying short Spanish fragments like quédate and ya está and todavía pitch-bent and reversed, side-chain breathing very softly, pronounced vinyl crackle and warm tape saturation, ke",,,2026-05-12T22:30:42.404Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/689af8b6-e730-4ebd-bc8a-5150e4ffe760.mp3,,https://cdn2.suno.ai/image_689af8b6-e730-4ebd-bc8a-5150e4ffe760.jpeg,https://cdn2.suno.ai/image_large_689af8b6-e730-4ebd-bc8a-5150e4ffe760.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\689af8b6-e730-4ebd-bc8a-5150e4ffe760.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\689af8b6-e730-4ebd-bc8a-5150e4ffe760.cover.jpg | |
| ace3bb8d-1ee9-4d3f-8b5a-3c5371936006,Sunrise D-flat,,v5.5,chirp-fenix,complete,159.72,True,".Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy",,,2026-05-12T22:30:02.908Z,5,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/ace3bb8d-1ee9-4d3f-8b5a-3c5371936006.mp3,,https://cdn2.suno.ai/image_ace3bb8d-1ee9-4d3f-8b5a-3c5371936006.jpeg,https://cdn2.suno.ai/image_large_ace3bb8d-1ee9-4d3f-8b5a-3c5371936006.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ace3bb8d-1ee9-4d3f-8b5a-3c5371936006.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\ace3bb8d-1ee9-4d3f-8b5a-3c5371936006.cover.jpg | |
| aca9a007-277d-49d2-ab92-890c153313c0,Sunrise D-flat,,v5.5,chirp-fenix,complete,163.36,True,".Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy",,,2026-05-12T22:30:02.907Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/aca9a007-277d-49d2-ab92-890c153313c0.mp3,,https://cdn2.suno.ai/image_aca9a007-277d-49d2-ab92-890c153313c0.jpeg,https://cdn2.suno.ai/image_large_aca9a007-277d-49d2-ab92-890c153313c0.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\aca9a007-277d-49d2-ab92-890c153313c0.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\aca9a007-277d-49d2-ab92-890c153313c0.cover.jpg | |
| 6d53c624-3bcc-4fe0-be0d-5719a74f0b03,Granular Cadenza,,v5.5,chirp-fenix,complete,236.52,True,"Modern analog-synth jazz house lounge with polyrhythmic groove, 120 BPM, swung four-on-the-floor underneath a 16th-note hi-hat shuffle with implied 3-against-4 ghost pattern, additional 5/4 percussion loop riding above the 4/4 kick creating hypnotic poly-meter, Tony Allen influenced live broken-beat drum elements layered with the four-on-the-floor, talking drum and kalimba accents in cross-rhythm with the main pulse, Moog Sub 37 fat analog bass line with portamento and subtle filter envelope movement carrying a syncopated melodic groove, Prophet 6 lead synth playing modal pentatonic lines with formant filter modulation and slow pulse-width modulation, Juno 60 chorus-soaked pad sustaining altered jazz voicings with sharp 11th and 13th tensions in the background, no Rhodes no piano as lead, no saxophone no horns no brass no woodwinds, heavily processed modern vocal chops as primary melodic hook chopped granularly with formant shifting and pitch-bending within phrases stutter-edits hard-p",,,2026-05-12T22:28:32.132Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/6d53c624-3bcc-4fe0-be0d-5719a74f0b03.mp3,,https://cdn2.suno.ai/image_6d53c624-3bcc-4fe0-be0d-5719a74f0b03.jpeg,https://cdn2.suno.ai/image_large_6d53c624-3bcc-4fe0-be0d-5719a74f0b03.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6d53c624-3bcc-4fe0-be0d-5719a74f0b03.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6d53c624-3bcc-4fe0-be0d-5719a74f0b03.cover.jpg | |
| 772fe714-09e1-4a4e-88a8-01b27fa6b191,Granular Cadenza,,v5.5,chirp-fenix,complete,224.48,True,"Modern analog-synth jazz house lounge with polyrhythmic groove, 120 BPM, swung four-on-the-floor underneath a 16th-note hi-hat shuffle with implied 3-against-4 ghost pattern, additional 5/4 percussion loop riding above the 4/4 kick creating hypnotic poly-meter, Tony Allen influenced live broken-beat drum elements layered with the four-on-the-floor, talking drum and kalimba accents in cross-rhythm with the main pulse, Moog Sub 37 fat analog bass line with portamento and subtle filter envelope movement carrying a syncopated melodic groove, Prophet 6 lead synth playing modal pentatonic lines with formant filter modulation and slow pulse-width modulation, Juno 60 chorus-soaked pad sustaining altered jazz voicings with sharp 11th and 13th tensions in the background, no Rhodes no piano as lead, no saxophone no horns no brass no woodwinds, heavily processed modern vocal chops as primary melodic hook chopped granularly with formant shifting and pitch-bending within phrases stutter-edits hard-p",,,2026-05-12T22:28:32.132Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/772fe714-09e1-4a4e-88a8-01b27fa6b191.mp3,,https://cdn2.suno.ai/image_772fe714-09e1-4a4e-88a8-01b27fa6b191.jpeg,https://cdn2.suno.ai/image_large_772fe714-09e1-4a4e-88a8-01b27fa6b191.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\772fe714-09e1-4a4e-88a8-01b27fa6b191.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\772fe714-09e1-4a4e-88a8-01b27fa6b191.cover.jpg | |
