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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
media-9957
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9957
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9957
| null | null | null | 300
| 250
| 760
| 633
| null | null | null | null | null | null | null |
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media-9958
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9958
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9958
| null | null | null | 302
| 250
| 760
| 629
| null | null | null | null | null | null | null |
||
media-995863680
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-995863680
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-995863680
|
object-201331
|
https://data.fitzmuseum.cam.ac.uk/id/object/201331
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-201331
| 188
| 250
| 768
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/624/811/C_240___A_2015_3_201502_jas244_dc1.ptif&cvt=jpeg
| 4,872
| 6,496
|
Coffee can and saucer/cup and saucer. Minton factory, Staffordshire, Stoke-on-Trent. The can is cylindrical with a circular ring handle. The saucer has deep curved sides and stands on a footrim. The cup is decorated externally with a yellow ground on which is painted a dark maroon landscape with a ruin on the right, and a low farm house and a tree on the left with mountains in the distance. There is a gold band below and another on the rim. Inside at the top there is a border of gold foliated scrolls. The cup is decorated en suite with ruins in a landscape with trees and distant mountains radiating from two gold concentric circles in the middle. Below the the rim there is a border of foliated scrolls between gold horizontal bands. Pattern no. 604. Bone china (?) decorated with a bright yellow ground, painting in dark maroon enamel, and gilding, height, cup, 6 cm, diameter, cup, 6.8 cm, width, cup, 8.3 cm, height, saucer, 3.2 cm, diameter, saucer, 13.8 cm, circa 1800. Production Note: The decoration imitates French late 18th porcelain, decorated with yellow grounds and monochrome purple or dark puce landscapes. On Minton, the painting is often executed rather roughly.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-995863680
|
https://api.fitz.ms/data-distributor/iiif/media-995863680/manifest
|
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media-9959
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9959
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9959
| null | null | null | 298
| 250
| 760
| 637
| null | null | null | null | null | null | null |
||
media-9960
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9960
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9960
| null | null | null | 318
| 250
| 760
| 597
| null | null | null | null | null | null | null |
||
media-9961
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9961
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9961
| null | null | null | 319
| 250
| 760
| 595
| null | null | null | null | null | null | null |
||
media-9962
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9962
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9962
| null | null | null | 317
| 250
| 760
| 599
| null | null | null | null | null | null | null |
||
media-996274335
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-996274335
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-996274335
|
object-185555
|
https://data.fitzmuseum.cam.ac.uk/id/object/185555
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-185555
| 259
| 250
| 1,063
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/600/456/P_12866_R_2_201808_amt49_mas.ptif&cvt=jpeg
| 3,992
| 3,846
|
Trade card for Wall & Browne, Stay Makers, Bristol. Unknown printmaker. Engraving, printed in brown, height, plate, 68 mm, width, plate, 92 mm; height, sheet, 90 mm, width, sheet, 111 mm, circa 1780-circa 1800. Notes: Matthews' New History of Bristol or Complete Guide and Bristol Directory (1793-4) lists a John Brown as tailor & stay maker at 5 Broad Mead.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-996274335
|
https://api.fitz.ms/data-distributor/iiif/media-996274335/manifest
|
||
media-9963
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9963
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9963
| null | null | null | 323
| 250
| 760
| 588
| null | null | null | null | null | null | null |
||
media-996351836
| 1,529,203,627,000
| 1,617,818,706,000
|
https://data.fitzmuseum.cam.ac.uk/id/image/media-996351836
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-996351836
|
object-138343
|
https://data.fitzmuseum.cam.ac.uk/id/object/138343
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-138343
| 167
| 250
| 683
| 1,024
| null | null | null |
Pale green jade with grey veining and inclusions, carved with two recumbent cranes, one holding a spray of fruiting peaches in its beak. Both cranes and peaches represent longevity in Chinese art, a topic that was particularly popular in the 18th century. Nephrite, height, 5.4, cm, length, 10.3, cm, 1700-1800. Chinese.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
| null | null |
||
media-996362822
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-996362822
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-996362822
|
object-185539
|
https://data.fitzmuseum.cam.ac.uk/id/object/185539
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-185539
| 179
| 250
| 734
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/604/441/4173_facing_201106_amt49_mas.ptif&cvt=jpeg
| 3,752
| 5,236
|
Chinese boats. Album containing 12 watercolours on pith paper. Production Place: Guangzhou, historically known as Canton. Pith paper and silk, height 250 mm, width 337 mm, 19th Century. Chinese.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-996362822
|
https://api.fitz.ms/data-distributor/iiif/media-996362822/manifest
|
||
media-99638760
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-99638760
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-99638760
|
object-69120
|
https://data.fitzmuseum.cam.ac.uk/id/object/69120
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-69120
| 188
| 250
| 768
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/626/609/GR_20_1932_2_201406_kly25_dc1.ptif&cvt=jpeg
| 4,872
| 6,496
|
Cosmetic Vessel. Goat, perfumed-oil container. Production Place: East Greece Turkey. Find Spot: Cyprus. Clay, height 0.083 m, length 0.135 m, 600-501 B.C. Archaic Period.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-99638760
|
https://api.fitz.ms/data-distributor/iiif/media-99638760/manifest
|
||
media-9964
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9964
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9964
| null | null | null | 436
| 250
| 760
| 436
| null | null | null | null | null | null | null |
||
media-9965
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9965
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9965
| null | null | null | 422
| 250
| 760
| 450
| null | null | null | null | null | null | null |
||
media-996554194
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-996554194
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-996554194
|
object-7388
|
https://data.fitzmuseum.cam.ac.uk/id/object/7388
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-7388
| 191
| 250
| 783
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/629/958/34_15_125_dc1.ptif&cvt=jpeg
| 3,322
| 4,343
|
La Famiglia Pidocchiosa. Gatta, Saverio della (Italian, op.1777-1811). Watercolour over graphite on paper, height 197 mm, width 261 mm, 1823. Marlay III (125).