| e1a74bce-6292-4be5-b98b-ad4b59d5132b,Cider Keyline,,v5.5,chirp-fenix,complete,98.44,True,"Acoustic piano jazz house lounge with elegant dissonance, 120 BPM, swung four-on-the-floor with brushed shuffled hi-hats and rim clicks instead of snares, grand acoustic piano played with rich rootless voicings featuring 13th flat 9th and sharp 11th tensions with active inner-voice movement, upright bass with pickup walking jazz lines with chromatic approach notes, clean archtop jazz guitar comping sparse rootless chords in the middle register, no saxophone no horns no brass no woodwinds, no vocal chops or only the faintest reversed piano sustain as ghost element, claps two and four with subtle plate reverb, very gentle side-chain only on the bass, warm vinyl crackle and pronounced analog tape saturation on the drum bus, key of C minor moving to E-flat major then briefly to A major as deceptive cadence, mood late-night Manhattan jazz club bleeding into a Paris basement, dancefloor harmonically sophisticated, intellectual groove",,,2026-05-12T22:24:54.540Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/e1a74bce-6292-4be5-b98b-ad4b59d5132b.mp3,,https://cdn2.suno.ai/image_e1a74bce-6292-4be5-b98b-ad4b59d5132b.jpeg,https://cdn2.suno.ai/image_large_e1a74bce-6292-4be5-b98b-ad4b59d5132b.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e1a74bce-6292-4be5-b98b-ad4b59d5132b.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e1a74bce-6292-4be5-b98b-ad4b59d5132b.cover.jpg | |
| 7fc58e78-e7f6-4c71-900e-98a0fa582a3b,Cider Keyline,,v5.5,chirp-fenix,complete,117.24,True,"Acoustic piano jazz house lounge with elegant dissonance, 120 BPM, swung four-on-the-floor with brushed shuffled hi-hats and rim clicks instead of snares, grand acoustic piano played with rich rootless voicings featuring 13th flat 9th and sharp 11th tensions with active inner-voice movement, upright bass with pickup walking jazz lines with chromatic approach notes, clean archtop jazz guitar comping sparse rootless chords in the middle register, no saxophone no horns no brass no woodwinds, no vocal chops or only the faintest reversed piano sustain as ghost element, claps two and four with subtle plate reverb, very gentle side-chain only on the bass, warm vinyl crackle and pronounced analog tape saturation on the drum bus, key of C minor moving to E-flat major then briefly to A major as deceptive cadence, mood late-night Manhattan jazz club bleeding into a Paris basement, dancefloor harmonically sophisticated, intellectual groove",,,2026-05-12T22:24:54.540Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/7fc58e78-e7f6-4c71-900e-98a0fa582a3b.mp3,,https://cdn2.suno.ai/image_7fc58e78-e7f6-4c71-900e-98a0fa582a3b.jpeg,https://cdn2.suno.ai/image_large_7fc58e78-e7f6-4c71-900e-98a0fa582a3b.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7fc58e78-e7f6-4c71-900e-98a0fa582a3b.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7fc58e78-e7f6-4c71-900e-98a0fa582a3b.cover.jpg | |
| 12824319-09c2-4722-aa81-9918127dda81,Sicilian Flat9,,v5.5,chirp-fenix,complete,192.36,True,"mediterranean jazz house lounge with harmonic tension 120 bpm swung four on the floor with shuffled hi hats and crisp ghost note snares soft mallets on marimba doubling the bass line in the low mid register nylon string flamenco guitar playing softened rasgueado patterns and tasteful arpeggios fender rhodes carrying altered voicings with flat 9th and sharp 11th tensions resolving gracefully melodic fingerstyle electric bass playing legato lines with slides clean stratocaster adding subtle 16th note chuck Reggae, Ska, Rock, Pop Rock in the background no saxophone no horns no brass no woodwinds chopped whispered female portuguese vocal samples filtered as melodic hook claps two and four with slap delay gentle side chain compression warm analog tape saturation and faint vinyl crackle key of b phrygian with brief lifts to d major mood sunset terrace in lisbon or sicily with a slight unease in the air dancefloor but contemplative sun drenched with a shadow underneath",,,2026-05-12T22:24:48.395Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/12824319-09c2-4722-aa81-9918127dda81.mp3,,https://cdn2.suno.ai/image_12824319-09c2-4722-aa81-9918127dda81.jpeg,https://cdn2.suno.ai/image_large_12824319-09c2-4722-aa81-9918127dda81.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\12824319-09c2-4722-aa81-9918127dda81.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\12824319-09c2-4722-aa81-9918127dda81.cover.jpg | |
| 7284c093-77db-4408-9670-880723cce9fb,Sicilian Flat9,,v5.5,chirp-fenix,complete,192.88,True,"mediterranean jazz house lounge with harmonic tension 120 bpm swung four on the floor with shuffled hi hats and crisp ghost note snares soft mallets on marimba doubling the bass line in the low mid register nylon string flamenco guitar playing softened rasgueado patterns and tasteful arpeggios fender rhodes carrying altered voicings with flat 9th and sharp 11th tensions resolving gracefully melodic fingerstyle electric bass playing legato lines with slides clean stratocaster adding subtle 16th note chuck Reggae, Ska, Rock, Pop Rock in the background no saxophone no horns no brass no woodwinds chopped whispered female portuguese vocal samples filtered as melodic hook claps two and four with slap delay gentle side chain compression warm analog tape saturation and faint vinyl crackle key of b phrygian with brief lifts to d major mood sunset terrace in lisbon or sicily with a slight unease in the air dancefloor but contemplative sun drenched with a shadow underneath",,,2026-05-12T22:24:48.395Z,0,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/7284c093-77db-4408-9670-880723cce9fb.mp3,,https://cdn2.suno.ai/image_7284c093-77db-4408-9670-880723cce9fb.jpeg,https://cdn2.suno.ai/image_large_7284c093-77db-4408-9670-880723cce9fb.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7284c093-77db-4408-9670-880723cce9fb.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\7284c093-77db-4408-9670-880723cce9fb.cover.jpg | |