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-996554194
|
https://api.fitz.ms/data-distributor/iiif/media-996554194/manifest
|
||
media-9966
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9966
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9966
| null | null | null | 399
| 250
| 760
| 476
| null | null | null | null | null | null | null |
||
media-9966422
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9966422
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9966422
|
object-10601
|
https://data.fitzmuseum.cam.ac.uk/id/object/10601
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-10601
| 216
| 250
| 884
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/911/828_f_37_r_201109_mfj22_dc1.ptif&cvt=jpeg
| 3,360
| 3,892
|
Portrait of William Blake, Seen Full Face. Flaxman, John (British, 1755-1826). Volume of Graphite Portraits. Sketchbook with marbled end boards and brown leather spine. Graphite on paper, height (leaf) 178 mm, width 210 mm; height (cover board) 184 mm, width 218 mm, 1801.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-9966422
|
https://api.fitz.ms/data-distributor/iiif/media-9966422/manifest
|
||
media-9967
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9967
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9967
| null | null | null | 475
| 250
| 760
| 400
| null | null | null | null | null | null | null |
||
media-996723768
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-996723768
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-996723768
|
object-34352
|
https://data.fitzmuseum.cam.ac.uk/id/object/34352
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-34352
| 333
| 250
| 1,365
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/656/438/PD_182_1950_201409_jas244_mas.ptif&cvt=jpeg
| 6,496
| 4,872
|
Miniature. Zulikha sends several of her maidservants to Yousuf with a further message. Unknown miniaturist, Rajput School. One of sixty six miniatures illustrating a poem on the story of Yusuf and Zulaykha (Joseph and Potiphar's wife). Watercolour, bodycolour including white, pen and ink with gold, on paper, height 164 mm, width 115 mm, early 19th Century. Production Note: The story, taken from the Koran, was much elaborated by Persian poets, and has been very popular in India.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-996723768
|
https://api.fitz.ms/data-distributor/iiif/media-996723768/manifest
|
||
media-9968
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9968
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9968
| null | null | null | 317
| 250
| 760
| 599
| null | null | null | null | null | null | null |
||
media-996888531
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-996888531
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-996888531
|
object-176362
|
https://data.fitzmuseum.cam.ac.uk/id/object/176362
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-176362
| 333
| 250
| 1,365
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/707/134/MS_45_34v_mas.ptif&cvt=jpeg
| 5,227
| 3,920
|
Illuminated Manuscript. Antiphoner. Ballo, Giovanni (Iohannes Ballus). Battista Rosa, Giovanni and assistants. Gothic bookhand (textualis), Latin. Parchment, ii paper flyleaves + 134 fols. (foliated i, 1-133) + i paper flyleaf, 627 x 440 mm (445 x 286 mm), 5 four-line musical staves ruled in red ink, with 5 text lines in between ruled in pale black ink, equivalent in all to 30 lines. Production Place: Naples, Italy. Circa 1604.
BINDING: Seventeenth century, brown stained paper over wooden boards, sewn on five supports, leather spine and corner pieces nailed to boards, remains of metal furniture (probably chain attachments) on upper and lower covers.
CONTENTS: fols. i verso-133v Antiphons, versicles and responsories for the Sanctoral from the Decollation of St John the Baptist (Aug. 29) to All Saints (Nov. 1).
DECORATION: Five historiated initials, two with full wide borders (fols. 1r, 12r) and three with partial borders (fols. 44r, 71v, 101r), containing blue, orange, purple and green acanthus leaves and gold scrolls, at the antiphons to the psalms of First Vespers: fol. 1r Decollation of John Baptist, [A, 12 ll.] Beheading of John the Baptist, with border cartouches containing shields of the Dominican Order and Fabrizio Pignatelli surmounted by crowns, and three historiated oval corner medallions (the fourth one has been excised) showing St John the Baptist's head on a charger, a reed-cross twined with a scroll and a scallop shell on a table, and St John the Baptist at his prison window; fol. 12r Nativity of the Virgin, [H, 12 ll.] Birth of the Virgin, with border cartouches containing shields of the Dominican Order and Fabrizio Pignatelli surmounted by crowns, and three historiated oval corner medallions (the fourth one has been excised) showing three half-length figures of prophets; fol. 44r Exaltation of the Cross, [O, 11 ll.] St Helena holding the Cross; fol. 71v St Michael, [D, 12 ll.] St Michael fighting the dragon; fol. 101r All Saints, [O, 12 ll.] Christ of the Resurrection holding the Cross, flanked by the Virgin Mary and Saints.
ORNAMENTATION: Large gold framed border blocks containing gold, green, orange, blue and purple-pink acanthus leaves on coloured rinceaux grounds running up the full length of the outer borders at the responsory to the first lesson of Matins or at the opening antiphon for Lauds (fols. 6v, 16v, 35v, 47v, 66v, 75r, 95v, 105v, 127v); gold, red or blue initials [5-6 ll.] on coloured foliage grounds within gold frames (e.g. fol. 6v).
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-996888531
|
https://api.fitz.ms/data-distributor/iiif/media-996888531/manifest
|
||
media-9969
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9969
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9969
| null | null | null | 475
| 250
| 760
| 400
| null | null | null | null | null | null | null |
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media-99697221
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-99697221
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-99697221
|
object-170727
|
https://data.fitzmuseum.cam.ac.uk/id/object/170727
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-170727
| 154
| 250
| 632
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/688/200/MS_McClean_159_131_microfilm_mas.ptif&cvt=jpeg
| 5,152
| 8,352
| null |
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-99697221
|
https://api.fitz.ms/data-distributor/iiif/media-99697221/manifest
|
||
media-996980208
| 1,529,391,779,000
| 1,617,826,786,000
|
https://data.fitzmuseum.cam.ac.uk/id/image/media-996980208
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-996980208
|
object-166889
|
https://data.fitzmuseum.cam.ac.uk/id/object/166889
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-166889
| 194
| 249
| 797
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/521/942/P_91_2005_201501_adn21_mas.ptif&cvt=jpeg
| 4,407
| 5,665
|
Ruth parting from Naomi. Naomi entreating Ruth and Orpah to return to the Land of Moah. Blake, William (British, 1757-1827). Monotype, varnished, colour printing, hand colouring, circa 1795- circa 1805. Bindman 331.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-996980208
|
https://api.fitz.ms/data-distributor/iiif/media-996980208/manifest
|
||
media-9970
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9970
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9970
| null | null | null | 452
| 250
| 760
| 420
| null | null | null | null | null | null | null |
||
media-997078714
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-997078714
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-997078714
|
object-185614
|
https://data.fitzmuseum.cam.ac.uk/id/object/185614
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-185614
| 188
| 250
| 771
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/604/348/4170_12__201106_amt49_mas.ptif&cvt=jpeg
| 4,008
| 5,321
|
Album. Chinese Boats. Mandarin boat. Youqua (Chinese, ac.1840-1870). Folios bound in soft-back covers, with silk brocade and ties. Height 250 mm, width 337 mm, 19th Century.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-997078714
|
https://api.fitz.ms/data-distributor/iiif/media-997078714/manifest
|
||
media-9971
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9971
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9971
| null | null | null | 124
| 249
| 378
| 760
| null | null | null | null | null | null | null |
||
media-9972
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9972
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9972
| null | null | null | 177
| 250
| 537
| 760
| null | null | null | null | null | null | null |
||
media-997233332
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-997233332
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-997233332
|
object-93561
|
https://data.fitzmuseum.cam.ac.uk/id/object/93561
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-93561
| 377
| 250
| 1,543
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/723/531/MS_McClean_49_11r_dc1.ptif&cvt=jpeg
| 4,972
| 3,300
|
Illuminated Manuscript. Fragment from a Sacramentary. Latin. Late Caroline minuscule. Production Place: Latin Kingdom of Jerusalem. 1128-1130.
Parchment, iii modern flyleaves + 14 fols. + iii modern flyleaves, 257 x 163 mm (187 x 108 mm), 29-32 long lines, ruled in hard point and plummet, with four-line musical staves ruled in red ink. BINDING: Late nineteenth century, purple morocco by Joseph William Zaehnsdorf (1853-1930), London.
CONTENTS:
fols. 1r [70r] - 3r [72r] Proper Prefaces for main feast days.
fols. 3r [72r] - 3v [72v] Mass Propers for De commemoratione salvatoris.
fol. 3v [72v] Prayers before Mass: (i) Confessio coram altari dicenda, inc. Suscipe. confessionem. nostram; (ii) Oratio sancti Ambrosii, inc. Conscientia culpabilis vite.
fols. 4r [73r] - 6v [75v] Common Preface.
fols. 7r [76r] - 10r [79r] Canon Prayer, Te igitur.
fols. 10v [79v] - 14v [83v] Temporal from Holy Saturday to Thursday of Easter Week.
DECORATION: Three historiated initials, framed, with interlace at terminals and in stems: fol. 4v Common Preface, [V, 9 ll.] Christ, three-quarter length with arms extended in orans pose, between two standing angels, set against coils of foliage on a gold ground; fol. 5r Common Preface [P, 10 ll.] Seraph on a gold ground with foliage; fol. 6v Common Preface [Q, 7 ll.] Angel kneeling on a gold ground with foliage.
There are offsets of two lost full-page framed miniatures on fols. 4r and 7r, facing the openings of the Common Preface and the Canon prayer, almost certainly Christ in Majesty and the Crucifixion respectively.
ORNAMENTATION: Three large framed initials [6 - 27 ll.] with interlace at terminals and in stems, together with geometrical medallions and animal heads on the stems, and in one case, fol. 4r, two standing men with bare torsoes and with arms and legs around the fillets of the initial, one with a lance, with, as infill, green, red, purple and blue foliage coils with white highlighting, single leaves, animals and birds, on gold grounds (fols. 4r, 6r, 7r); two initials [4 - 7 ll.] with foliage coils or leaves in green, red, purple and blue on gold grounds (fols. 11r, 11v); eighty-five smaller framed initials [2-4 ll.] for the various text sections with, as infill, foliage coils, single leaves and geometric patterns on gold, red and blue grounds, but one has been cut out on fol. 11v; Common Preface and Canon Prayer written in large capitals in alternating lines of red and blue.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-997233332
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media-9973
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media-997312915
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https://data.fitzmuseum.cam.ac.uk/id/image/media-997312915
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-997312915
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object-170636
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https://data.fitzmuseum.cam.ac.uk/id/object/170636
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-170636
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| 1,365
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Illuminated Manuscript. Book of Hours in Latin, use of Rome. Master of the Dresden Prayer Book (active in Bruges c.1480-1515). Master of James IV of Scotland (Flanders illuminator, c.1488-1525). Painter of Add, MS 15677. Master of St Michael. Gothic bookhand (hybrida). Parchment and gold, height, page, 196 mm, width, page, 132 mm; height, text, 102 mm, width, text, 60 m, circa 1510. Late Gothic. Flanders, Bruges or Ghent.