| 2f147366-46c2-425b-a2df-875da32e4130,Vinyl Confession,,v5.5,chirp-fenix,complete,193.16,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy",,,2026-05-12T22:24:41.441Z,5,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/2f147366-46c2-425b-a2df-875da32e4130.mp3,,https://cdn2.suno.ai/image_2f147366-46c2-425b-a2df-875da32e4130.jpeg,https://cdn2.suno.ai/image_large_2f147366-46c2-425b-a2df-875da32e4130.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2f147366-46c2-425b-a2df-875da32e4130.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\2f147366-46c2-425b-a2df-875da32e4130.cover.jpg | |
| 9b8cf373-b82b-459d-baa1-cc38439c88c5,Vinyl Confession,,v5.5,chirp-fenix,complete,162.16,True,"Melancholic closing-set jazz house lounge, 120 BPM, swung four-on-the-floor with softened kick and detuned shuffled hi-hats, Fender Rhodes with deep slow tremolo carrying minor 9th and major 7th voicings in slow descending harmonic motion, lush analog synth string pads with subtle vibrato sustaining behind the harmony, melodic fingerstyle electric bass walking minor pentatonic with chromatic passing tones, clean funk guitar muted and barely strumming 16th ghost chucks, ghost-note snares and rim clicks, claps two and four buried in a hall reverb, no saxophone no horns no brass no woodwinds, chopped and pitched 1970s soul vocal samples filtered and reversed phrases like don't go and the morning, side-chain breathing softly, vinyl crackle and dusty tape saturation pronounced, key of F minor descending to D-flat major and back, mood last hour of a party watching the sun rise alone, bittersweet final-track energy, dancefloor but emotionally heavy",,,2026-05-12T22:24:41.441Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/9b8cf373-b82b-459d-baa1-cc38439c88c5.mp3,,https://cdn2.suno.ai/image_9b8cf373-b82b-459d-baa1-cc38439c88c5.jpeg,https://cdn2.suno.ai/image_large_9b8cf373-b82b-459d-baa1-cc38439c88c5.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\9b8cf373-b82b-459d-baa1-cc38439c88c5.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\9b8cf373-b82b-459d-baa1-cc38439c88c5.cover.jpg | |
| c26f1f1b-9d97-4377-8bac-58aceb7f2886,Tiled Cumbia,,v5.5,chirp-fenix,complete,175.28,True,"Latin-modal jazz house lounge, 120 BPM, four-on-the-floor with hidden tumbao groove underneath, shuffled hi-hats and live congas and bongos panned wide playing montuno patterns, melodic fingerstyle electric bass quoting Cuban tumbao lines syncopated against the kick, nylon-string acoustic guitar playing soft tres-style upper-register tumbao chords, Fender Rhodes laying down modal voicings with sharp 11th and flat 13th tensions, no saxophone no horns no brass no woodwinds, female breathy Spanish vocal chops chopped and pitched as melodic hook short phrases like sí mi amor and amanece, soft claps two and four with slap delay, side-chain breathing, warm 70s analog tape feel with mild distortion, key of G Phrygian dominant resolving to C minor, mood Havana rooftop dusk meets futuristic Paris basement, tropicalia-deep-house, dancefloor groovy and tropical",,,2026-05-12T22:24:34.271Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/c26f1f1b-9d97-4377-8bac-58aceb7f2886.mp3,,https://cdn2.suno.ai/image_c26f1f1b-9d97-4377-8bac-58aceb7f2886.jpeg,https://cdn2.suno.ai/image_large_c26f1f1b-9d97-4377-8bac-58aceb7f2886.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\c26f1f1b-9d97-4377-8bac-58aceb7f2886.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\c26f1f1b-9d97-4377-8bac-58aceb7f2886.cover.jpg | |
| c24780d8-7c7b-4811-9b4c-7723a6f4a887,Tiled Cumbia,,v5.5,chirp-fenix,complete,202.2,True,"Latin-modal jazz house lounge, 120 BPM, four-on-the-floor with hidden tumbao groove underneath, shuffled hi-hats and live congas and bongos panned wide playing montuno patterns, melodic fingerstyle electric bass quoting Cuban tumbao lines syncopated against the kick, nylon-string acoustic guitar playing soft tres-style upper-register tumbao chords, Fender Rhodes laying down modal voicings with sharp 11th and flat 13th tensions, no saxophone no horns no brass no woodwinds, female breathy Spanish vocal chops chopped and pitched as melodic hook short phrases like sí mi amor and amanece, soft claps two and four with slap delay, side-chain breathing, warm 70s analog tape feel with mild distortion, key of G Phrygian dominant resolving to C minor, mood Havana rooftop dusk meets futuristic Paris basement, tropicalia-deep-house, dancefloor groovy and tropical",,,2026-05-12T22:24:34.271Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/c24780d8-7c7b-4811-9b4c-7723a6f4a887.mp3,,https://cdn2.suno.ai/image_c24780d8-7c7b-4811-9b4c-7723a6f4a887.jpeg,https://cdn2.suno.ai/image_large_c24780d8-7c7b-4811-9b4c-7723a6f4a887.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\c24780d8-7c7b-4811-9b4c-7723a6f4a887.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\c24780d8-7c7b-4811-9b4c-7723a6f4a887.cover.jpg | |
| 065d06f6-e9c2-471a-be99-4bf1430e9f1b,Dorian Whisky,,v5.5,chirp-fenix,complete,197.68,True,"Late-night introspective jazz house lounge, 120 BPM, deeply swung four-on-the-floor with very soft kick and brushed hi-hats riding heavy 16th shuffle, Fender Rhodes carrying suspended 9th and minor 11th voicings with long sustain and slow attack, melodic fingerstyle electric bass acting almost as the lead voice playing pentatonic runs and chord-tone walks, clean Stratocaster guitar barely audible plucking diatonic arpeggios in the upper register, rim clicks instead of full snares, soft brushed claps two and four with quarter-note delay, occasional muted Wurlitzer single-note motif as counter-melody, no saxophone no horns no brass no woodwinds, no vocal chops or only sparse breathy whispered ah pads, side-chain almost imperceptible, deep vinyl crackle pronounced in the foreground, plate reverb on the Rhodes with long tail, key of D Dorian drifting to F Lydian, mood empty apartment four AM whisky on the rocks, intimate confessional groove, dancefloor-adjacent but for headphones",,,2026-05-12T22:23:08.063Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/065d06f6-e9c2-471a-be99-4bf1430e9f1b.mp3,,https://cdn2.suno.ai/image_065d06f6-e9c2-471a-be99-4bf1430e9f1b.jpeg,https://cdn2.suno.ai/image_large_065d06f6-e9c2-471a-be99-4bf1430e9f1b.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\065d06f6-e9c2-471a-be99-4bf1430e9f1b.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\065d06f6-e9c2-471a-be99-4bf1430e9f1b.cover.jpg | |
| 0f9da585-04e8-423f-ab87-8876991a4378,Dorian Whisky,,v5.5,chirp-fenix,complete,178.32,True,"Late-night introspective jazz house lounge, 120 BPM, deeply swung four-on-the-floor with very soft kick and brushed hi-hats riding heavy 16th shuffle, Fender Rhodes carrying suspended 9th and minor 11th voicings with long sustain and slow attack, melodic fingerstyle electric bass acting almost as the lead voice playing pentatonic runs and chord-tone walks, clean Stratocaster guitar barely audible plucking diatonic arpeggios in the upper register, rim clicks instead of full snares, soft brushed claps two and four with quarter-note delay, occasional muted Wurlitzer single-note motif as counter-melody, no saxophone no horns no brass no woodwinds, no vocal chops or only sparse breathy whispered ah pads, side-chain almost imperceptible, deep vinyl crackle pronounced in the foreground, plate reverb on the Rhodes with long tail, key of D Dorian drifting to F Lydian, mood empty apartment four AM whisky on the rocks, intimate confessional groove, dancefloor-adjacent but for headphones",,,2026-05-12T22:23:08.063Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/0f9da585-04e8-423f-ab87-8876991a4378.mp3,,https://cdn2.suno.ai/image_0f9da585-04e8-423f-ab87-8876991a4378.jpeg,https://cdn2.suno.ai/image_large_0f9da585-04e8-423f-ab87-8876991a4378.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\0f9da585-04e8-423f-ab87-8876991a4378.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\0f9da585-04e8-423f-ab87-8876991a4378.cover.jpg | |
| 17c95fd3-a2ef-48ba-bc06-b56422daf119,Rhodes Rimsync,,v5.5,chirp-fenix,complete,181.72,True,"modern jazz house meets new french touch lounge 120 bpm deeply swung four on the floor groove with heavily shuffled sixteenth note hi hats warm analog production jazz influenced harmony with major 7th 9th and 13th chord extensions fender rhodes electric piano as the primary lead instrument with rich extended voicings and improvised melodic comping fills occasional wurlitzer for colour melodic fingerstyle electric bass with walking jazz lines syncopated against the kick clean funk rhythm guitar with single coil tone subtle wah and tight 16th note chuck Reggae, Ska, Rock, Pop Rock ghost note snares and rim clicks soft claps on two and four with short slap delay filtered chopped soulful vocal samples looped and pitched as a secondary melodic hook gentle side chain compression breathing under the groove warm vinyl crackle and subtle tape saturation on the drum bus classy sunset balcony lounge energy lush but dancefloor ready key of a minor with modal interchange to c major and dorian colour ab",,,2026-05-12T22:21:13.730Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/17c95fd3-a2ef-48ba-bc06-b56422daf119.mp3,,https://cdn2.suno.ai/image_17c95fd3-a2ef-48ba-bc06-b56422daf119.jpeg,https://cdn2.suno.ai/image_large_17c95fd3-a2ef-48ba-bc06-b56422daf119.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\17c95fd3-a2ef-48ba-bc06-b56422daf119.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\17c95fd3-a2ef-48ba-bc06-b56422daf119.cover.jpg | |
| fd79dde7-33d2-4d8e-8170-118c1013cc8d,Rhodes Rimsync,,v5.5,chirp-fenix,complete,193.32,True,"modern jazz house meets new french touch lounge 120 bpm deeply swung four on the floor groove with heavily shuffled sixteenth note hi hats warm analog production jazz influenced harmony with major 7th 9th and 13th chord extensions fender rhodes electric piano as the primary lead instrument with rich extended voicings and improvised melodic comping fills occasional wurlitzer for colour melodic fingerstyle electric bass with walking jazz lines syncopated against the kick clean funk rhythm guitar with single coil tone subtle wah and tight 16th note chuck Reggae, Ska, Rock, Pop Rock ghost note snares and rim clicks soft claps on two and four with short slap delay filtered chopped soulful vocal samples looped and pitched as a secondary melodic hook gentle side chain compression breathing under the groove warm vinyl crackle and subtle tape saturation on the drum bus classy sunset balcony lounge energy lush but dancefloor ready key of a minor with modal interchange to c major and dorian colour ab",,,2026-05-12T22:21:13.730Z,5,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/fd79dde7-33d2-4d8e-8170-118c1013cc8d.mp3,,https://cdn2.suno.ai/image_fd79dde7-33d2-4d8e-8170-118c1013cc8d.jpeg,https://cdn2.suno.ai/image_large_fd79dde7-33d2-4d8e-8170-118c1013cc8d.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\fd79dde7-33d2-4d8e-8170-118c1013cc8d.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\fd79dde7-33d2-4d8e-8170-118c1013cc8d.cover.jpg | |