DECORATION: Twenty-four full landscape and cityscape borders in Calendar depicting labours of the months and Zodiac signs within medallions in the sky: fol. 1r January, Man and woman feasting and warming by fire, Aquarius; fol. 1v Winter cityscape with people in sleigh; fol. 2r February, Pruning trees, Pisces; fol. 2v Farm scene, pruning trees; fol. 3r March, Digging, Aries; fol. 3v Garden scene, owner instructing gardeners; fol. 4r April, Pastoral scene, milking cow, sheep put out to pasture, Taurus; fol. 4v Young couple hunting; fol. 5r May, Suitor courting young woman, musicians serenading below, Gemini; fol. 5v Boating party on river; fol. 6r June, Mowing, Cancer; fol. 6v Haymaking; fol. 7r July, Reaping, Leo; fol. 7v Bailing sheaves; fol. 8r August, Threshing sheaves, Virgo; fol. 8v Winnowing; fol. 9r September, Harvesting grapes, Libra; fol. 9v Treading grapes; fol. 10r October, Ploughing, Scorpio; fol. 10v Sowing; fol. 11r November, Threshing acorns for pigs, Sagittarius; fol. 11v Swineherd selling pigs; fol. 12r December, Roasting pig, Capricorn; fol. 12v Cityscape in winter. Three full-page miniatures with full borders: fol. 13v Salve sancta facies, Christ as Salvator mundi holding orb and blessing, architectural border with saints in niches and St Veronica with the Vernicle; fol. 24v Hours of the Cross, Crucifixion with the Virgin, St John, two holy women, and soldiers, architectural border with Passion scenes within roundels: Agony in the Garden, Betrayal, Christ before Pilate, Flagellation, Crowning with Thorns, Carrying of the Cross, Entombment; fol. 157v Prayers to the Trinity, God the Father enthroned, holding wounded Son, Holy Spirit between them, with full strewn-flower border on compartmentalised blue and brushed gold grounds. Twenty-four large framed miniatures with full borders: fol. 15r Passion according to St John, Agony in the Garden, landscape border showing Christ addressing the Apostles after his prayer and his arrest; fol. 31r Hours of the Holy Spirit, Pentecost, full strewn-flower border; fol. 42r Gospel Sequences, St John on Patmos receiving vision of the Virgin and Child; fol. 50r Hours of the Virgin, Matins, Annunciation, landscape border showing God addressing Moses from the Burning Bush and Moses receiving the Tablets of the Law; fol. 107r Penitential Psalms, David penitent, landscape border with battlefield and an army camp outside city; fol. 123r Office of the Dead, Three Living and Three Dead, architectural border with skulls and corpse; fol. 160r Prayers of St Gregory, Mass of St Gregory, border with Instruments of the Passion; fol. 161v Verses of St Bernard, St Bernard with chained devil; fol. 165r Suffrages, St Michael and the devil, architectural border with clock, rosaries, sword, shield, and processional staff; fol. 166r St Peter with book and keys and St Paul with sword, architectural border; fol. 167r St Andrew with saltire cross, strewn-flower border; fol. 168v St Philip with processional cross and St James with staff and book, architectural border; fol. 170r St Lawrence with book and gridiron, strewn-flower border; fol. 171r Martyrdom of St Sebastian, architectural border; fol. 173r St George slaying the dragon, strewn-flower border; fol. 174v St Nicholas restoring three youths to life, strewn-flower border; fol. 175v St Anthony with book, staff, and pig, architectural border with a scallop shell and Cordeliers; fol. 176v St Martin dividing cloak with beggar, strewn-flower border; fol. 177v St Claude preaching, architectural border; fol. 179r St Anne and the Virgin adoring the Christ Child, Holy Spirit above, strewn-flower border; fol. 180r St Catherine with book and sword, architectural border; fol. 181r St Margaret emerging from dragon, compartmentalised panel border with strewn flowers, acanthus, and birds; fol. 182r St Barbara with book and palm branch within enclosed garden, tower beside her, architectural border; fol. 183v St Apollonia with book and pincers, architectural border.