| 6f423123-cfac-4aab-8819-2dc614fe0ffd,Balcony Chords,,v5.5,chirp-fenix,complete,157.88,True,"modern jazz house meets new french touch 105 bpm warm analog production jazz influenced chord progressions with major 7th 9th and 11th extensions lush fender rhodes electric piano carrying the harmonic bed smooth tenor saxophone leading with breathy melodic phrases and improvised counter melodies melodic fingerstyle electric bass with walking jazz lines and subtle slap accents four on the floor house drums with swung shuffled hi hats and ghost notes crisp claps on two and four clean funk guitar with single coil tone and tasteful wah and 16th note Reggae, Ska, Rock, Pop Rock gentle side chain compression breathing under the groove occasional filtered vocal chops and soulful ad libs warm vinyl sampled atmosphere subtle tape saturation on the drum bus sunny laid back daytime balcony energy lounge meeting the dancefloor mostly instrumental with sparse soulful hooks key of a minor with frequent modal interchange to c major french touch revival aesthetic",,,2026-05-12T22:16:29.754Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/6f423123-cfac-4aab-8819-2dc614fe0ffd.mp3,,https://cdn2.suno.ai/image_6f423123-cfac-4aab-8819-2dc614fe0ffd.jpeg,https://cdn2.suno.ai/image_large_6f423123-cfac-4aab-8819-2dc614fe0ffd.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6f423123-cfac-4aab-8819-2dc614fe0ffd.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6f423123-cfac-4aab-8819-2dc614fe0ffd.cover.jpg | |
| 6e9f5d20-652f-4839-a837-945e53f1f288,Balcony Chords,,v5.5,chirp-fenix,complete,191.6,True,"modern jazz house meets new french touch 105 bpm warm analog production jazz influenced chord progressions with major 7th 9th and 11th extensions lush fender rhodes electric piano carrying the harmonic bed smooth tenor saxophone leading with breathy melodic phrases and improvised counter melodies melodic fingerstyle electric bass with walking jazz lines and subtle slap accents four on the floor house drums with swung shuffled hi hats and ghost notes crisp claps on two and four clean funk guitar with single coil tone and tasteful wah and 16th note Reggae, Ska, Rock, Pop Rock gentle side chain compression breathing under the groove occasional filtered vocal chops and soulful ad libs warm vinyl sampled atmosphere subtle tape saturation on the drum bus sunny laid back daytime balcony energy lounge meeting the dancefloor mostly instrumental with sparse soulful hooks key of a minor with frequent modal interchange to c major french touch revival aesthetic",,,2026-05-12T22:16:29.754Z,5,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/6e9f5d20-652f-4839-a837-945e53f1f288.mp3,,https://cdn2.suno.ai/image_6e9f5d20-652f-4839-a837-945e53f1f288.jpeg,https://cdn2.suno.ai/image_large_6e9f5d20-652f-4839-a837-945e53f1f288.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6e9f5d20-652f-4839-a837-945e53f1f288.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\6e9f5d20-652f-4839-a837-945e53f1f288.cover.jpg | |
| de6084e3-a9da-4495-adee-9b4799237596,Nombres Borrados,,v5.5,chirp-fenix,complete,278.4,False,"late 1970s british roots reggae birmingham uk studio sound f minor with brief relative major shifts on the chorus 80 bpm conscious militant roots theme polished crisp studio production lead vocal male tenor with controlled wide vibrato crisp articulate diction urgent prophetic and dignified delivery slight rasp on sustained notes rich three part vocal harmonies with deep soul and gospel influence stacked on choruses and outro tight punchy horn section with harmonized saxophone and trumpet stabs and answer phrases hammond organ pads with clavinet rhythmic counterpoint disciplined sharp off beat rhythm guitar Reggae, Ska, Rock, Pop Rock with clear pick attack melodic walking bass with definition not dub saturated one drop drumming with crisp snare crack and tight hi hat work subtle funk and rock undercurrent beneath the reggae backbone moderate plate reverb not dub extreme balanced wide stereo mix defiant proud and articulate mood spanish lyrics",,"[Verse 1] | |
| They drew a line on the paper, called it a border | |
| Drew a line on your screen, called it a feed | |
| Every step that you walk is a coin in their pocket | |
| Every word that you speak is a seed they will read | |
| [Pre-chorus] | |
| And they tell you you're free as the gates close behind you | |
| Tell you you're chosen while counting the cost | |
| [Chorus - three-part harmonies] | |
| We were not born to be numbers on a register | |
| Not born to be light for another man's lamp | |