Two small framed miniatures within text-block incorporating initials in gold ink: fol. 36r Mass of the Virgin, St Luke painting the Virgin, initial E within arched frame, full border with Tree of Jesse; fol. 105r Salve Regina, Virgin and Child clothed in the sun and seated on the crescent moon, one-sided strewn-flower panel border. Eight historiated initials in white-patterned blue or pink on gold grounds with full borders: fol. 25r Hours of the Cross, [D, 8 ll.] Harrowing of Hell, full architectural border with scenes within roundels: Resurrection, Three Holy Women and Angel at tomb, Noli me tangere, Supper at Emmaus, Doubting Thomas, Christ appearing to Mary and disciples, Ascension; fol. 65r Hours of the Virgin, Lauds, [D, 9 ll.] Visitation, full acanthus border with birds and butterfly; fol. 74r Prime, [D, 9 ll.] Creation of Eve, landscape border with Octavian’s vision; fol. 78r Terce, [D, 9 ll.] Annunciation to the Shepherds, full strewn-flower border; fol. 82r Sext, [D, 9 ll.] Adoration of the Magi, landscape border wild men and a merman jousting with wild man; fol. 85r None, [D, 9 ll.] Presentation in the Temple, landscape border with Jacob’s dream; fol. 89r Vespers, [D, 8 ll.] Massacre of the Innocents, strewn-flower border; fol. 95r Compline, [C, 9 ll.] Flight into Egypt, architectural border with flower pots in niches; fol. 159v Prayer to the Father, [D, 5 ll.] God the Father holding orb and blessing, one-sided acanthus and strewn-flower panel border; fol. 159r Prayer to the Son, [D, 4 ll.] Man of Sorrows, one-sided acanthus and strewn-flower panel border; fol.159v Prayer to the Holy Spirit, [D, 4 ll.] Dove of the Holy Spirit, one-sided strewn-flower panel border. ORNAMENTATION: Gold acanthus initial [S, 8 ll.] with bird on pink ground and full border with peacock feathers (fol. 14r); grey initials [1 – 4 ll.] with graded foliate ornament on russet grounds with foliate motifs in liquid gold; one-sided strewn-flower panel borders, often compartmentalised, on every text page; line fillers with grisaille acanthus and liquid gold foliate and geometric motifs on russet grounds.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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media-9974
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https://data.fitzmuseum.cam.ac.uk/id/image/media-9974
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9974
| null | null | null | 475
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| 400
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media-997431314
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https://data.fitzmuseum.cam.ac.uk/id/image/media-997431314
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-997431314
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object-199678
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https://data.fitzmuseum.cam.ac.uk/id/object/199678
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-199678
| 191
| 250
| 781
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http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/651/727/PD_13_2014_201901_adn21_mas.ptif&cvt=jpeg
| 4,663
| 6,113
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Aeneas pleading with Anchises to flee Troy. Girodet de Roucy-Trioson, Anne-Louis (French, 1767-1824). Graphite on paper, height, paper, 117 mm, width, paper, 180 mm, circa 1823.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-997431314
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https://api.fitz.ms/data-distributor/iiif/media-997431314/manifest
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media-9975
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9975
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| 665
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media-9976
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| null | null | null | 266
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| 760
| 713
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media-9977
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| null | null | null | 265
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| 717
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media-99776824
| 1,537,062,934,000
| 1,617,832,015,000
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https://data.fitzmuseum.cam.ac.uk/id/image/media-99776824
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-99776824
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object-69507
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https://data.fitzmuseum.cam.ac.uk/id/object/69507
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-69507
| 333
| 250
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http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/561/538/GR_1_1946_6_201108_mfj22_mas.ptif&cvt=jpeg
| 6,496
| 4,872
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Figure. Statuette, male. Bronze, height 0.25 m, circa 1801-1900. Dating not confident.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-99776824
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https://api.fitz.ms/data-distributor/iiif/media-99776824/manifest
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media-997786623
| 1,537,063,569,000
| 1,617,832,747,000
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https://data.fitzmuseum.cam.ac.uk/id/image/media-997786623
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-997786623
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object-69103
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https://data.fitzmuseum.cam.ac.uk/id/object/69103
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-69103
| 188
| 250
| 768
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http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/562/434/GR_4_1932_1_2010_amt49_mas.ptif&cvt=jpeg
| 4,872
| 6,496
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Figurine of a ploughing team. Copper alloy, cast, depth 0.058 m, height 0.055 m, width 0.13 m, 600- 501 B.C. Find Spot: Cesme Ionia, Turkey. Production Place: East Greece/Turkey region. Archaic Period.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-997786623
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media-9978
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https://data.fitzmuseum.cam.ac.uk/id/image/media-9978
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9978
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| 760
| 497
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media-9979
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9979
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| 738
| 760
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media-9980
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9980
| null | null | null | 335
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| 567
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media-998096715
| 1,529,392,564,000
| 1,617,827,275,000
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https://data.fitzmuseum.cam.ac.uk/id/image/media-998096715
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998096715
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object-118711
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https://data.fitzmuseum.cam.ac.uk/id/object/118711
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-118711
| 153
| 250
| 627
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http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/522/341/MS_154_13v_14r_201411_mfj22_mas.ptif&cvt=jpeg
| 3,268
| 5,336
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Illuminated manuscript. Book of Hours. Annunciation and Nativity, fols 13 verso - 14 recto. Attavanti, Vante di Gabriello di Vante (Italian, 1452-before 1525). Master of the Hamilton Xenophon (Italian scribe, act. ca.1480-1485). Use of Rome. Gothic bookhand (textualis). Parchment, ii paper flyleaves + i modern parchment flyleaf + 195 fols. + i contemporary parchment flyleaf + ii paper flyleaves, 142 x 102 mm (67 x 47 mm), 12 long lines, ruled in red ink, catchwords. Gold leaf. Binding: Nineteenth century, red velvet over wooden boards, edges gilt and gauffered. Contents: fols. 1r-12v Calendar, fols. 14r-83v Hours of the Virgin, fols. 85r-99r Penitential Psalms, fols. 99r-109v Litany and prayers, fols. 111r-114v Short Hours of the Cross, fols. 115r -147r Hours of the Passion, fols. 147v-188v Office of the Dead, fols. 189r-194v Prayers to the Virgin, St Sebastian, and the Guardian Angel. Ornamentation: Foliate initials [4 ll.] on burnished gold grounds with floral infill of liquid gold on blue or red grounds and one-sided floral borders; alternate gold and blue initials [2-3 ll.] with blue or red pen-flourished infill and marginal extensions; alternate gold and blue one-line initials with blue or red pen flourishing. Circa 1480-1490. Florence, Italy.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-998096715
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media-9981
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| 632
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media-9982
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9982
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media-99823020
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https://data.fitzmuseum.cam.ac.uk/id/image/media-99823020
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-99823020
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object-117888
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https://data.fitzmuseum.cam.ac.uk/id/object/117888
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-117888
| 167
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| 683
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Folding fan. The Pillemont Fan. Unknown maker, France. Front: Decorated overall with groups of chinoiserie figures in black, with a floral border in black at the top. The right, left and lower edges are bordered by scrolls which on the right and left have an outer border of striations which continues across the top. An outer Vitruvian scroll border in gold runs round the top and two sides. Reverse: In the middle, two putti holding a garland are seated on a cloud; scroll border on all sides. Sticks: In the middle a man kneels, offering his heart to a lady, while a putto hovers overhead. On the left and right, an oval cartouche in which a lady stands beside a vase. Guards: On the upper end of each, a gentleman playing a lute with a putto above and a trophy below. Double leaf of chickenskin decorated in pen and black and red ink, and gilt. Gold binding on upper edge. Sticks and guards of pierced, carved, engraved, silvered and gilt in two colours mother-of-pearl . Rivet with two gilt metal washers. Length, guards, 27.6 cm, width, leaf, 50.4 cm, circa 1750 to circa 1760. Rococo; Chinoiserie. Louis XV. Production Note: One of the groups of figures was derived from L'Air in a set of Elements by Jean Pillement (1719-1808). Acquisition Credit: Purchased with a grant from the National Heritage Memorial Fund and a gift from The Friends of the Fitzwilliam Museum.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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media-998246362
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https://data.fitzmuseum.cam.ac.uk/id/image/media-998246362
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998246362
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object-190096
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https://data.fitzmuseum.cam.ac.uk/id/object/190096
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-190096
| 150
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| 613
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http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/652/557/O_184_2008_1_mas.ptif&cvt=jpeg
| 1,374
| 2,295
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Netsuke. Unknown maker, Japan. A group of seven whitebait (Shirauo). The eyes are double inlaid with mother of pearl and glass. Ivory, 1900-2000.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-998246362
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media-9983
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9983
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9983
| null | null | null | 252
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| 760
| 753
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media-998384877
| 1,529,203,558,000
| 1,617,818,642,000
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https://data.fitzmuseum.cam.ac.uk/id/image/media-998384877
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998384877
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object-138333
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https://data.fitzmuseum.cam.ac.uk/id/object/138333
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-138333
| 375
| 250
| 1,536
| 1,024
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http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/437/783/O_24_1938_200805_mfj22_mas.ptif&cvt=jpeg
| 4,992
| 3,328
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Carving. Guanyin, Goddess of Mercy. Carved as a seated guanyin with fine carving for the hair and hem of her robes. Studded with pearls and semi-precious stones. Soapstone, height, including base, 10.3 cm, width 7.8 cm, 1700-1800. Chinese.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-998384877
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media-9984
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9984
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9984
| null | null | null | 251
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| 760
| 757
| null | null | null | null | null | null | null |
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media-998449349
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-998449349
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998449349
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object-781
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https://data.fitzmuseum.cam.ac.uk/id/object/781
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https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-781
| 198
| 250
| 810
| 1,023
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http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/636/109/PD_19_1968_201901_adn21_mas.ptif&cvt=jpeg
| 5,882
| 7,432
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Penshurst (1852). Brett, John (British, 1830-1902). Oil on millboard, height 17.8 cm, width 25.4 cm, 1852. Acquisition Credit: From the Fairhaven Fund.
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Photograph copyright © The Fitzwilliam Museum, Cambridge.
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https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-998449349
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media-9985
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9985
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9985
| null | null | null | 347
| 250
| 760
| 548
| null | null | null | null | null | null | null |
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media-998505238
| 1,537,063,717,000
| 1,617,832,904,000
|
https://data.fitzmuseum.cam.ac.uk/id/image/media-998505238
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998505238
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object-69063
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https://data.fitzmuseum.cam.ac.uk/id/object/69063
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-69063
| 333
| 250
| 1,365
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/562/653/GR_5b_1931_3_2010_amt49_mas.ptif&cvt=jpeg
| 6,496
| 4,872
|
Vessel. Skyphos/Cup. Clay, diameter 0.085 m, height 0.078 m, diameter 0.107 m, 1000-901 B.C. Production Place: Athens. Protogeometric Period. Dark Ages.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-998505238
|
https://api.fitz.ms/data-distributor/iiif/media-998505238/manifest
|
||
media-998558493
| 1,537,152,889,000
| 1,637,022,160,000
|
https://data.fitzmuseum.cam.ac.uk/id/image/media-998558493
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998558493
|
object-20590
|
https://data.fitzmuseum.cam.ac.uk/id/object/20590
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-20590
| 351
| 250
| 1,437
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/587/870/PD_30_2000_mas.ptif&cvt=jpeg
| 5,086
| 3,625
|
The Virgin and Child enthroned with Saints Cosmas and Damian with St Eustace and Saint George in the background. Maineri, Gian Francesco de (Italian, op.1489-1506). Oil on panel, height 28 cm, width 21 cm, c.1500. Ferrarese School.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-998558493
|
https://api.fitz.ms/data-distributor/iiif/media-998558493/manifest
|
||
media-998567513
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-998567513
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998567513
|
object-18897
|
https://data.fitzmuseum.cam.ac.uk/id/object/18897
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-18897
| 163
| 250
| 667
| 1,024
| null | null | null |