| Take back the names of the ones they erased | |
| Take back the road, take back the camp | |
| [Horn break - 4 bars] | |
| [Verse 2] | |
| They build a museum to honour the dead | |
| That they made into dead with their own steady hand | |
| Carve out the verses that don't fit the chapter | |
| Print out a flag and they call it a land | |
| [Pre-chorus] | |
| And they tell you remember but only the half of it | |
| Tell you go forward but never look down | |
| [Chorus - three-part harmonies, horn stabs answering each line] | |
| We were not born to be numbers on a register | |
| Not born to be light for another man's lamp | |
| Take back the names of the ones they erased | |
| Take back the road, take back the camp | |
| [Bridge - lift to relative major, harmonies open wide] | |
| Brothers and sisters, the ledger is open | |
| Every name that you whisper, the silence will hold | |
| Don't burn down the temple before you remember | |
| Who buried the door and who bought back the gold | |
| [Horn break - 4 bars, mournful sax line] | |
| [Chorus - double-tracked, full harmonies, horn answers] | |
| We were not born to be numbers on a register | |
| Not born to be light for another man's lamp | |
| Take back the names of the ones they erased | |
| Take back the road, take back the camp | |
| [Outro - call and response, fade with delay] | |
| (Take back the road) one step at a time | |
| (Take back the camp) one fire at a time | |
| (Take back the names) one breath at a time | |
| We overstand now, we overstand now | |
| We overstand now, we overstand now",2026-05-12T21:50:11.154Z,5,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/de6084e3-a9da-4495-adee-9b4799237596.mp3,,https://cdn2.suno.ai/image_de6084e3-a9da-4495-adee-9b4799237596.jpeg,https://cdn2.suno.ai/image_large_de6084e3-a9da-4495-adee-9b4799237596.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\de6084e3-a9da-4495-adee-9b4799237596.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\de6084e3-a9da-4495-adee-9b4799237596.cover.jpg | |
| 320098dc-0cfd-49ef-a68d-342aae8b2a99,Nombres Borrados,,v5.5,chirp-fenix,complete,267.72,False,"late 1970s british roots reggae birmingham uk studio sound f minor with brief relative major shifts on the chorus 80 bpm conscious militant roots theme polished crisp studio production lead vocal male tenor with controlled wide vibrato crisp articulate diction urgent prophetic and dignified delivery slight rasp on sustained notes rich three part vocal harmonies with deep soul and gospel influence stacked on choruses and outro tight punchy horn section with harmonized saxophone and trumpet stabs and answer phrases hammond organ pads with clavinet rhythmic counterpoint disciplined sharp off beat rhythm guitar Reggae, Ska, Rock, Pop Rock with clear pick attack melodic walking bass with definition not dub saturated one drop drumming with crisp snare crack and tight hi hat work subtle funk and rock undercurrent beneath the reggae backbone moderate plate reverb not dub extreme balanced wide stereo mix defiant proud and articulate mood spanish lyrics",,"[Verse 1] | |
| They drew a line on the paper, called it a border | |
| Drew a line on your screen, called it a feed | |
| Every step that you walk is a coin in their pocket | |
| Every word that you speak is a seed they will read | |
| [Pre-chorus] | |
| And they tell you you're free as the gates close behind you | |
| Tell you you're chosen while counting the cost | |
| [Chorus - three-part harmonies] | |
| We were not born to be numbers on a register | |
| Not born to be light for another man's lamp | |
| Take back the names of the ones they erased | |
| Take back the road, take back the camp | |
| [Horn break - 4 bars] | |
| [Verse 2] | |
| They build a museum to honour the dead | |
| That they made into dead with their own steady hand | |
| Carve out the verses that don't fit the chapter | |
| Print out a flag and they call it a land | |
| [Pre-chorus] | |
| And they tell you remember but only the half of it | |
| Tell you go forward but never look down | |
| [Chorus - three-part harmonies, horn stabs answering each line] | |
| We were not born to be numbers on a register | |
| Not born to be light for another man's lamp | |
| Take back the names of the ones they erased | |
| Take back the road, take back the camp | |
| [Bridge - lift to relative major, harmonies open wide] | |
| Brothers and sisters, the ledger is open | |
| Every name that you whisper, the silence will hold | |
| Don't burn down the temple before you remember | |
| Who buried the door and who bought back the gold | |
| [Horn break - 4 bars, mournful sax line] | |
| [Chorus - double-tracked, full harmonies, horn answers] | |
| We were not born to be numbers on a register | |
| Not born to be light for another man's lamp | |
| Take back the names of the ones they erased | |
| Take back the road, take back the camp | |
| [Outro - call and response, fade with delay] | |
| (Take back the road) one step at a time | |
| (Take back the camp) one fire at a time | |
| (Take back the names) one breath at a time | |
| We overstand now, we overstand now | |
| We overstand now, we overstand now",2026-05-12T21:50:11.154Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/320098dc-0cfd-49ef-a68d-342aae8b2a99.mp3,,https://cdn2.suno.ai/image_320098dc-0cfd-49ef-a68d-342aae8b2a99.jpeg,https://cdn2.suno.ai/image_large_320098dc-0cfd-49ef-a68d-342aae8b2a99.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\320098dc-0cfd-49ef-a68d-342aae8b2a99.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\320098dc-0cfd-49ef-a68d-342aae8b2a99.cover.jpg | |
| 50b037c7-872b-46fd-b4b7-e042fd992dfe,Placa Vacía,,v5.5,chirp-fenix,complete,263.44,False,"heavy dub roots reggae f minor 65 bpm king tubby and scientist mixing style deep sustained sub bass one drop drums with extreme dropouts and tape delay ghostly off beat Reggae, Ska, Rock, Pop Rock drowning in spring reverb sustained dark organ drones distant melodica wails occasional siren stab heavily echoed prophetic male vocal in the lineage of yabby you and prince far i black ark 1977 aesthetic lee perry production feel instruments dropping in and out lots of empty space apocalyptic brooding mood no major resolutions warm analog hiss spanish lyrics",,"[Intro - susurrado, con delay largo] | |
| Cuentan los que pueden contar | |
| los que no, esperan turno | |
| [Verso 1] | |
| Bajó la noche sobre el campo seco | |
| las vacas duermen donde antes había escuela | |
| el río que mi abuelo cruzaba a caballo | |
| hoy es un nombre escrito en una placa | |
| [Pre-coro] | |
| Y el reloj de la plaza marca otra hora | |
| para los que llegan, para los que demoran | |
| [Coro] | |
| Hay un humo que no se va, hermano | |
| hay un nombre que falta en la lista | |
| hay un perro que ladra a la nada | |
| y la nada le contesta despacio | |
| [Verso 2] | |
| Mandaron a contar lo que ya no queda | |
| mandaron a rezar a los que perdieron lengua | |
| las velas se prenden por costumbre vieja | |
| nadie sabe ya por quién, pero arden | |
| [Pre-coro] | |
| Y el reloj de la plaza marca otra hora | |
| para los que llegan, para los que demoran | |
| [Coro] | |
| Hay un humo que no se va, hermano | |
| hay un nombre que falta en la lista | |
| hay un perro que ladra a la nada | |
| y la nada le contesta despacio | |
| [Puente - dub breakdown, casi hablado, delays infinitos] | |
| No es el final | |
| es el ensayo | |
| del que se repite | |
| hasta volverse paisaje | |
| [Outro - vocal con eco hasta apagarse] | |
| La ceniza también es semilla | |
| la ceniza también es semilla | |
| pero hay que saber qué se siembra | |
| cuando no queda tierra",2026-05-12T21:43:19.962Z,4,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/50b037c7-872b-46fd-b4b7-e042fd992dfe.mp3,,https://cdn2.suno.ai/image_50b037c7-872b-46fd-b4b7-e042fd992dfe.jpeg,https://cdn2.suno.ai/image_large_50b037c7-872b-46fd-b4b7-e042fd992dfe.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\50b037c7-872b-46fd-b4b7-e042fd992dfe.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\50b037c7-872b-46fd-b4b7-e042fd992dfe.cover.jpg | |
| 331bf3f8-2c0a-4c0b-8625-1970e09f6d35,Placa Vacía,,v5.5,chirp-fenix,complete,269.92,False,"heavy dub roots reggae f minor 65 bpm king tubby and scientist mixing style deep sustained sub bass one drop drums with extreme dropouts and tape delay ghostly off beat Reggae, Ska, Rock, Pop Rock drowning in spring reverb sustained dark organ drones distant melodica wails occasional siren stab heavily echoed prophetic male vocal in the lineage of yabby you and prince far i black ark 1977 aesthetic lee perry production feel instruments dropping in and out lots of empty space apocalyptic brooding mood no major resolutions warm analog hiss spanish lyrics",,"[Intro - susurrado, con delay largo] | |
| Cuentan los que pueden contar | |
| los que no, esperan turno | |
| [Verso 1] | |
| Bajó la noche sobre el campo seco | |
| las vacas duermen donde antes había escuela | |
| el río que mi abuelo cruzaba a caballo | |
| hoy es un nombre escrito en una placa | |
| [Pre-coro] | |
| Y el reloj de la plaza marca otra hora | |
| para los que llegan, para los que demoran | |
| [Coro] | |
| Hay un humo que no se va, hermano | |
| hay un nombre que falta en la lista | |
| hay un perro que ladra a la nada | |
| y la nada le contesta despacio | |
| [Verso 2] | |
| Mandaron a contar lo que ya no queda | |
| mandaron a rezar a los que perdieron lengua | |
| las velas se prenden por costumbre vieja | |
| nadie sabe ya por quién, pero arden | |
| [Pre-coro] | |
| Y el reloj de la plaza marca otra hora | |
| para los que llegan, para los que demoran | |
| [Coro] | |
| Hay un humo que no se va, hermano | |
| hay un nombre que falta en la lista | |
| hay un perro que ladra a la nada | |
| y la nada le contesta despacio | |
| [Puente - dub breakdown, casi hablado, delays infinitos] | |
| No es el final | |
| es el ensayo | |
| del que se repite | |
| hasta volverse paisaje | |
| [Outro - vocal con eco hasta apagarse] | |
| La ceniza también es semilla | |
| la ceniza también es semilla | |
| pero hay que saber qué se siembra | |
| cuando no queda tierra",2026-05-12T21:43:19.961Z,3,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/331bf3f8-2c0a-4c0b-8625-1970e09f6d35.mp3,,https://cdn2.suno.ai/image_331bf3f8-2c0a-4c0b-8625-1970e09f6d35.jpeg,https://cdn2.suno.ai/image_large_331bf3f8-2c0a-4c0b-8625-1970e09f6d35.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\331bf3f8-2c0a-4c0b-8625-1970e09f6d35.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\331bf3f8-2c0a-4c0b-8625-1970e09f6d35.cover.jpg | |