Weapons. Sword. Unknown production, Germany. Hilt of bright steel. Large conical pommel, without a tang-button, circular in plan with an elegant neck below the base. The front and back are each decorated with a triangular patch of chiselling, of vague floriate design. Grip (in original condition) of oval section, strongly shouldered about 2.5 cm from the top, where it meets the neck of the pommel, covered in fishskin, with leather on the upper part. The guards, all of well-shaped hexagonal section consist of quillons and branches. The long forward and rear quillons are horizontally recurved and widen to a slight balbosity at the tips. The branches support a large upper ring-guard forward of the ecusson, and a smaller one joining the lower elements. The upper ring-guard supports a thumb-ring set at right angles to the plane of the blade. The blade is long and very slightly tapering, of flat hexagonal section, decorated for 24.1 cm (9 ½") below the ricasso with a waved pattern. The strong ricasso is stamped with a maker's mark on one side. Below it, the centre of the blade is decorated with engraved straight lines along each 'edge' of the flat piece against the chamfer towards each edge of the blade; between these lines, a long zigzag line. Steel sword, cast, with chiselled and engraved decoration, fish skin and leather grip, length, whole, 126.3 cm, length, blade, 106.7 cm, width, blade, 4.2 cm, length, hilt, 25.4 cm, width, quillons, 25.4 cm, circa 1540-1550.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
| null | null |
||
media-998579318
| 1,529,369,914,000
| 1,617,821,460,000
|
https://data.fitzmuseum.cam.ac.uk/id/image/media-998579318
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998579318
|
object-17525
|
https://data.fitzmuseum.cam.ac.uk/id/object/17525
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-17525
| 332
| 250
| 1,362
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/504/676/C_5_1909_200803_mfj22_mas.ptif&cvt=jpeg
| 3,654
| 2,748
|
Fritware/Stonepaste. Tile Panel. Production Place: Damascus, Syria. Fritware, mould-made, painted in blue green and black under a clear glaze and framed in ebonised wood decorated with gilding, height, whole, 122 cm, width, whole, 92 cm, depth, whole, 8 cm, height, single tile, 26 cm, width, single tile, 27 cm, circa 1550-1650. Ottoman Period.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-998579318
|
https://api.fitz.ms/data-distributor/iiif/media-998579318/manifest
|
||
media-9986
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9986
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9986
| null | null | null | 323
| 250
| 760
| 589
| null | null | null | null | null | null | null |
||
media-9987
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9987
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9987
| null | null | null | 336
| 250
| 760
| 566
| null | null | null | null | null | null | null |
||
media-9988
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9988
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9988
| null | null | null | 342
| 250
| 760
| 555
| null | null | null | null | null | null | null |
||
media-9989
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9989
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9989
| null | null | null | 153
| 250
| 464
| 760
| null | null | null | null | null | null | null |
||
media-998956447
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-998956447
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998956447
|
object-18137
|
https://data.fitzmuseum.cam.ac.uk/id/object/18137
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-18137
| 143
| 250
| 586
| 1,024
| null | null | null |
Miniature. Richard Sackville, 3rd Earl of Dorset 1589-1624. Oliver, Isaac I (British, 1556(?)-1617). Watercolour on vellum on card, height 41 mm, width 34 mm, 1616.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
| null | null |
||
media-998978496
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-998978496
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-998978496
|
object-2153
|
https://data.fitzmuseum.cam.ac.uk/id/object/2153
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-2153
| 291
| 250
| 1,191
| 1,024
| null | null | null |
Dead game and fruit. Weenix, Jan (Dutch, 1642(?)-1719). Oil on canvas, height 104.9 cm, width 94.3 cm, 1706.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
| null | null |
||
media-9990
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9990
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9990
| null | null | null | 360
| 250
| 760
| 528
| null | null | null | null | null | null | null |
||
media-9991
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9991
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9991
| null | null | null | 136
| 250
| 414
| 760
| null | null | null | null | null | null | null |
||
media-999149657
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-999149657
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-999149657
|
object-366
|
https://data.fitzmuseum.cam.ac.uk/id/object/366
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-366
| 310
| 250
| 1,269
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/575/798/651_201606_adn21_mas.ptif&cvt=jpeg
| 5,928
| 4,782
|
The Virgin and Child with St Elizabeth and the infant Baptist. Jacopino del Conte, attrib. (Italian, 1510-1598). Oil on panel, height, 100.3 cm, width, 76.7 cm, height, frame, 128.7 cm, width, 103.8 cm, depth, 15 cm. Florentine School.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-999149657
|
https://api.fitz.ms/data-distributor/iiif/media-999149657/manifest
|
||
media-9992
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9992
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9992
| null | null | null | 135
| 250
| 410
| 760
| null | null | null | null | null | null | null |
||
media-9993
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9993
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9993
| null | null | null | 309
| 250
| 760
| 614
| null | null | null | null | null | null | null |
||
media-999340003
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-999340003
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-999340003
|
object-239290
|
https://data.fitzmuseum.cam.ac.uk/id/object/239290
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-239290
| 350
| 250
| 1,435
| 1,024
| null | null | null |
Illuminated Manuscript. Haft Paykar (The Seven Beauties, 1197). Also called Bahram-Nama. Nizami Ganjavi (Persian, 1141 to 1209). Sixteenth century edition.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
| null | null |
||
media-999343641
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-999343641
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-999343641
|
object-76487
|
https://data.fitzmuseum.cam.ac.uk/id/object/76487
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-76487
| 411
| 250
| 1,682
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/626/549/C_980_1928_1_201203_mdb56_dc1.ptif&cvt=jpeg
| 6,144
| 3,740
|
Venus. Unknown Maker. Staffordshire Factory. White earthenware, probably slip-cast, assembled, lead-glazed, and painted in enamels. Height (whole). 61.0cm, circa 1815-1820. Neoclassical.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-999343641
|
https://api.fitz.ms/data-distributor/iiif/media-999343641/manifest
|
||
media-99935405
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-99935405
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-99935405
|
object-31740
|
https://data.fitzmuseum.cam.ac.uk/id/object/31740
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-31740
| 311
| 250
| 1,275
| 1,024
| null | null | null |
Self-portrait. Monro, Henry (British, 1791-1814). Black and white chalk on buff paper, height, sight size, 292 mm, width, sight size, 234 mm.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
| null | null |
||
media-9994
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9994
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9994
| null | null | null | 341
| 250
| 760
| 557
| null | null | null | null | null | null | null |
||
media-999482649
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-999482649
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-999482649
|
object-93606
|
https://data.fitzmuseum.cam.ac.uk/id/object/93606
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-93606
| 333
| 250
| 1,365
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/723/252/MS_McClean_180_25v_201409_kly25_dc1.ptif&cvt=jpeg
| 4,000
| 3,000
|
Illuminated manuscript. Historia romana. Diaconus, Paulus, author. Inglés, Jorge, artist (Spanish, op.1455). Carrión, Juan de, artist (Spanish, 15th cent?). Parchment, ink, gold, circa 1442-circa 1460.
Production Place: Spain, Castile, Segovia.
Parchment, 70 fols. (fol. 70 former pastedown), 380 x 280 mm (232 x 180 mm), two columns, 54 lines, ruled in plummet, catchwords, quire signatures. BINDING: Contemporary, plain vellum wrapper sewn on seven supports. CONTENTS: fols. 1r-48v Paulus Diaconus, Historia romana in Castilian translation with further material on Medes and Persians (fols. 1r-48v and 49r-60v); notes on the three continents (fol. 60v). fols. 61r-68v Amonstriamento (historical exempla and moral extracts from Aristotle, Dante and a Castilian princely manual)
fols. 68v-69r Prayers to recite when gathering the herb martegon
fol. 69r Diagram linking metals and planets. DECORATION: Historiated initial formed of a three-dimensional letter in blue and white on indented gold ground, extending into a full-page border of gold stave with scrolling penwork sprays and painted floral and foliate finials, at centre of lower bar a plain gold shield, supported by two wildmen bearing their own shields and wooden staffs: fol. 1r Paulus Diaconus, Historia romana, [A, 15ll.] Author holding scroll and open book, and standing against a background of hills and a city. ORNAMENTATION: Sixteen ornamental initials [10-12 ll.] formed of three-dimensional letters (lettres clenchées; Avril, Aniel, Mentré, Saulnier and Zaluska 1982, 134) on indented gold grounds with parted infill of pink and blue highlighted in white or gold (the highlighting in initials on folS. 19r, 35r and 38v is in the form of human faces), accompanied by spraywork extending into partial borders, for book divisions within Historia romana and the start of Amostriamento (fols. 6v, 11r, 15r, 19r, 21r, 26r, 31r, 35r, 38v, 41r, 43r, 44v, 49r, 51v, 54v, 61r); pink, green or blue initials [6-7 ll.] with contrasting penwork decoration, for minor text divisions; guide letters and some underdrawing still visible.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-999482649
|
https://api.fitz.ms/data-distributor/iiif/media-999482649/manifest
|
||
media-9995
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9995
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9995
| null | null | null | 346
| 250
| 760
| 549
| null | null | null | null | null | null | null |
||
media-9996
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9996
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9996
| null | null | null | 177
| 250
| 539
| 760
| null | null | null | null | null | null | null |
||
media-9997
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9997
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9997
| null | null | null | 475
| 250
| 760
| 400
| null | null | null | null | null | null | null |
||
media-9997673
| 1,529,287,023,000
| 1,617,819,653,000
|
https://data.fitzmuseum.cam.ac.uk/id/image/media-9997673
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9997673
|
object-29770
|
https://data.fitzmuseum.cam.ac.uk/id/object/29770
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-29770
| 333
| 250
| 1,365
| 1,024
|
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/465/280/M_3_1932_4_201010_adn21_mas.ptif&cvt=jpeg
| 6,496
| 4,872
|
Bust/Sculpture. Alexander Pope (1688-1744). Rysbrack, John Michael (Briitsh, 1694-1770). The sitter's head is turned to the front, held a little forward and looking slightly right. His hair curls at the nape of the neck, he is clean-shaven. His throat is bare, shirt open and the waist-coat is unbuttoned. The shoulders are draped in a cloak. Terracotta, height 22 1/2 inches, 1760.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
|
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-9997673
|
https://api.fitz.ms/data-distributor/iiif/media-9997673/manifest
|
||
media-9998
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9998
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9998
| null | null | null | 363
| 250
| 760
| 524
| null | null | null | null | null | null | null |
||
media-999876205
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-999876205
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-999876205
|
object-13599
|
https://data.fitzmuseum.cam.ac.uk/id/object/13599
|
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-13599
| 189
| 250
| 775
| 1,024
| null | null | null |
Sculpture. Animal Group. Animalier. Lion and Snake. Barye, Antoine Louis (French, 1796-1875). The moulded base is cast in one with the group - it is hollow cast - with dark brown patina, polished. The lion is seated on its haunches, looking down at the snake that it has pinned to the ground with its right paw. Its towering massive head and mane is supported by its left front leg. The word ''Barye'' is stamped on the base. Cast bronze, patinated, height, whole, 10.0 in, length, whole, 13 ½ in, 1833 (?). Acquisition Credit: Given by the Friends of the Fitzwilliam Museum.
|
Photograph copyright © The Fitzwilliam Museum, Cambridge.
| null | null |
||
media-9999
| null | null |
https://data.fitzmuseum.cam.ac.uk/id/image/media-9999
|
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9999
| null | null | null | 162
| 250
| 491
| 760
| null | null | null | null | null | null | null |
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