| e0b6a83f-a867-41e3-9e0d-15c077944917,Correa Jazmín,,v5.5,chirp-fenix,complete,207.6,False,"dark roots reggae minor key d minor minimalist arrangement 70 bpm deep dub influenced bassline walking the minor pentatonic one drop drums with rim shots and heavy kick on the three sparse off beat guitar Reggae, Ska, Rock, Pop Rock drenched in spring reverb hypnotic bubble organ holding minor chords no horns or only one mournful muted trumpet line melodica accents in the augustus pablo tradition dub delay tails on snare and vocals vocal style deep grave prophetic in the lineage of burning spear and yabby you lots of empty space in the mix no major resolutions brooding and meditative warm analog tape saturation 1976 jamaican production aesthetic spanish lyrics",,"[Intro - hablado bajo] | |
| Nadie te ata si vos mismo cargás la cadena | |
| y la llamás trabajo | |
| [Verso 1] | |
| Nos prometieron el futuro en cuotas fijas | |
| firmamos con la sangre que no nos pertenece | |
| el patrón cambió de cara, ahora sonríe en la pantalla | |
| y mide cada paso que damos sin saberlo | |
| [Pre-coro] | |
| Y la radio repite la misma canción | |
| mientras el precio del pan se vuelve oración | |
| [Coro] | |
| No es libertad lo que venden en la esquina | |
| es una correa larga con olor a jazmín | |
| caminá tranquilo, hermano, hasta donde te dejen | |
| después preguntá quién decidió el confín | |
| [Verso 2] | |
| Hablan de mérito los que heredaron la mesa | |
| de esfuerzo los que nunca cargaron un bolsón | |
| y nos enseñan a odiar al que duerme en la vereda | |
| para no mirar la mano que firma el desalojo | |
| [Coro] | |
| No es libertad lo que venden en la esquina | |
| es una correa larga con olor a jazmín | |
| caminá tranquilo, hermano, hasta donde te dejen | |
| después preguntá quién decidió el confín | |
| [Puente - voz casi hablada, con eco] | |
| No vine a pedirte que grites | |
| vine a pedirte que mires | |
| contá las puertas cerradas | |
| antes de elegir por cuál salir | |
| [Outro - repetir con delay dub] | |
| Y si no hay salida, hermano | |
| habrá que abrir una a mano | |
| y si no hay salida, hermano | |
| habrá que abrir una a mano",2026-05-12T21:37:39.403Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/e0b6a83f-a867-41e3-9e0d-15c077944917.mp3,,https://cdn2.suno.ai/image_e0b6a83f-a867-41e3-9e0d-15c077944917.jpeg,https://cdn2.suno.ai/image_large_e0b6a83f-a867-41e3-9e0d-15c077944917.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e0b6a83f-a867-41e3-9e0d-15c077944917.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\e0b6a83f-a867-41e3-9e0d-15c077944917.cover.jpg | |
| 08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf,Correa Jazmín,,v5.5,chirp-fenix,complete,194.4,False,"dark roots reggae minor key d minor minimalist arrangement 70 bpm deep dub influenced bassline walking the minor pentatonic one drop drums with rim shots and heavy kick on the three sparse off beat guitar Reggae, Ska, Rock, Pop Rock drenched in spring reverb hypnotic bubble organ holding minor chords no horns or only one mournful muted trumpet line melodica accents in the augustus pablo tradition dub delay tails on snare and vocals vocal style deep grave prophetic in the lineage of burning spear and yabby you lots of empty space in the mix no major resolutions brooding and meditative warm analog tape saturation 1976 jamaican production aesthetic spanish lyrics",,"[Intro - hablado bajo] | |
| Nadie te ata si vos mismo cargás la cadena | |
| y la llamás trabajo | |
| [Verso 1] | |
| Nos prometieron el futuro en cuotas fijas | |
| firmamos con la sangre que no nos pertenece | |
| el patrón cambió de cara, ahora sonríe en la pantalla | |
| y mide cada paso que damos sin saberlo | |
| [Pre-coro] | |
| Y la radio repite la misma canción | |
| mientras el precio del pan se vuelve oración | |
| [Coro] | |
| No es libertad lo que venden en la esquina | |
| es una correa larga con olor a jazmín | |
| caminá tranquilo, hermano, hasta donde te dejen | |
| después preguntá quién decidió el confín | |
| [Verso 2] | |
| Hablan de mérito los que heredaron la mesa | |
| de esfuerzo los que nunca cargaron un bolsón | |
| y nos enseñan a odiar al que duerme en la vereda | |
| para no mirar la mano que firma el desalojo | |
| [Coro] | |
| No es libertad lo que venden en la esquina | |
| es una correa larga con olor a jazmín | |
| caminá tranquilo, hermano, hasta donde te dejen | |
| después preguntá quién decidió el confín | |
| [Puente - voz casi hablada, con eco] | |
| No vine a pedirte que grites | |
| vine a pedirte que mires | |
| contá las puertas cerradas | |
| antes de elegir por cuál salir | |
| [Outro - repetir con delay dub] | |
| Y si no hay salida, hermano | |
| habrá que abrir una a mano | |
| y si no hay salida, hermano | |
| habrá que abrir una a mano",2026-05-12T21:37:39.403Z,2,0,False,False,False,False,False,,,,,,,,,,,https://cdn1.suno.ai/08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf.mp3,,https://cdn2.suno.ai/image_08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf.jpeg,https://cdn2.suno.ai/image_large_08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf.jpeg,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf.mp3,C:\Users\Usuario\PycharmProjects\LLMs\suno\tracks\08fe498e-6b02-4ea8-b952-2fc4ff3a9ecf.cover.jpg | |
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